What makes a great Jewish book? What makes a book "Jewish" in the first place? Ruth R. Wisse, one of the leading scholars in the field of Jewish literature, sets out to answer these questions in The Modern Jewish Canon. Wisse takes us on an exhilarating journey through language and culture, penetrating the complexities of Jewish life as they are expressed in the greatest Jewish novels of the twentieth century, from Isaac Babel to Isaac Bashevis Singer, from Elie Wiesel to Cynthia Ozick. The modern Jewish canon Wisse proposes comprises those books that convey an experience of Jewish actuality, those in which "the authors or characters know and let the reader know that they are Jews," for better or worse. Wisse is not content merely to evaluate the great books of Jewish literature; she also links the works together to present a new kind of Jewish history, as it has been told through the literature of the past hundred years. She tells the story of a multilingual, multinational people, one that has experienced an often turbulent relationship with Hebrew (the liturgical and scriptural language) and Yiddish (the commonplace vernacular tongue), as well as with the numerous languages spoken by Jews around the world. Wisse insists that language informs the essential meaning of a Jewish work, creating and ratifying political and religious alliances, historical and cultural circumstance, and methods of interpretation. Drawing from a broad sweep of twentieth-century Jewish fiction, Wisse reintroduces us to the deeper side of much-beloved books that remain touchstones of Jewish identity. Through her eyes we reencounter old friends, including: Tevye the Dairyman from Sholem Aleichem's landmark Yiddish stories, the character on whom Fiddler on the Roof is based Joseph K. of Kafka's The Trial, who "without having done anything wrong" was famously "arrested one fine morning" Anne Frank, whose poignant diary has shaped the way we think about the Holocaust Nathan Zuckerman, the enigmatic narrator of numerous Philip Roth novels Destined to be a classic in its own right, one that reshapes the way we think about some of the classic works of the modern age, The Modern Jewish Canon is a book for every Jewish reader and for every reader of great fiction.

This book is an expression of how the different memories of different gendered experiences affected the Jewish attitudes towards modernity. Focusing on three geographical centers - pre-war and wartime Europe, the United States and Israel, the fifteen articles provide a backdrop to understanding the variation of Jewish life and identity.

The Encyclopedia of Modern Jewish Culture is an extensively updated revision of the very successful Companion to Jewish Culture published in 1989 and has now been updated throughout. Experts from all over the world contribute entries ranging from 200 to 1000 words broadly, covering the humanities, arts, social sciences, sport and popular culture, and 5000-word essays contextualize the shorter entries, and provide overviews to aspects of culture in the Jewish world. Ideal for student and general readers, the articles and biographies have been written by scholars and academics, musicians, artists and writers, and the book now contains up-to-date bibliographies, suggestions for further reading, comprehensive cross referencing, and a full index. This is a resource, no student of Jewish history will want to go without.

Latin American Jewish Studies Association Best Edited Volume This volume explores the local specificities and global forces that shaped Jewish experiences in the Americas across five centuries. Featuring a range of case studies by scholars from the United States, Brazil, Europe, and Israel, it explores the culturally, religiously, and politically diverse lives of Jewish minorities in the Western Hemisphere. The chapters are organized chronologically and trace four global forces: the western expansion of early modern European empires, Jewish networks across and beyond empires, migration, and Jewish activism and participation in international ideological movements. The volume weaves together into one narrative the histories of communities and individuals separated by time and space, such as the descendants of Portuguese converts, Moroccan immigrants to Brazil, and U.S.-based creators of Yiddish movies. Through its transnational focus and close attention paid to local circumstances, this volume offers new insights into the multicultural pasts of the Americas’ Jewish populations and of the different regions that make up North, Central, and South America. Contributors: Lenny A. Ureña Valerio | Elisa Kriza | Raanan Rein | Adriana M. Brodsky | Lucas de Mattos Moura Fernandes | Katalin Franciska Rac | Zachary M Baker | Neil Weijer | Hilit Surowitz-Israel | Isabel Rosa Gritti | Tamar Herzog | Jose C Moya | Sandra McGee Deutsch | Dana Rabin Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Between 1830 and 1880, the Jewish community flourished in England. During this time, known as haskalah, or the Anglo-Jewish Enlightenment, Jewish women in England became the first Jewish women anywhere to publish novels, histories, periodicals, theological tracts, and conduct manuals. The Origin of the Modern Jewish Woman Writer analyzes this critical but forgotten period in the development of Jewish women's writing in relation to Victorian literary history, women's cultural history, and Jewish cultural history. Michael Galchinsky demonstrates that these women writers were the most widely recognized spokespersons for the haskalah. Their romances, some of which sold as well as novels by Dickens, argued for Jew's emancipation in the Victorian world and women's emancipation in the Jewish world.

Tracing its history from Moses Mendelssohn to today, Alan Levenson explores the factors that shaped what is the modern Jewish Bible and its centrality in Jewish life today. The Making of the Modern Jewish Bible explains how Jewish translators, commentators, and scholars made the Bible a keystone of Jewish life in Germany, Israel and America. Levenson argues that German Jews created a religious Bible, Israeli Jews a national Bible, and American Jews an ethnic one. In each site, scholars wrestled with the demands of the non-Jewish environment and their own indigenous traditions, trying to balance fidelity and independence from the commentaries of the rabbinic and medieval world.

In this tribute to Steven T. Katz on the occasion of his seventieth birthday, Michael Zank and Ingrid Anderson present sixteen original essays written by senior and junior scholars in comparative religion, philosophy of religion, modern Judaism, and theology after the Holocaust, fields of inquiry where Steven Katz made major contributions over the course of his distinguished scholarly career. The authors of this volume, specialists in Jewish history, especially the modern experience, and Jewish thought from the Bible to Buber, offer theoretical and practical observations on the value of the particular. Contributions range from Tim Knepper’s reevaluation of the ineffability discourse to the particulars of the Settlement Cookbook, examined by Nora Rubel as an American classic.

In the late eighteenth century, German Jews began entering the middle class with remarkable speed. That upward mobility, it has often been said, coincided with Jews' increasing alienation from religion and Jewish nationhood. In fact, Michah Gottlieb argues, this period was one of intense engagement with Jewish texts and traditions. One expression of this was the remarkable turn to Bible translation. In the century and a half beginning with Moses Mendelssohn's pioneering translation and the final one by Martin Buber and Franz Rosenzweig, German Jews produced sixteen different translations of at least the Pentateuch. Exploring Bible translations by Mendelssohn, Leopold Zunz, and Samson Raphael Hirsch, Michah Gottlieb argues that each translator sought a "reformation" of Judaism along bourgeois lines, which involved aligning Judaism with a Protestant concept of religion. Buber and Rosenzweig famously critiqued bourgeois German Judaism as a craven attempt to establish social respectability to facilitate Jews' entry into the middle class through a vapid, domesticated Judaism. But Mendelssohn, Zunz, and Hirsch saw in bourgeois values the best means to serve God and the authentic actualization of Jewish tradition. Through their learned, creative Bible translations, these scholars presented competing visions of middle-class Judaism that affirmed Jewish nationhood while lighting the path to a purposeful, emotionally-rich spiritual life grounded in ethical responsibility.

This volume brings together scholars from a range of disciplines to explore the intersections between crisis, scholarship, and action. The aim of this book is to think about the “moment of crisis,” through the concepts, writings, and methodologies awarded to us by Jewish thinkers in modernity. This book offers a broad gallery of accounts on the notion of crisis in Jewish modernity while emphasizing three terms: interpretation, heresy, and messianism. The main thesis of the volume is that the diasporic and exilic experience of the Jewish people turned their philosophers and theologians into “experts in crisis management” who had to find resources within their own religion, culture and traditions in order to react, endure and overcome short- and long-term historical crises. The underlining assumption of this book is therefore that Jewish thought obtains resources for conceptualizing and reacting to the current forms of crisis in the global, European, and Israeli spheres. The volume addresses a large readership in humanities, social and political sciences and religious studies, taking as its assumption that scholars in modern Jewish thought have an extended responsibility to engage in contemporary debates.