Founded in 1894, the Mosaic Tile Company was the dream of two ceramic pioneers who intended to manufacture innovative ceramic mosaic murals while also dominating the utilitarian market. One of the largest such companies in the United States at the time, MTC's most significant contribution to the burgeoning Ohio pottery industry was the development of innovative and varied proprietary tile production and installation methods. Compared to its emphasis on mosaic murals, MTC's utilitarian and giftware goods were produced in limited quantities and were not well received at the time, making them rarer today. This book chronicles the history of ceramic creativity in Zanesville, Ohio, from its earliest days as a bustling town before the Great Depression through its recovery in the 1960s. It examines the Mosaic Tile Company's whole history, the bygone details of this long-lost business, its products and its employees, and incorporates images and postcards illustrating its products in each chapter.

The early Enoch literature does not refer to the Mosaic Torah or emphasize the distinctively Mosaic laws designed for Israel. But the book of Jubilees gives room to both Mosaic and Enochic traditions within the Sinaitic revelatory framework. What, then, should we make of such differences? / This question and related speculations were on the minds of scholars gathered from around the world at the fourth Enoch Seminar at Camaldoli, Italy, in July 2007. Four tendencies emerged from the discussion at the seminar. Some scholars claimed that Jubilees was a direct product of Enochic Judaism with subordinated Mosaic features. Some suggested that Jubilees was a conscious synthesis of Enochic and Mosaic tradition, yet remaining autonomous from both. Some asserted that Jubilees was essentially a Mosaic text with some Enochic influence. And others questioned the very existence of a gulf between Enochic and Mosaic traditions as competing forms of Judaism at the time of Jubilees. / Gabriele Boccaccini and Giovanni Ibba have carefully collected the countervailing views into this volume. What readers will find here is a lively debate among the most distinguished international specialists, together striving for a better understanding of a puzzling ancient document.

This book, copiously illustrated throughout, studies the garments and their accessories worn by some 245 figures represented on approximately 41 mosaic floors (some only partially preserved) that once decorated both public and private structures within the historical-geographical area of Eretz Israel in Late Antiquity.

There are more similarities between the 7 billion people worldwide than there are differences, and global harmony, instead of widespread conflict, is possible. The “global mosaic” of our lives: lifestyle, culture, nationality, race, religion, gender, gender identity, ability, sexual orientation, socioeconomic level, and belief system are all tiles that can fit together to form a colorful and harmonious cultural mosaic. In Global Discontent: The Mosaic of Cultural Diversity, Dr. Pedram provides us with a user-friendly philosophical, historical, and sociological guide to many of the issues facing the world today, and to possible resolutions toward an ideal world. This work is an expression of Dr. Pedram’s dream: that in the twenty-first century humanity in every corner of the globe will put conflict, war, hostility, and global discord behind them and, in their place, work to create a cooperative and peaceful global community, with global governance for the common good.

In the early 1880's dissension arose among the Muslim and Christian inhabitants of al-Karak, east of the Dead Sea. Up to that time the believers of both religions had lived peacefully together in the city. Problems arose and the Christians decicded to move. They were allowed to settle at Madaba. The government gave permission to build churches, but exclusively on those spots where churches had existed in Antiquity. The immigrants removed the debris from still partially visible foundation walls of the ancient churches. During this work they discovered in 1884 a marvelous mosaic map. It had been part of the floor of a large cathedral. The surviving fragments were roughly repaired and incorporated in the floor of the new St. George's church. It took nearly a hundred years and many admirers to have the map finally restored. This book is an introductory guide and can be a help to different kinds of people, such as visitors, students, and professors teaching first level archaeology, bible, and Umwelt. Numbers on the sketch included in the guide, refer the reader to appropriate information in the booklet. A colour reproduction of the map and a black/white sketch is included.

Immigration policy is a subject of intense political and public debate. In this second edition of the widely recognized and authoritative work The Making of the Mosaic, Ninette Kelley and Michael Trebilcock have thoroughly revised and updated their examination of the ideas, interests, institutions, and rhetoric that have shaped Canada's immigration history. Beginning their study in the pre-Confederation period, the authors interpret major episodes in the evolution of Canadian immigration policy, including the massive deportations of the First World War and Depression eras as well as the Japanese-Canadian internment camps during World War Two. New chapters provide perspective on immigration in a post-9/11 world, where security concerns and a demand for temporary foreign workers play a defining role in immigration policy reform. A comprehensive and important work, The Making of the Mosaic clarifies the attitudes underlying each phase and juncture of immigration history, providing vital perspective on the central issues of immigration policy that continue to confront us today.

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