MUSEUM MEDIA Edited by Michelle Henning Museum Media explores the contemporary uses of diverse media in museum contexts and discusses how technology is reinventing the museum. It considers how technological changes—from photography and television through to digital mobile media—have given rise to new habits, forms of attention and behaviors. It explores how research methods can be used to understand people's relationships with media technologies and display techniques in museum contexts, as well as the new opportunities media offer for museums to engage with their visitors. Entries written by leading experts examine the transformation of history and memory by new media, the ways in which exhibitions mediate visitor experience, how designers and curators can establish new kinds of relationships with visitors, the expansion of the museum beyond its walls and its insertion into a wider commercial and corporate landscape. Focusing on formal, theoretical and technical aspects of exhibition practice, this in-depth volume explores questions of temporality, attachment to objects, atmospheric and immersive exhibition design, the reinvention of the exhibition medium, and much more.

Praise for the previous editions:"Clearly the best reference work on the subject now available."

This book marks twenty years since the publication of Professor Ronald Hutton’s The Triumph of the Moon, a major contribution to the historical study of Wicca. Building on and celebrating Hutton’s pioneering work, the chapters in this volume explore a range of modern magical, occult, and Pagan groups active in Western nations. Each contributor is a specialist in the study of modern Paganism and occultism, although differ in their embrace of historical, anthropological, and psychological perspectives. Chapters examine not only the history of Wicca, the largest and best-known form of modern Paganism, but also modern Pagan environmentalist and anti-nuclear activism, the Pagan interpretation of fairy folklore, and the contemporary ‘Traditional Witchcraft’ phenomenon.

“Witches: A Compendium maps the landscape of witchcraft and occult practices, past and present. Within these pages, you’ll find clear descriptions of magical practices and tools, animal familiars, inspirational witch figures . . . and even witch-related sites around the world to star on your Google Maps. This book will serve as reference, guide, and inspiration to anyone curious about the magical arts.” —from the foreword by Frances F. Denny Witches explores what a witch is and the different ways to be one. Judika Illes presents the history, mysteries, and diverse natures of witches from around the world. Featuring a who’s who ranging from famous—or infamous—historical witches such as Tituba, Sybil Leek, Aleister Crowley, Isobel Gowdie, and Countess Erzsebet Báthory (widely known as the Blood Countess) to popular literary, cinematic, and TV witches such as Endora, the Scarlet Witch, Melisandre, Storm, Agatha Harkness, and the Wicked Witch of the West, Witches also offers travel tips for witches and a guide to the tools of the trade such as brooms, wands, cauldrons, and mirrors. This celebration of witches and witchcraft also features: Sacred witches such as Baba Yaga, Lilith, Isis, Hekate, Diana, Circe, and Yemaya Familiars and creatures closely associated with witchcraft including cats, bats, crows, owls, and foxes Art witches like Moina Mathers, Vali Myers, Rosaleen Norton, Leonora Carrington, and Cameron Different schools of witchcraft including green witchery, kitchen witchery, Wicca, and Hekatean Witchcraft The various things witches do from divination to spirit working to spell-casting

Every good reference book is both a product and a reflection of its time. The Dictionary of Magic & Mystery is not just another compendium or dictionary of occultism: it is a jumping-off point for further research. Here, the reader will find the ancient and modern interpretation for magical and mystical terms, together with explanations for the differences between the varied (and often conflicting) approaches to magic.

The history of infamous witch trials and witchcraft accusations is deeper than just those most often discussed at Salem. The Empire State has had numerous moments of pandemonium over the potential existence of witches. From Native Americans viewing European colonists as witches in the Mohawk Valley to witchcraft hysteria among early Long Island colonial settlements, the history of New York state's witchcraft accusations encompases all regions and communities in the state. Join author Scott R. Ferrara as he presents harrowing narratives of those who were accused of witchcraft, the feverish community dramas that resulted and the lives of those who faced their community as an outsider.

A fabulous collection of ghostly hauntings in Cornwall. Paranormal Cornwall contains these and many other narratives which will delight the ghost hunters and the spiritualists, make the sceptical think again, and send chills up and down every spine.

The magical images and protest tools of Artemisia Gentileschi to Amanda Yates Garcia, also known as the Oracle of LA, are revealed in this book. Art Witches have created powerful images that resonate with beauty and activism, from Italian courtrooms in the 1500s to binding spells for the US Trump presidency in 2016. For the first time, this book connects the genealogy of the image of the witch from historical to contemporary artists. It intertwines artistic purpose with social ills and equity issues and probes how this narrative is exposed and curated in museums and memorials focused on witchcraft. The collection of images, artist interviews, and a case study of the two artists that make up Hilma’s Ghost provide recognition and a new context for this important and rapidly growing art movement.

How would our understanding of museums change if we used the Vintage Wireless Museum or the Museum of Witchcraft as examples – rather than the British Museum or the Louvre? Although there are thousands of small, independent, single-subject museums in the UK, Europe and North America, the field of museum studies remains focused almost exclusively on major institutions. In this ground-breaking new book, Fiona Candlin reveals how micromuseums challenge preconceived ideas about what museums are and how they operate. Based on extensive fieldwork and analysis of more than fifty micromuseums, she shows how they offer dramatically different models of curation, interpretation and visitor experience, and how their analysis generates new perspectives on subjects such as display, objects, collections, architecture, and the public sphere. The first-ever book dedicated to the subject, Micromuseology provides a platform for radically rethinking key debates within museum studies. Destined to transform the field, it is essential reading for students and researchers in museum studies, anthropology, material culture studies, and visual culture.

The Pagan or Witch Elder is a leader who has lead by example, and teaches their wisdom to those that will listen, they have cleared the path for those to follow. We must remember and know who these Spiritual and Magical Warriors were and are, some who are still fighting in the world for our acceptance and understanding. This book is filled with hundreds of Elders (some known and some not well known) who stood tall and fought the establishment with compassion and strength, endurance and wisdom, courage, and determination, to share an ancient knowledge that has been awakened by them in the 21st century. I write this book so that our Pagan community remembers and knows who these brave Spiritual Earth Warriors were and are, and what they have given, sacrificed, and shared for the future of our world. This book is to honour all our Elders, so they are never forgotten and always honoured. MERRY WE MEET, MERRY WE PART, AND MERRY WE MEET AGAIN!