A biography of the artist and first African American man to become a professional conservator for the Smithsonian National Portrait Gallery. Felrath Hines was born in 1913 and raised in the segregated Midwest after his parents left the South to find a better life in Indianapolis. While growing up, he was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute. In 1937, he moved to Chicago, where he attended the Art Institute of Chicago in hopes of making his dreams a reality. The Life and Art of Felrath Hines: From Dark to Light chronicles the life of this exceptional artist who overcame numerous obstacles throughout his career and refused to be pigeonholed because of his race. Rachel Berenson Perry tracks Hines’s determination and success as a contemporary artist on his own terms. She explores his life in New York City in the 1950s and ‘60s, where he created a close friendship with jazz musician Billy Strayhorn and participated in the African American Spiral Group of New York and the equal rights movement. Hines’s relationship with Georgia O’Keeffe, as her private paintings restorer, and a lifetime of creating increasingly esteemed Modernist artwork, are part of the story of one man’s remarkable journey in twentieth-century America. Featuring exquisite color photographs, The Life and Art of Felrath Hines explores his life, work, and significance as an artist and as an art conservator.

This USA guidebook is perfect for independent travellers planning a longer trip. It features all of the must-see sights and a wide range of off-the-beaten-track places. It also provides detailed practical information on preparing for a trip and what to do on the ground. And this USA travel guidebook is printed on paper from responsible sources, and verified to meet the FSC’s strict environmental and social standards. This USA guidebook covers: New York City, The Mid-Atlantic, New England, The Great Lakes, The Capital Region, The South, Florida, Louisiana, Texas, The Great Plains, The Rockies, The Southwest, California, The Pacific Northwest, Alaska, Hawaii. Inside this USA travel book, you’ll find: A wide range of sights – Rough Guides experts have hand-picked places for travellers with different needs and desires: off-the-beaten-track adventures, family activities or chilled-out breaks Itinerary examples – created for different time frames or types of trip Practical information – how to get to the USA, all about public transport, food and drink, shopping, travelling with children, sports and outdoor activities, tips for travellers with disabilities and more Author picks and things not to miss in the USA – Redwood National and State Parks; Glacier National Park; Sweet Auburn, Atlanta; The National Mall, Washington DC; Walt Disney World, Orlando; Skiing in the Rocky Mountains; Las Vegas, Yellowstone National Park, The Grand Canyon; Hawaii Volcanoes Insider recommendations – tips on how to beat the crowds, save time and money, and find the best local spots When to go to the USA – high season, low season, climate information and festivals Where to go – a clear introduction to the USA with key places and a handy overview Extensive coverage of regions, places and experiences – regional highlights, sights and places for different types of travellers, with experiences matching different needs Places to eat, drink and stay – hand-picked restaurants, cafes, bars and hotels Practical info at each site – hours of operation, websites, transit tips, charges Colour-coded mapping – with keys and legends listing sites categorised as highlights, eating, accommodation, shopping, drinking and nightlife Background information for connoisseurs – history, culture, art, architecture, film, books, religion, diversity Fully updated post-COVID-19 The guide provides a comprehensive and rich selection of places to see and things to do in the USA, as well as great planning tools. It’s the perfect companion, both ahead of your trip and on the ground.

The Rough Guide to the USA is the ultimate guide to all fifty states. Whether you're planning a classic American road-trip, a visit to New England in the Fall, or a west-coast sun and surf holiday, this guide is the perfect companion. Packed with colour maps, itineraries and route suggestions, it will help you discover the best the United States has to offer, from New York's museums and Chicago's skyscrapers to the deserts of the Southwest and vineyards of California. With expert reviews of hotels, restaurants, diners and bars, plus all the information you'll need on city sights and national parks, you'll make the most of your American adventure with The Rough Guide to the USA. Now available in ePub format.

A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

A kaleidoscopic survey of black satire in 20th- and 21st-century American art In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century—in all their complexity, humor, and provocation—Powell raises important questions about the social power of art. Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art.

Media, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison’s phonograph to digital music files, from record collections to online archives, Roy argues that materiality plays a crucial role in constructing and understanding the territory of recorded sound. How do musical objects ‘write’ cultural narratives? How can we unearth and reactivate past histories by looking at yesterday’s media formats? What is the nature, and fate, of the physical archive in an increasingly dematerialized world? In what ways do physical and digital musical objects coexist and intersect? With its innovative theoretical approach, the book explores the implications of materialization in the fashioning of a musical world and its cultural transmission. A substantial contribution to the field of music and material culture studies, Media, Materiality and Memory also provides a nuanced and timely reflection on nostalgia and forgetting in the digital age.

This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption – called "contemporary art" – emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part I is methodological and theoretical in scope, while Part II is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies.

Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.

**A New York Times Editors Choice** "The most substantive biography of the artist to date...propulsive, positive and persuasive."—Holland Cotter, New York Times Book Review **PEN / Jacqueline Bograd Weld Award for Biography Finalist** **A Marfield Prize Finalist** Cy Twombly was a man obsessed with myth and history—including his own. Shuttling between stunning homes in Italy and the United States where he perfected his room-size canvases, he managed his public image carefully and rarely gave interviews. Upon first seeing Twombly’s remarkable paintings, writer Joshua Rivkin became obsessed himself with the mysterious artist, and began chasing every lead, big or small—anything that might illuminate those works, or who Twombly really was. Now, after unprecedented archival research and years of interviews, Rivkin has reconstructed Twombly’s life, from his time at the legendary Black Mountain College to his canonization in a 1994 MoMA retrospective; from his heady explorations of Rome in the 1950s with Robert Rauschenberg to the ongoing efforts to shape his legacy after his death. Including previously unpublished photographs, Chalk presents a more personal and searching type of biography than we’ve ever encountered, and brings to life a more complex Twombly than we’ve ever known.

'Enemy – Stranger – Neighbour: The Image of the Other in Moche Culture' is dedicated to artistic renderings of the Recuay people in Moche art, in all available and preserved media. This study offers an analysis of several dozen complex, painted and bas-relief scenes and several hundred mould-pressed, sculpted depictions of foreigners in Moche art.