Charlie Siringo (1855-1928) lived the quintessential life of adventure on the American frontier as a cowboy, Pinkerton detective, writer, and later as a consultant for early western films. Siringo was one of the most attractive, bold, and original characters to live and flourish in the final decades of the Wild West. His love of the cattle business and of cowboy life were so great that in 1885 he published A Texas Cowboy, or Fifteen Years on the Hurricane Deck of a Spanish Pony--Taken From Real Life, which Will Rogers dubbed the "Cowboy's Bible." Howard R. Lamar's biography deftly shares Siringo's story within seventy-five pivotal years of western history. Siringo was not a mere observer but a participant in major historical events including the Coeur d'Alene mining strikes of the 1890s and Big Bill Haywood's trial in 1907. Lamar focuses on Siringo's youthful struggles to employ his abundant athleticism and ambitions and how Siringo's varied experiences helped develop the compelling national myth of the cowboy.

These are the Texas Dames, women who sallied forth to run sprawling ranches, build towns, helm major banks and shape Lone Star history. These "Dames" broke gender and racial barriers in every facet of life. Some led the way as heroines, while others slid headlong into notoriety, but nearly all exhibited similar strands of courage and determination to wrest a country, a state and a region from the wilds. From Angelina of the Hasinai, interpreter for the Spanish, and sharpshooter Sally Scull to Dr. Claudia Potter, America's first female anesthesiologist, and Birdie Harwood, first female mayor in the United States, historian Carmen Goldthwaite has been profiling Texas women and their accomplishments in her popular "Texas Dames" column. Here are their stories, from early Tejas to the twentieth century.

For the first time, the true story of "The Yellow Rose of Texas" is told in full, revealing a host of new insights and perspectives on one of America's most popular stories. For generations, the Yellow Rose of Texas has been one of America's most popular western myths, growing larger over time and little resembling the truth of what happened on April 21, 1836, at the battle of San Jacinto, where a new Texas Republic won its independence. The woman who has been popularly connected to the story was an ordinary but also quite remarkable free black woman from the North, Emily D. West. This work reconstructs her experience, places it in full context and explores the evolution of a most fanciful myth.

GHOLSON ROAD is the well-documented story of one family's role in American history, from early Virginia through early Texas during the period of the Old West. Anthony2 fought with the Virginia militia in the Revolutionary War and leased land from George Washington. In 1801, at age 68, he moved his family west to Kentucky. Samuel, son of Anthony2, fought in the War of 1812, participating in the Battle of the Thames and the Battle of New Orleans, moved to Arkansas Territory, then to Texas, arriving in 1832 with his son Albert. They were members of Robertson's Colony while Texas was still a part of Mexico and were among the early Texas Rangers. Albert fought in most of the battles of the Texas Revolution and survived many Indian fights, only to be killed by a neighbor. His sons, Sam and Frank, were also Texas Rangers, protecting the settlers and helping to retrieve several Indian captives. The brothers were persuaded to become Confederate soldiers by a lynch mob that threatened to kill them and their young wives if they did not. After the Civil War, they were involved in the cattle industry and the trail drives of the late 1800s.

In 1955, Frank X. Tolbert, a well-known columnist for the Dallas Morning News, circumnavigated Texas with his nine-year-old-son in a Willis Jeep. The column he phoned in to the newspaper about his adventures, "Tolbert's Texas," was a staple of Walt Davis's childhood. Fifty years later, Walt and his wife, Isabel, have re-explored portions of Tolbert’s trek along the boundaries of Texas. The border of Texas is longer than the Amazon River, running through ten distinct ecological zones as it outlines one of the most familiar shapes in geography. According to the Davises, "Driving its every twist and turn would be like driving from Miami to Los Angeles by way of New York." Each of this book’s sixteen chapters opens with an original drawing by Walt, representing a segment of the Texas border where the authors selected a special place—a national park, a stretch of river, a mountain range, or an archeological site. Using a firsthand account of that place written by a previous visitor (artist, explorer, naturalist, or archeologist), they then identified a contemporary voice (whether biologist, rancher, river-runner, or paleontologist) to serve as a modern-day guide for their journey of rediscovery. This dual perspective allows the authors to attach personal stories to the places they visited, to connect the past with the present, and to compare Texas then with Texas now. Whether retracing botanist Charles Wright's 600-mile walk to El Paso in 1849 or paddling Houston's Buffalo Bayou, where John James Audubon saw ivory-billed woodpeckers in 1837, the Davises seek to remind readers that passionate and determined people wrote the state's natural history. Anyone interested in Texas or its rich natural heritage will find deep enjoyment in Exploring the Edges of Texas. Publication of this book is generously supported by a memorial gift in honor of Mary Frances "Chan" Driscoll, a founding member of the Advisory Council of Texas A&M University Press, by her sons Henry B. Paup '70 and T. Edgar Paup '74.

In the decades preceding the Civil War, few figures in the United States were as influential or as controversial as Sam Houston. In Sam Houston, James L. Haley explores Houston’s momentous career and the complex man behind it. Haley’s fifteen years of research and writing have produced possibly the most complete, most personal, and most readable Sam Houston biography ever written. Drawn from personal papers never before available as well as the papers of others in Houston’s circle, this biography will delight anyone intrigued by Sam Houston, Texas history, Civil War history, or America’s tradition of rugged individualism.

The history of the Lone Star state is a narrative dominated by larger-than-life personalities and often-contentious legends, presenting interesting challenges for historians. Perhaps for this reason, Texas has produced a cadre of revered historians who have had a significant impact on the preservation (some would argue creation) of our state’s past. An anthology of biographical essays, Writing the Story of Texas pays tribute to the scholars who shaped our understanding of Texas’s past and, ultimately, the Texan identity. Edited by esteemed historians Patrick Cox and Kenneth Hendrickson, this collection includes insightful, cross-generational examinations of pivotal individuals who interpreted our history. On these pages, the contributors chart the progression from Eugene C. Barker’s groundbreaking research to his public confrontations with Texas political leaders and his fellow historians. They look at Walter Prescott Webb’s fundamental, innovative vision as a promoter of the past and Ruthe Winegarten’s efforts to shine the spotlight on minorities and women who made history across the state. Other essayists explore Llerena Friend delving into an ambitious study of Sam Houston, Charles Ramsdell courageously addressing delicate issues such as racism and launching his controversial examination of Reconstruction in Texas, Robert Cotner—an Ohio-born product of the Ivy League—bringing a fresh perspective to the field, and Robert Maxwell engaged in early work in environmental history.

The richly diverse ethnic heritage of the Lone Star State has brought to the Southwest a remarkable array of rhythms, instruments, and musical styles that have blended here in unique ways and, in turn, have helped shape the music of the nation and the world. Historian Gary Hartman writes knowingly and lovingly of the Lone Star State’s musical traditions. In the first thorough survey of the vast and complex cultural mosaic that has produced what we know today as “Texas music,” he paints a broad, panoramic view, offers analysis of the origins of and influences on specific genres, profiles key musicians, and provides guidance to additional sources for further information. A musician himself, Hartman draws on both academic and non-academic sources to give a more complete understanding of the state’s remarkable musical history and ethnic community studies with his first-hand knowledge of how important music is as a cultural medium through which human beings communicate information, ideas, emotions, values, and beliefs, and bond together as friends, families, and communities. The History of Texas Music incorporates a selection of well-chosen photographs of both prominent and less-well-known artists and describes not only the ethnic origins of much of Texas music but also the cross-pollination among various genres. Today, the music of Texas—which includes Native American music, gospel, blues, ragtime, swing, jazz, rhythm and blues, conjunto, Tejano, Cajun, zydeco, western swing, honky tonk, polkas, schottsches, rock & roll, rap, hip hop and more—reflects the unique cultural dynamics of the Southwest.