The frontier is one of the most pervasive concepts underlying the production of national identity in Australia. Recently it has become a highly contested domain in which visions of nationhood are argued out through analysis of frontier conflict. DISLOCATING THE FRONTIER departs from this contestation and takes a critical approach to the frontier imagination in Australia. The authors of this book work with frontier theory in comparative and unsettling modes. The essays reveal diverse aspects of frontier images and dreams - as manifested in performance, decolonising domains, language, and cross-cultural encounters.

Among historians of Utah and the American West, few names have greater resonance than Bernard DeVoto, Dale Morgan, Juanita Brooks, Wallace Stegner, and Fawn Brodie. Each of these writers made enduring contributions not only to our knowledge of the American West but also to our view of the region and its history. In many ways their writing set the standard for scholarship and interpretation, and their influence is still felt today. Yet they were not flawless. As Gary Topping explains in this, the first comprehensive appraisal of their work, each had serious shortcomings. DeVoto and Stegner, master storytellers, distorted their histories with excessive use of literary and artistic techniques; Morgan, the thorough researcher, failed to see larger contexts and interpretive possibilities; Brooks, courageous in finding damning new information on the Mountain Meadows massacre, stopped short of drawing conclusions that might alienate her from her fellow Mormons; and Brodie, psychobiographer extraordinaire, nonetheless succumbed to reading too much into the lives of her subjects based on her own emotions and conflicts. All five writers experienced Mormon Utah in the formative stages of their lives and, whether they wanted to or not, fashioned their work on the American West under that indelible influence. Topping shows ultimately how, despite weaknesses, each created exemplary models of diligent research and narrative elegance while establishing new traditions in western historical scholarship.

The first collection of essays on public history in the American West.

Tracing events from the pre-history to the present day, this book offers a concise and accessible history of the American West. Explores the complex interactions between and among cultures in the American West Chronologically organized and informed by the latest scholarship Grounded in attention to race, class, gender, and the environment, the text focuses on social, economic, and political forces that shaped the lived experiences of diverse westerners and influenced the patterns of western history.

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

Using innovative methodologies and theories to rethink American Indian history, this book challenges previous scholarship about Native Americans and their communities.

Contact between cultures has been understood in various ways and this particular volume considers the European cultural, social, scientific, philosophical and political contexts framing encounter. All of the essays thus look at the different ways in which individuals and institutions work these contexts into their representations of contact settings. In Part 1, the conventional stance is adopted where encounter is understood as taking place elsewhere and not on European soil. The chapters examine contact far afield and focus on how public and private contexts act upon ensuing interpretations and representations of inter-cultural interaction. Part 2 considers ‘contact within’, positing inversed sites of encounter. The essays point to the arrival of these discovered peoples on European soil as the eras of exploration ushered in periods of settlement and extended colonisation. The paradigm of contact between Europeans and Others (and Other spaces) was thus displaced both figuratively and literally. Amongst the conduits for such representations were the mid-nineteenth and early twentieth century European exhibitions or fairs. The studies here suggest that these encounters were also engineered by domestic contexts which gradually enclosed interaction within further, restrictive conceptual frameworks, not on islands and beaches, but in European towns and cities.

This edited volume takes stories from the "modern West" of the late twentieth century and carefully pulls them toward the present--explicitly tracing continuity with and unexpected divergence from trajectories established in the 1980s and 1990s.