A reassessment of the controversial, yet still influential nineteenth-century German philosopher that explores the contentious issue of whether he was, as his critics frequently claim, a nihilist.Max Stirner (1806-1856) is often regarded as an enfant terrible of nineteenth-century German philosophy, but he has continued to exert an influence despite his marginalization as a nihilist. This study is the first to tackle head-on the question of whether Stirner can indeed reasonably be described as a nihilist. Although he is not known ever to have used the word "nihilism" or any of its derivatives, he was first accused of being a nihilist immediately after the publication of his magnum opus Der Einzige und sein Eigentum (translated in most English editions as The Ego and His Own) in 1844. Since then, the allegation has been repeated by well over a hundred writers and critics, with the result that it has become something of a truism. The book aims, first, to establish a clear understanding of the multifarious meanings of the term nihilism; second, to examine the accusations leveled at Stirner in the light of those meanings; and third, to assess not only the fairness and accuracy of the imputation of nihilism but also its usefulness in understanding Stirner as a thinker. It thus provides new insights into Stirner's thought, challenges the orthodox view of him as a philosophical pariah, reassesses his ideas and their place in the history of philosophy, and addresses the recurrent issue of his contemporary relevance.ngs of the term nihilism; second, to examine the accusations leveled at Stirner in the light of those meanings; and third, to assess not only the fairness and accuracy of the imputation of nihilism but also its usefulness in understanding Stirner as a thinker. It thus provides new insights into Stirner's thought, challenges the orthodox view of him as a philosophical pariah, reassesses his ideas and their place in the history of philosophy, and addresses the recurrent issue of his contemporary relevance.ngs of the term nihilism; second, to examine the accusations leveled at Stirner in the light of those meanings; and third, to assess not only the fairness and accuracy of the imputation of nihilism but also its usefulness in understanding Stirner as a thinker. It thus provides new insights into Stirner's thought, challenges the orthodox view of him as a philosophical pariah, reassesses his ideas and their place in the history of philosophy, and addresses the recurrent issue of his contemporary relevance.ngs of the term nihilism; second, to examine the accusations leveled at Stirner in the light of those meanings; and third, to assess not only the fairness and accuracy of the imputation of nihilism but also its usefulness in understanding Stirner as a thinker. It thus provides new insights into Stirner's thought, challenges the orthodox view of him as a philosophical pariah, reassesses his ideas and their place in the history of philosophy, and addresses the recurrent issue of his contemporary relevance.

Max Stirner was one of the most important and seminal thinkers of the mid-nineteenth century. He exposed the religiosity behind secular humanism and rationalism, and the domination of the individual behind liberal modes of politics. This edited collection explores Stirner's radical and contemporary importance as a political theorist.

"John F. Welsh provides us with a superb distillation of the thought of Max Stirner and the dialecticalegoist paradigm he developed. Througth this brilliant study. Welsh demonstrates the power and breadth of dialectics as a radical mode of analysis and social transformation--Chris Matthew Sciabarra author of Total Freedom: Toward a Dialectical Libertarianism.

To date, the philosophy of Max Stirner (1806-1856) has not attracted much academic attention. An early critic of Karl Marx and precursor of existentialist thought, he is nevertheless remembered as a radical Young Hegelian engaged in an unsuccessful attempt to move ‘beyond Hegel’. Arguing that this image of Stirner is based on a faulty interpretation of his relationship to Hegelian philosophy, this book proposes an entirely new reading of his philosophical magnum opus Der Einzige und sein Eigentum. In this work, traditional philosophy, epitomized by Hegel, is reduced to the property of the unique or single individual. This move must not only be seen a refusal to keep traditional philosophy alive by criticising it, but also entails an ‘existentialist’ inversion of the traditional relation between thinker and idea. This exciting new interpretation, which is demonstrated here by a detailed analysis of Der Einzige und sein Eigentum, clears the way for a philosophical rehabilitation of Stirner’s ideas.

Demonstrates that the major traditions of thought from which the political values of the modern West have emerged are all, in crucial respects, incoherent or flawed. Copyright © Libri GmbH. All rights reserved.

From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could – and should – be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and John Cowper Powys to the war in Iraq, this challenging volume will energize leftist movements throughout Britain and the rest of the world.

The most complete and up-to-date philosophy reference for a new generation, with entries ranging from Abstract Objects to Wisdom, Socrates to Jean-Paul Sartre, Ancient Egyptian Philosophy to Yoruba Epistemology. The Concise Routledge Encyclopedia of Philosophy includes: * More than 2000 alphabetically arranged, accessible entries * Contributors from more than 1200 of the world's leading thinkers * Comprehensive coverage of the classic philosophical themes, such as Plato, Arguments for the Existence of God and Metaphysics * Up-to-date coverage of contemporary philosophers, ideas, schools and recent developments, including Jacques Derrida, Poststructuralism and Ecological Philosophy * Unrivalled international and multicultural scope with entries such as Modern Islamic Philosophy, Marxist Thought in Latin America and Chinese Buddhist Thought * An exhaustive index for ease of use * Extensive cross-referencing * Suggestions for further reading at the end of each entry

The scholarship of this monumental and award-winning ten-volume work is available in one affordable book that brings together more than 2,000 entries from the original in a shortened, more accessible format. Extensively cross-referenced and indexed.

*A New York Times Book Review Editors' Choice * One of The East Hampton Star's 10 Best Books of the Year* From the New York Times bestselling author of The Most Dangerous Book, the true story behind the creation of another masterpiece of world literature, Fyodor Dostoevsky's Crime and Punishment. The Sinner and the Saint is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story—and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic. The germ of Crime and Punishment came from the sensational story of Pierre François Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov. Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good. The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love. Dostoevsky's great subject was self-consciousness. Crime and Punishment advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. The Sinner and the Saint now gives us the thrilling and definitive story of that triumph.

Examining the political theory of anarchism from a philosophical and historical perspective, Paul McLaughlin relates anarchism to the fundamental ethical and political problem of authority. The book pays particular attention to the authority of the state and the anarchist rejection of all traditional claims made for the legitimacy of state authority, the author both explaining and defending the central tenets of the anarchist critique of the state. The founding works of anarchist thought, by Godwin, Proudhon and Stirner, are explored and anarchism is examined in its historical context, including the influence of such events as the Enlightenment and the French Revolution on anarchist thought. Finally, the major theoretical developments of anarchism from the late-nineteenth century to the present are summarized and evaluated. This book is both a highly readable account of the development of anarchist thinking and a lucid and well-reasoned defence of the anarchist philosophy.