The articles in this volume employ source-work research to trace Kierkegaard's understanding and use of authors from the Greek tradition. A series of figures of varying importance in Kierkegaard's authorship are treated, ranging from early Greek poets to late Classical philosophical schools. In general it can be said that the Greeks collectively constitute one of the single most important body of sources for Kierkegaard's thought. He studied Greek from an early age and was profoundly inspired by what might be called the Greek spirit. Although he is generally considered a Christian thinker, he was nonetheless consistently drawn back to the Greeks for ideas and impulses on any number of topics. He frequently contrasts ancient Greek philosophy, with its emphasis on the lived experience of the individual in daily life, with the abstract German philosophy that was in vogue during his own time. It has been argued that he modeled his work on that of the ancient Greek thinkers specifically in order to contrast his own activity with that of his contemporaries.

The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.

“The people took the bones, enwrapped them with Soft purple robes, and laid them down within A golden urn, to place it in a hollow Kist of stone, and cover it above With close-set rocks and earth to make a mound. ...When they had raised the mound Of earth above the grave, they went back to The city and assembled for a splendid Banquet in the hall of Príamos. Thus were the funeral rites completed for Illustrious Héktōr, the horsetamer.” When the humiliated Akhilleús withdrew from battle, the Akhaians were on the verge of being defeated by the Trojans. However, in this second volume, when Pátroklos, Akhilleús’ beloved comrade, dies in battle, Akhilleús is enraged. Dressed in a divine panoply, he returns to the fray, defeats the Trojans, and slays their champion Héktōr, desecrating the corpse of his opponent so outrageously that the Gods are outraged. They arrange for King Príamos to be escorted across the battle lines to Akhilleús’ abode. There, touched by the old man’s grief and courage, Akhilleús breaks down and achieves redemption by returning Héktōr’s corpse to Troy for honorable burial. The Iliad ends with Héktōr’s funeral rites. This volume ends with Notes for Books XIII-XXIV, and Glossaries describing the characters and the gods.

A fresh and exciting approach to this great work of classical literature, which brings it alive for today's students and gives them the tools to appreciate and explore the work themselves.

This volume assembles sixteen authoritative articles on Homer's Odyssey that have appeared over the last thirty years. A wide variety of interpretative strategies are represented, including, in addition to traditional close readings, the approaches of comparative anthropology, narratology, feminism, and audience-oriented criticism. Papers have been selected for their clarity and accessibility, and each is informed by close attention to philological and textual detail. A full glossary and list of abbreviations have been included, and a specially written introduction puts the selections in a wider context by giving an overview of major strands in the interpretation of Homer in the second half of the twentieth century.