The Oxford Book of English Verse, 1250–1900 is an anthology of English poetry, edited by Arthur Quiller-Couch, that had a very substantial influence on popular taste and perception of poetry and remained the leading general anthology of English verse throughout the 20th century. Poets included in the collections are: Geoffrey Chaucer Alexander Pope Christopher Marlowe Edmund Spenser Elizabeth Barrett Browning Emily Brontë Robert Browning Robert Burns Percy Bysshe Shelley Samuel Taylor Coleridge John Milton John Ruskin John Keats William Butler Yeats William Makepeace Thackeray William Wordsworth Sir Thomas Wyatt Thomas Love Peacock George Meredith Lord Tennyson John Bunyan John Dryden Sir Walter Scott Robert Louis Stevenson Rudyard Kipling George MacDonald William Blake James Joyce Emily Dickinson Walt Whitman And many more.

More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

This is a unique anthology. Drawing on the full range of English prose, wherever it has been written, it illustrates the growth, development, and resources of the language from the legends of Sir Thomas Malory to the novels of Kashuo Ishiguro. In the process it reveals a variety ofachievements which no other language can match. The book represents an enormous diversity of men and women - from John Bunyan to John Updike, from Brendan Behan to Chinua Achebe, from Dorothy Wordsworth to Patrick White. As the centuries progress, American writers increase their presence, and by the twentieth century there are contributions fromIndia, Australia, Canada, Nigeria, the Caribbean and many other parts of the world. The selection is no less remarkable for its breadth in terms of subject-matter and treatment. Fiction is generously represented, but many other kinds of writing have also been drawn on: letters, diaries, and memoirs; history and philosophy; criticism and reportage; sermons and satire; travel-books;reflections on art, science, politics and sport. There are classic and well-loved passages, and also a great deal that is unfamiliar. John Gross has chosen with consummate skill to produce a volume that is both a testimonial to English prose and an endless source of pleasurable browsing.

The Poetry Handbook is a lucid and entertaining guide to the poet's craft, and an invaluable introduction to practical criticism for students. Chapters on each element of poetry, from metre to gender, offer a wide-ranging general account, and end by looking at two or three poems from a small group (including works by Donne, Elizabeth Bishop, Geoffrey Hill, and Nobel Laureate Derek Walcott), to build up sustained analytical readings. Thorough and compact, with notes and quotations supplemented by detailed reference to the Norton Anthology of Poetry and a companion website with texts, links, and further discussion, The Poetry Handbook is indispensable for all school and undergraduate students of English. A final chapter addresses examinations of all kinds, and sample essays by undergraduates are posted on the website. Critical and scholarly terms are italicised and clearly explained, both in the text and in a complete glossary; the volume also includes suggestions for further reading. The first edition, widely praised by teachers and students, showed how the pleasures of poetry are heightened by rigorous understanding and made that understanding readily available. This second edition — revised, expanded, updated, and supported by a new companion website - confirm The Poetry Handbook as the best guide to poetry available in English.

Reference guide to poetry anthologies with descriptions and evaluations of each anthology.

Embark on a captivating journey through the rich tapestry of English literature with William J. Long's insightful guide, "English Literature: William J. Long's Journey through Literary Heritage." Explore the depths of literary history and discover the timeless works that have shaped the literary landscape for centuries. As you delve into Long's illuminating exploration, prepare to be enchanted by the beauty and brilliance of some of the greatest literary masterpieces ever written. From Shakespeare to Austen, Dickens to Brontë, each chapter is a treasure trove of wisdom and inspiration. But amidst the pages of classic literature and iconic characters, a tantalizing question arises: What makes these works stand the test of time? What secrets do they hold that continue to resonate with readers across generations? Join Long on a journey of discovery as he unlocks the mysteries of English literature's enduring legacy. His insightful commentary sheds light on the genius of the authors and the profound impact of their words on the human experience. Are you ready to embark on a literary adventure that will transport you through the annals of time and into the hearts of some of the greatest literary minds? Prepare to be inspired and enlightened as you journey through the pages of "English Literature: William J. Long's Journey through Literary Heritage." Long's passion for literature is contagious, igniting a love of reading that will stay with you long after you've turned the final page. Here's your chance to immerse yourself in the timeless beauty of English literature. Dive into "English Literature: William J. Long's Journey through Literary Heritage" and let the adventure begin. Seize the opportunity to explore the literary treasures that have shaped our cultural heritage. Purchase "English Literature: William J. Long's Journey through Literary Heritage" now, and embark on a journey of discovery that will enrich your mind and soul.

Much has been written about the Victorian novel, and for good reason. The cultural power it exerted (and, to some extent, still exerts) is beyond question. The Oxford Handbook of the Victorian Novel contributes substantially to this thriving scholarly field by offering new approaches to familiar topics (the novel and science, the Victorian Bildungroman) as well as essays on topics often overlooked (the novel and classics, the novel and the OED, the novel, and allusion). Manifesting the increasing interdisciplinarity of Victorian studies, its essays situate the novel within a complex network of relations (among, for instance, readers, editors, reviewers, and the novelists themselves; or among different cultural pressures - the religious, the commercial, the legal). The handbook's essays also build on recent bibliographic work of remarkable scope and detail, responding to the growing attention to print culture. With a detailed introduction and 36 newly commissioned chapters by leading and emerging scholars -- beginning with Peter Garside's examination of the early nineteenth-century novel and ending with two essays proposing the 'last Victorian novel' -- the handbook attends to the major themes in Victorian scholarship while at the same time creating new possibilities for further research. Balancing breadth and depth, the clearly-written, nonjargon -laden essays provide readers with overviews as well as original scholarship, an approach which will serve advanced undergraduates, graduate students, and established scholars. As the Victorians get further away from us, our versions of their culture and its novel inevitably change; this Handbook offers fresh explorations of the novel that teach us about this genre, its culture, and, by extension, our own.