What impoverished young knight would duck a chance to win fame along with beautiful lady bringing rich lands with her hand in marriage? Prince George, that’s who. Stung by previous failures, he’d rather stay home in comfort, but finds himself struggling through forests, crossing deserts, and sailing seas to capture the Unicorn, find a fabled flower, and discover an “Unsung Song.” Accompanied by a headsman, a Seeker, and a wild boy, Prince George battles beasts, Northmen, and bandit armies, not to mention witches, Gypsies, and a diabolical dragon-rider. Will the Prince win Dorinda of Darr? And what of his childhood playmate, Princess Julianna? Does she have plans for him too? Possibly. More of the Prince’s tale is continued in The Black Unicorn.

"[W]ill command the rapt attention of casual fans and scholars alike." Booklist, Starred Review From Prince's superstardom to studio seclusion, this second book in the award-winning Prince Studio Sessions series spotlights how Prince, the biggest rock star on the planet at the time, risked everything to create some of the most introspective music of his four-decade career. Duane Tudahl takes us on an emotional and intimate journey of love, loss, rivalry, and renewal revealed through unprecedented access to dozens of musicians, singers, studio engineers, and others who worked with him and knew him best—with never-before-published memories from the Revolution, the Time, the Family, and Apollonia 6. Also included is a heartfelt foreword by musical legend Elton John about his time and friendship with Prince.

Contains more than 2,000 entries that supply information on the mythological, historical, geographical, and literary references contained in western art song. This lexicon helps singers and accompanists enhance their performances of songs, by providing them with the background on the many references embedded in this vast repertoire.

Reprint of the original, first published in 1875.

Gerald Bordman's American Musical Theatre has become a landmark book since its original publication in 1978. In this third edition, he offers authoritative summaries on the general artistic trends and developments for each season on musical comedy, operetta, revues, and the one-man and one-woman shows from the first musical to the 1999/2000 season. With detailed show, song, and people indexes, Bordman provides a running commentary and assessment as well as providing the basic facts about each production.

Just as our society delights in citations, quotations, and allusions in myriad contexts, not least in popular song, late medieval poets and composers knew well that such references could greatly enrich their own works. In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric. Working across disciplinary boundaries, Plumley traces creative appropriations in the burgeoning "fixed forms" of this new tradition to build a more intimate understanding of the shared experience of poetry and music in the generations leading up to, and including, Guillaume de Machaut. Exploring familiar and less studied collections of songs as well as lyrics without music, this book sheds valuable light on the poetic and musical knowledge of authors and their audiences, and on how poets and composers devised their works and engaged their readers or listeners. It presents fresh insights into when and in which milieus the classic Ars nova polyphonic chanson took root and flourished, and into the artistic networks of which Machaut formed a part. As Plumley reveals, old songs lingered alongside the new in the collective imagination well beyond what the written sources imply, reminding us of the continued importance of memory and orality in this age of increasing literacy. The first detailed study of citational practice in the French fourteenth-century song-writing tradition, The Art of Grafted Song will appeal to students and scholars of medieval French music and literature, cultural historians, and others interested in the historical and social context of music and poetry in the late Middle Ages.

Here is the ultimate illustrated discography of the world's greatest metal band, Metallica, covering everything from 1983's Kill 'Em All through all their multi-million selling albums and bringing the story right up-to-date with their video game Metallica: Guitar Hero.Metallica where inducted into the Rock and Roll Hall of Fame in 2009.The bands album Death Magnetic went multi-platinum and has been #1 in twenty-seven countries around the world, including the US, UK and Australia.The band star in their own immensely popular Guitar Hero game.The band is a multi-award winner and has received nine Grammy Awards, most recently winning two in 2009.Enter Sandman from the band's 1991 album Metallica was included in Rolling Stone magazine's list of the 500 greatest songs of all time.

In her previous life, she mistakenly loved this useless man. She was used, deceived, and finally abandoned. She was treated like a forsaken person, and in the end, she couldn't even rest in peace. Before she died, she was filled with hatred. She met her master and used her life's worth of memories to exchange for a second rebirth. He once again returned to thirteen years old. He met the son with a gloomy heart in his previous life. He met a similarly elegant master. Those misunderstandings and misunderstandings all had the chance to start over. She ... And what should he choose? "If we do it again ... I will not let go. "

Reprint of the original, first published in 1867.