In 'The Submarine Boys and the Middies. Or, the Prize Detail at Annapolis' by Victor G. Durham, readers are taken on an exciting adventure involving submarines and naval life at Annapolis. The book, written in a straightforward and engaging literary style, provides a fascinating glimpse into the world of naval training and the challenges faced by young sailors. Set in a vividly described naval academy, the story is filled with suspenseful moments and heart-pounding action sequences that will keep readers hooked until the very end. Durham's attention to detail and his ability to create realistic characters make this book a standout in the genre of naval fiction. Fans of adventurous tales and military stories will surely be captivated by this thrilling narrative. Victor G. Durham's background as a naval enthusiast and his passion for maritime history are evident in 'The Submarine Boys and the Middies,' making it a must-read for anyone interested in naval fiction or military history.

In this groundbreaking and controversial critique of the selections of Nobel Peace Prize winners, an eminent Norwegian lawyer and peace activist calls for its return to legal and moral compliance with the will of Alfred Nobel who wished to support disarmament to prevent war. The Nobel Peace Prize is the world's most coveted award, galvanizing the world's attention for 110 years. In recent decades, it has also become the world's most reviled award, as heads of militarized states and out-and-out warmongers and terrorists have been showered with peace prizes. Delving into previously unpublished primary sources, Fredrik Heffermehl reveals the history of the inner workings of the Norwegian Nobel Committee as it has come under increasing political, geopolitical, and commercial pressures to make inappropriate awards. As a Norwegian lawyer, Heffermehl makes the case that the Norwegian politicians entrusted with the Nobel peace awards have brushed aside the legal requirements in Scandinavian estate law using the prize to promote their own political and personal interests instead of the peace ideas Alfred Nobel had in mind. Evaluating each of the 119 Nobel Peace Prizes awarded between 1901 and 2009, the author tracks the ever-widening divergence of the committee's selections from Nobel's intentions and concludes that all but one of the last ten prizes are illegitimate under the law.

Everything you need to pass Level II of the CMT Program CMT Level II 2016: Theory and Analysis fully prepares you to demonstrate competency applying the principles covered in Level I, as well as the ability to apply more complex analytical techniques. Covered topics address theory and history, market indicators, construction, confirmation, cycles, selection and decision, system testing, statistical analysis, and ethics. The Level II exam emphasizes trend, chart, and pattern analysis, as well as risk management concepts. This cornerstone guidebook of the Chartered Market Technician® Program will provide every advantage to passing Level II.

Join Jody Seymour as he leads us on a journey through the Gospel of Mark. A Senior Minister in the United Methodist Church for many years, Jody has drawn from his learning and his lively imagination to introduce-or reintroduce-you to the hero of this Gospel. This devotional commentary will, when read alongside the Gospel itself, give you the opportunity to immerse yourself in the story of Jesus' life and come closer to the heartbeat of God. Let the words of this first and oldest Gospel make a mark on you, as you discover in a fresh way its power to transform. Includes a guide for personal reflection or group discussion.

Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of "Socialist Realism," offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.