Composed at the end of the fourteenth century by an unknown author, The Saga of Grettir the Strong is one of the last great Icelandic sagas. It relates the tale of Grettir, an eleventh-century warrior struggling to hold on to the values of a heroic age becoming eclipsed by Christianity and a more pastoral lifestyle. Unable to settle into a community of farmers, Grettir becomes the aggressive scourge of both honest men and evil monsters - until, following a battle with the sinister ghost Glam, he is cursed to endure a life of tortured loneliness away from civilisation, fighting giants, trolls and berserks. A mesmerising combination of pagan ideals and Christian faith, this is a profoundly moving conclusion to the Golden Age of the saga writing.

It is now just thirty years since I first began to read the “Saga of Grettir the Strong” in Icelandic. At that time I had only a Danish grammar of Icelandic and an Icelandic-Danish dictionary, and I did not know a word of Danish. So I had to learn Danish in order to learn Icelandic. It was laborious work making out the Saga, and every line when I began took me some time to understand. Moreover, I had not much time at my disposal, for then I was a master in a school. Now, after I had worked a little way into the Saga, I became intensely interested in it myself, and it struck me that my boys whom I taught might like to hear about Grettir. So I tried every day to translate, after school hours, a chapter, hardly ever more at first, and sometimes not even as much as that. Then, when on half-holidays I proposed a walk to some of my scholars, they were keen to hear the story of Grettir. Well, Grettir went on for some months in this way, a fresh instalment of the tale coming every half-holiday, and it was really wonderful how interested and delighted the boys were with the story. Nor was I less so; the labour of translation which was so great at first became rapidly lighter, and I was as much interested in the adventures of the hero as were the boys. The other day I met an old pupil of mine, and almost the first thing he said to me was: “Oh! do you remember Grettir? Thirty years ago! Fancy! I am a married man and have boys of my own, and I have often tried to tell them the story which made such an impression on me, but I cannot remember all the incidents nor their order. I do wish you would write it as a story for boys. I should like to read it myself again, and my boys would love it.” “Very well,” I said, “I will do so.” Now my boy readers must understand that I have told them the story in my own words and in my own way. I went to Iceland in 1861, and went over nearly every bit of the ground made famous by the adventures of Grettir. Consequently, I am able to help out and illustrate the tale by what I actually saw. In the original book there is a great deal more than I have attempted to retell, but much has to do with the ancestors of Grettir, and there are other incidents introduced of no great importance and very confusing to the memory. So I have taken the leading points in the story, and given them...FROM THE BOOKS.

This anthology of international scholarship offers new critical approaches to the study of the many manifestations of the paranormal in the Middle Ages. The guiding principle of the collection is to depart from symbolic or reductionist readings of the subject matter in favor of focusing on the paranormal as human experience and, essentially, on how these experiences are defined by the sources. The authors work with a variety of medieval Icelandic textual sources, including family sagas, legendary sagas, romances, poetry, hagiography and miracles, exploring the diversity of paranormal activity in the medieval North. This volume questions all previous definitions of the subject matter, most decisively the idea of saga realism, and opens up new avenues in saga research.

Read through time, enjoying the good, the better, and the best books from each of the seven eras below: Year 1: Ancient History to 476 A.D. Year 2: The Middle Ages, 477 to 1485 A.D. Year 3: The Age of Discovery, 1485-1763 A.D. Year 4: The Age of Revolution, 1764-1848 A.D. Year 5: The Age of Empire, 1849-1914 A.D. Year 6: The American Century, 1915-1995 A.D. Year 7: The Information Age, 1996- Present Day At the end of seven years, repeat! A Seven Year Cycle Reading Plan is a booklist compiled of hundreds of books from each era in history organized into categories of interest. This volume also includes copious room for you to add your own favorite titles!

A guide to Iceland's rich literary heritage - from Norse witches to contemporary crime fiction. Iceland is an island of multiple identities in constant flux, just like its unruly, volcanic ground. Shaped as much by storytelling as it is by tectonic activity, Iceland's literary heritage is one of Europe's richest – and most ancient. Iceland: A Literary Guide for Travellers takes the literary-minded traveller (either in person or in an armchair) on a vivid and illuminating journey. It follows Iceland's many stories that have been passed down through the generations: told and retold by sheep farmers, psalm-writers, travelling reverends, independence fighters, scholars and hedonists. From the captivating Norse myths, which continue to inspire contemporary authors such as A. S. Byatt, to gripping Scandinavian crime fiction and Game of Thrones, via Jules Verne and J. R. R. Tolkien, W. H. Auden and Seamus Heaney, Iceland's influence has spread far beyond its frozen shores. Peopled by Norse maidens and witches, elves and outlaws, and taking the reader and traveller from Reykjavik and the Bay of Smokes to the remote Westfjords and desolate highlands, this is an enthralling portrait of the Land of Ice and Fire.