Rasmus Anderson (1846-1936), the American author, scholar, editor, businessman and diplomat, intertwines his life story with the cultural and institutional history of the Norwegian-American community as a whole. There are eyewitness accounts of tension within American factions and branches of the Lutheran church over such issues as slavery and public education as well as anecdotes about Ole Bull, Knut Hamsun, Björnstjerne Björnson, Robert La Follette, James G. Blaine and various European monarchs and heads of state. Anderson began his life on a farm in Albion, Dane County, Wisconsin. After many efforts to finance and obtain the kind of education he wanted, he pioneered the study and teaching of Scandinavian languages at the University of Wisconsin (1869-1883). Between 1885 and 1889, he served as U.S. minister to Denmark. He eventually prospered as president of the Wisconsin Life Insurance Co., from 1895-1922. In 1874, Anderson attracted widespread attention with his America Not Discovered By Columbus. He is remembered for his studies, translations, and retellings of Norse mythology. The more active and public aspects of his life are emphasized in this work.

A complementary resource for the historical fiction novel, this guide is for experienced teachers of tweens age 10-12. Learn more about the history, geography, culture, religion, lifestyle, heroes, government, language, alphabet, writings, art, and music of this place and time. Guides include age-appropriate curriculum elements such as historical reading material, worksheets, writing projects, puzzles, arts & crafts, tests and timeline events.

Emperor Justinian ordered rebuilding throughout the magnificent 6th century capital of Constantinople. Craftsmen from across the Byzantine Empire will create beautiful buildings and mosaics. Rasmus is a thirteen year old mosaic apprentice. Opportunity and danger await him in the imperial palace. Can Rasmus solve the puzzle and save the emperor?

A historical account of a man who left his home in Norway, and came to America, in search of a new way of life. It is about the journeys and adventures, as he took up arms, and bravely fought in the 1862 Indian Wars, and in the U.S. Civil War. You will not want to put this book down, once you start reading it.

This book examines the legends of who ‘really’ discovered America. It argues that histories of America's origins were always based less on empirical evidence and more on social, political, and cultural wish fulfillment. Influenced by a complex interplay of Nativist hatred of immigrants and Aboriginal people, as well as distrust of academic scholarship, these legends ebbed and flowed with changing conditions in wider American society. The book focuses on the actions of a collection of quirky, obsessed amateur investigators who spent their lives trying to prove their various theories by promoting Welsh princes, Vikings, Chinese admirals, Neo-lithic Europeans, African explorers, and others who they say arrived centuries before Columbus. These myths acted as mitigating agencies for those who embraced them. Along with recent scholarship, this book makes extensive use of archival materials—some of which have never been employed before. It covers the period from the sixteenth century to the present. It brings together separate historiographic ideas to create a unified history rather than focusing on one particular legend as most books on the subject do. It shows how questions of who discovered America helped create the field of historical scholarship in this country. This book does not attempt to prove who discovered America, rather it tells the story of those who think they did.

Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential.

This book highlights how horror in film and television creates platforms to address distinct areas of modern-day concern. In examining the prevalence of dark tropes in contemporary horror films such as Get Out, Annabelle: Creation, A Quiet Place, Hereditary and The Nun, as well as series such as Stranger Things, American Horror Story and Game of Thrones, amongst numerous others, the authors contend that we are witnessing the emergence of a ‘horror renaissance’. They posit that horror films or programmes, once widely considered to be a low form of popular culture entertainment, can contain deeper meanings or subtext and are increasingly covering serious subject matter. This book thus explores how horror is utilised as a tool to explore social and political anxieties of the cultural moment and is thus presented as a site for contestation, exploration and expansion to discuss present-day fears. It demonstrates how contemporary horror reflects the horror of modern-day life, be it political, biological, social or environmental. A vital contribution to studies of the horror genre in contemporary culture, and the effect it has on social anxieties in a threatening and seemingly apocalyptic time for the world, this is a vital text for students and researchers in popular culture, film, television and media studies.

A mysterious airplane lands in airport on the central part of Denmark. A break-inn shakes a nearby castle. The Rocket Brothers Christopher Dam and his older brother Jonathan find themselves involved in an international criminal smuggler case - and as if that wasn't enough Christopher discovers that he can talk to ghosts. On a school trip to London, he ends up far too close to the headquarters of the thieves, and suddenly he must give all he has to help the police stop the thief from Baker Street. Preben Dahl (b. 1963) is a Danish author and journalist with experience from tv and news paper. He lives with his family in the central part of Denmark. The idea for Rocket Brothers arose, when his two sons ran out of books on a trip through Europe. Preben Dahl (b. 1963) is a Danish author and journalist with experience from tv and news paper. He lives with his family in the central part of Denmark. The idea for Rocket Brothers arose, when his two sons ran out of books on a trip through Europe.

This book, first published in 1994, sets ‘repertoire against raconteur’ in order to explore one of the world’s largest collections of folk literature. The author’s findings, and his creative and synthetic methodologies, enhance greatly our understanding of the world of the legend, and especially the basic question of ‘Who tells what to whom in the form of a legend and why?’ This work is an in-depth exploration of rural Denmark, and provides us with an excellent vantage point from which to understand legends in their cultural contexts and within the lives of their tellers.

A storehouse of stories for young boys, 365 Stories for Boys is a treasury of stories guaranteed to delight and entertain young minds. Enjoy reading one story a day, and see your favourite heroes illustrated in various different styles. A beautiful hardback book worth keeping in your library.