The New York Times bestselling author of the Tradd Street novels delivers a tale that spans two generations of sisters and secrets, set in the stunning South Carolina Lowcountry. Eleanor Murray will always remember her childhood on Edisto Island, where her late father, a local shrimper, shared her passion for music. Now her memories of him are all that tempers the guilt she feels over the accident that put her sister in a wheelchair—and the feelings she harbors for her sister’s husband. To help support her sister, Eleanor works at a Charleston investment firm during the day, but she escapes into her music, playing piano at a neighborhood bar. Until the night her enigmatic boss walks in and offers her a part-time job caring for his elderly aunt, Helena, back on Edisto. For Eleanor, it’s a chance to revisit the place where she was her happiest—and to share her love of music with grieving Helena, whose sister recently died under mysterious circumstances. An island lush with sweetgrass and salt marshes, Edisto has been a peaceful refuge for Helena, who escaped with her sister from war-torn Hungary in 1944. The sisters were well-known on the island, where they volunteered in their church and community. But now Eleanor will finally learn the truth about their past: secrets that will help heal her relationship with her own sister—and set Eleanor free....

Derived from Halley’s Bible Handbook, a world-renowned, accessible guide to the Bible now in its 25th edition, this digital short sketches the history of the time between the Old and New Testaments. The rise of the Greek and then Roman Empires, the Maccabees, Herod’s Temple, the Sanhedrin—this introduction to a fascinating era not covered in the Bible includes all of the above and more. Useful for Bible students wanting to better understand the cultural context of the New Testament and for readers interested in Middle Eastern and early European history, The Time Between the Old and New Testaments shines light on a key period in world and religious history.

Ambitious and determined, Hallie Duer craves to be at the center of her epoch—with Prohibition and bootleg gin, Model Ts and moving pictures, Red roundups and the routine lynching of Negroes. The old order is in upheaval, and the emerging new order is at last allowing extraordinary women their long-deserved place in the sun. In this uncommon love story, Hallie, a consummate observer by profession, learns to become a passionate participant when she falls in love with a dynamic Irish lawyer, who is married but separated from his wife. The course of their involvement is complicated by Catholic convention and a secret from the past. Cool-headed, self-possessed Hallie experiences an all-consuming love, but pain, disappointment, and forgiveness are part of that passion.

A Time Between: Tales of the Devoted Ones takes the reader to the beginning of the world and a people who came from the children of the first man. These people were able to keep great records of their tales and memories that survived many great perils and opposition. These tales began with the founding of the Devoted people and the persecutions that led to their banishment from the kípos (garden) by others envious of their great faith. The first leadership of the Devoted Ones was struck down by the Creator for being greedy and misusing of their station. The Creator then chose Tragon to be the new ruler of the Devoted Ones, with a promise that only those from his line would rule the kingdom as long as they were faithful to the Creator. These tales will focus on the rule of the six true rulers of the Devoted people and how their faiths in the Creator led to their protection and success, though there would be problems caused by some of these rulers when they went to their own desires. The kingdom would then be wrecked and confused by those from Tragon’s line who were not called by the Creator to rule, turning the Devoted Ones into a condition that the Creator never wanted them to be in. The Devoted Ones were different from the other peoples of the earth because of their faith in the Creator, but no longer was there any from Tragon’s line to serve the Creator faithfully in their station. The last rulers conformed their people to the ways of all others in evil imagination. The Creator tried to get the people to change, but they would not have Him anymore. He was forced to show His hand against the evils that lived on the world.

Not distributed; available at Arkansas State Library.

The Time Between The Tides is a collection of short inspirational essays written by Maggie Lea for your use and reflection during on-going times of personal change and life transitions. This book provides additional support with added journal pages for you to write about your own process and engagement with the essay topics.

About the Book A mystifying occurrence takes place between the death and dying of Charlotta Aims. Her body is discovered in her brand-new Mercedes found parked in an alley, posed with a red rose, and her beautiful face has been made hideous with layers of gelatinous makeup. Her body is wrapped in a wedding gown, and missing the little finger on her right hand. How she died, why her body was defiled, and how she ended up in a bad part of town is unknown. Barry Gunther is an ugly, little man with a persona warped by a troubled childhood. He engages in morbid hobbies, including one he calls ‘Flesh Painting,’ a hobby that has nothing to do with body art, but everything to do with immortal preservation. The investigation leads detectives to a mortuary where they must stay alert to stay alive. Together they make gruesome discoveries, and they all point to Barry Gunther as the killer. So, too, does the forensic evidence, except for one set of unidentified footprints. Still, Detective Sorensen is confident he has his man until he receives a phone call from the victim’s psychic aunt who lives in Sweden thousands of miles away. She reports a dream that unsettles the lead detective and casts doubt on his conviction. Added to this mix of intrigue is a jealous husband, a spurned high school jock, a not-so-feminine housekeeper, and three employees of an exclusive car dealership. Time Between will leave readers guessing until the very last page. About the Author Lucas Patt lives in Nebraska. Patt has published articles in Memory Makers, CNA, Great American Crafts, Memory Magic, Family Tree, and Rubber Stampin’ Retailer. In addition, Patt has written and illustrated an idea book published by Krause Publications. During a once-in-a-lifetime trip to Sweden, Patt was inspired to write Time Between. Returning to the U.S.A. Patt began penning a draft of Dan’s daunting experience inside the Vadstena castle. Having beaten the 4% - 6% odds for surviving pancreatic cancer, Patt is grateful to live to finish Time Between. Now cancer free, she hopes to use her publishing success as an inspiration for others to keep fighting and make dreams come true. May God bless this work, and may you enjoy this story as intended – scary entertainment and a cause for pause. Her hobbies include paper crafting, writing, riding a four-wheeler and nature walks. She has a husband, three grown children, and twelve grandchildren. Her favorite role in life is being a grandparent.

Anna and Bennett were never supposed to meet: she lives in 1995 Chicago and he lives in 2012 San Francisco. But Bennett's unique ability to travel through time and space brings him into Anna's life, and with him, a new world of adventure and possibility. As their relationship deepens, they face the reality that time might knock Bennett back where he belongs, even as a devastating crisis throws everything they believe into question. Against a ticking clock, Anna and Bennett are forced to ask themselves how far they can push the bounds of fate-and what consequences they can bear in order to stay together. Fresh, exciting, and deeply romantic, Time Between Us is a stunning and spellbinding debut from an extraordinary new talent in YA fiction. "A beautifully written, unique love story." --Melissa Marr, New York Times best-selling author of The Wicked Lovelyseries "The story will hold readers with its twists and turns, present and future; its love, sadness, and anger; and especially, its surprising secrets." -- Booklist "A warm, time-bending romance [that] will have readersrooting for the couple that keeps daring fate." -- Publishers Weekly "Time Between Us is the very best kind of love story --heart-pounding, intense, and unputdownable!" -- Elizabeth Scott, author ofBloom and Perfect You

Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This Expanded Version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of The Spheres consists of four chapters—2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers,and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon, the three primary quantal vowels/sounds, and the triadic musical/linguistic core. Part III: The Musical Notes consists of two chapters—6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; and how the natural progression of the Perfect Fifth leads to the determination of the Egyptian musical measuring units. Chapter 7: The Musical Measuring Unit will cover how the Egyptian musical measuring units is the only measuring unit for all natural harmonic tones—east and west; its application to the twin-scale [authentic and plagal]; and its application to both the cyclic and divisive methods of instrument tuning. Part IV: The Egyptian Musical Composition Code consists of six chapters—8 through 13: Chapter 8: The Musical Framework Varieties will cover the overall tone system, an example of a scale based on the cyclic framework and another based on the divisive framework. Chapter 9: Modes and Musical Structural Forms will cover the musical ethos—moods and modes and the overall basic design characteristics of modes. Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; and the major parts of human's generating (vocal) sounds and its equivalent in the musical instruments. Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; significance of musicality in Ancient Egyptian literature; utilization of letters as musical notes; the modulation of individual sound values; and the intimate relationships between music pulsation and the rhythmic flow of syllables stream. Chapter 12: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing/tempo—including the use of syllables. Chapter 13: The Egyptian Tonal Writing System will cover the preeminence of Ancient Egyptian tonal writings; as well as the primary writing components of lyrical/musical texts. Part V: The Egyptian Musical Instruments consists of four chapters—14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), Harps including playing techniques: Harps—Playing Techniques; The All-Encompassing Capacities of Ancient; string instruments with neck—such as short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa]. Chapter 16: Wind Instruments will cover The end blown flute; transverse flute; pan flute; single reed pipe (clarinet); double Pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns/trumpets. Chapter 17: Percussion Instruments will cover the membrano-phone instruments such as drums and tambourines; and the non-membrano-phone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.). Part VI: Maintaining The Heavenly Rhythms consists of four chapters—18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; the significance of alternating performance theme of balanced polarity; and the Dor-ian musical suites. Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives—from cradle to grave. Part VII: Postlude consists of one chapter—22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.

Current demographic developments and change due to long life expectancies, low birth rates, changing family structures, and economic and political crises causing migration and flight are having a significant impact on intergenerational relationships, the social welfare system, the job market and what elderly people (can) expect from their retirement and environment. The socio-political relevance of the categories of ‘age’ and ‘ageing’ have been increasing and gaining much attention within different scholarly fields. However, none of the efforts to identify age-related diseases or the processes of ageing in order to develop suitable strategies for prevention and therapy have had any effect on the fact that attitudes against the elderly are based on patterns that are determined by parameters that or not biological or sociological: age(ing) is also a cultural fact. This book reveals the importance of cultural factors in order to build a framework for analyzing and understanding cultural constructions of ageing, bringing together scholarly discourses from the arts and humanities as well as social, medical and psychological fields of study. The contributions pave the way for new strategies of caring for elderly people.