The book is primarily about God's voice, God's direction, God's guidance, God's protection, and deciphering God's will for your life in these last days where there are many voices competing for our attention. There are those that teach God does not speak today. Then there are those that teach God speaks in many ways and in everything; nature, audible voices, circumstances etc. God spoke in the past, God speaks now, and God will be speaking for all eternity. From the time God spoke the world into existence to now, He has never stopped speaking to and through His creation ? and He will continue to speak throughout eternity. The question is how does He speak today, and who is listening? This book shows, from Scriptures, how to know the voice of the true and living God in these last days of confusion and deception. Our Lord warned us that the world would be characterized by deception in the last days according to 2nd Timothy 3:1,3; and also admonished that ?My sheep know my voice? in John 10:27.

This is a collection of short stories about historical figures from different periods whose lives have somehow influenced our own lives and times. The book contains pieces about the following characters: Isaac Newton, Adolf Hitler, Vincent van Gogh, Bobby Fisher, Rafael Trujillo, Friedrich Nietzsche, Ernest Hemingway, Sigmund Freud, Nikola Tesla, Yukio Mishima, John F. Kennedy, The Unknown Soldier, Charles Darwin, Galileo Galilei, Franz Kafka, Carl Gustav Jung and Leonardo da Vinci. Even though the stories are rooted in reality, they contain fictional elements based on legends and speculations surrounding each of the characters. This work is the result of several years of research into their lives and works. In addition, there is a Voice in all the stories that has its own personality and sets the rhythm of the plot and the tone of the collection as a whole.

This book presents the first comprehensive collection in English of peasant writings during the early years of the Bolshevik regime. Drawn entirely from Russian archival sources, it presents more than 150 previously unpublished letters addressed to newspapers, government officials, and Communist Party leaders. The letters and accompanying commentary result in a unique history of the Soviet peasantry's engagement and struggle with a powerful state, enabling readers to hear the voice of a social class that throughout history has too often been rendered voiceless.

The magic of the Bel Canto technique, coveted throughout the ages by singers of every genre, is expertly outlined by internationally renowned vocal pedagogue/technician Miriam Jaskierowicz Arman. Endorsed by many professional singers and organizations, this unique book provides an invaluable tool for anyone choosing to actualize the full potential of his/her instrument. Fully illustrated.

Reproduction of the original: Labor and Freedom, the Voice and Pen of Eugene V. Debs by Henry M. Tichenor

"In the years of rapid economic growth following the protest movements of the 1960s, artists and intellectuals in Japan searched for a means of direct impact on the whirlwind of historical and cultural transformations of their time. Yet while the artists often called for such “direct” encounter, their works complicate this ideal with practices of interruption, self-reflexive mimesis, and temporal discontinuity. In an era known for idealism and activism, some of the most cherished ideals—intimacy between subjects, authenticity, a sense of home—are limitlessly desired yet always just out of reach. In this book, Miryam Sas explores the theoretical and cultural implications of experimental arts in a range of media. Casting light on important moments in the arts from the 1960s to the early 1980s, this study focuses first on underground (post-shingeki) theater and then on related works of experimental film and video, buto dance and photography. Emphasizing the complex and sophisticated theoretical grounding of these artists through their works, practices, and writings, this book also locates Japanese experimental arts in an extensive, sustained dialogue with key issues of contemporary critical theory."

This book is merely a record of talks by Mr. Charles W. Leadbeater and myself on three famous books – books small in size but great in contents. We both hope that they will prove useful to aspirants, and even to those above that stage, since the talkers were older than the listeners, and had more experience in the life of discipleship. The talks were not given at one place only; we chatted to our friends at different times and places, chiefly at Adyar, London and Sydney. A vast quantity of notes were taken by the listeners. All that were available of these were collected and arranged. They were then condensed, and repetitions were eliminated. Unhappily there were found to be very few notes on The Voice of the Silence, Fragment I, so we have utilized notes made at a class held by our good colleague, Mr. Ernest Wood, in Sydney, and incorporated these into Bishop Leadbeater’s talks in that section. No notes of my own talks on this book were available; though I have spoken much upon it, those talks are not recoverable. None of these talks have been published before, except some of Bishop Leadbeater’s addresses to selected students on At the Feet of the Master. A book entitled Talks on At the Feet of the Master was published a few years ago, containing imperfect reports of some of these talks of his. That book will not be reprinted; the essential material in it finds its place here, carefully condensed and edited. May this book help some of our younger brothers to understand more of these priceless teachings. The more they are studied and lived, the more will be found in them. — Annie Besant

The VoiceÖ Bible translation is a faithful dynamic translation of the Scriptures done as a collage of compelling narratives, poetry, song, truth, and wisdom. The Voice calls the reader to step into the whole story of Scripture and experience the joy and wonder of GodÆs revelation. Created for and by a church in great transition, The Voice uniquely represents collaboration among scholars, pastors, writers, musicians, poets, and other artists, giving great attention to the beauty of the narrative. The heart of The Voice is retelling the story of the Bible in a form as fluid as modern literary works yet remaining painstakingly true to the original manuscripts. This translation promotes the public reading of longer sections of Scriptureùfollowed by thoughtful engagement with the biblical narrative in its richness and fullness and dramatic flow. This is an updated and revised version of the New Testament edition, now at an even more affordable price. Features include: Italicized information added to help contemporary readers understand what the original readers would have known intuitively In-text commentary notes include cultural, historical, theological, or devotional thoughts Screenplay format, ideal for public readings and group studies Book introductions