Religion and politics have historically clashed in modern Spain but the complexity of the controversial and sometimes violent relationships between Catholic values and modern political regimes continue to ride a precarious line of spiritual accommodation versus public policy. Leading experts on religious Spanish tradition and recent historiographic findings set out to define and interrogate grey areas in the last two centuries beyond the reductive conventional notion of an ever-warring "Two Spains." The Soul of the Nation unravels the role of religion in the country's public life following the imperial crisis of 1808 when the Catholic Monarchy put the role of the Church at heart of political and cultural debates.

The year is 1959, and the winds of change rip through the bucolic river town of Jordan, South Carolina. On the cusp of the civil rights movement in America, ethnic tensions reach a boiling point within a cauldron of clashing ideologies and faiths. A devout family – one intimately connected to the land – awaits the homecoming of the eldest son from up north. He has been away at the seminary for some six years. In a highly anticipated event, he arrives home with none other than the Reverend Martin Luther King, Jr, himself. In the tumultuous weekend that follows, the mighty King electrifies Jordon with the gospel of freedom and integration. But amidst the larger social conflict, another contrasting mindset intervenes, that embodied by the fiery young protagonist, Jimmy. A product of the mean streets of an urban ghetto, the precocious intruder is steeped in the militant ethos of Malcolm X, and his worldview amounts to a bombshell within this isolated, genteel community, a potent source of moral confusion that will wreak havoc, threatening to rip little Jordon asunder. Wendy Williams, syndicated television and radio host. “A treat for lovers of fiction.” RAWSISTAZ reviewers./em “Make note of the name and make sure to digest this important work. His is a new, refreshing literary voice.” Curtis Bunn, Founder National Club Conference./em

The bestselling author of The Power of Kindness shows how the ability to appreciate beauty-far from being a luxury or an afterthought-is vital to leading a happy, balanced, and satisfying life. Beauty is all around us-in a flower, a song, the sound of falling water, or a dramatic painting. We often think of it as just "window dressing." But it's not. It is the balm of our existence, and we cannot live full and satisfying lives without it. Transpersonal psychologist Piero Ferrucci helps us to see everyday beauty in a whole new way-and to understand its powers to guide us through periods of darkness or stress, to speed recovery, to make life feel purposeful. He uses stories, case studies, clinical histories, and anecdotes to explain how different kinds of beauty complement and complete our lives in different ways. So much of the malaise and low-grade depression we may find in our lives and those of people we love is due to our inability to understand the extraordinary power-and necessity-of taking time to "smell the flowers." Ferrucci shows how we can place ourselves in closer proximity to the therapeutic healing that only beauty can bring.

After the tragic death of her closest friend, 20-year-old Celia Thatcher is sent to work in the bookstore of family friends. Hoping the new surroundings in Massachusetts will help her regain a happy outlook on life, Celia catches the eye of not one, but two men: the elite, but unkempt Bostonian-turned-hermit, Edward Lyons, who is clearly trying to run from his past and from God, and Charles Harrod, a charming Harvard law student who promotes a religious belief Celia has never before considered. With both men vying for her attention, Celia's world is again turned upside down when one of her beaus is accused of murder. Suddenly realizing where her heart lies, Celia is now challenged with a choice bigger than man: should she follow her heart or her God?

Soul Trap by Janet M. Woods Following an almost fatal car crash, George, a sixty-nine-year-old psychiatrist, is convalescing at his son’s home in the English countryside. Being very much a ‘city boy’ at heart, George is dreading the boredom he foresees as inevitable in such rural surroundings. In the event, boredom turns out to be the least of his worries. Initially, he fears that the strange happenings manifesting around him may be the result of his head injuries, but finally has to concede that the weird and terrifying phenomena may actually have a ‘supernatural’ origin. As a life-long sceptic and realist, this is not a welcome conclusion! But, struggle against that acceptance as he may, it becomes apparent that there is only one way to fight the Paranormal – with Paranormal weapons on a Paranormal battleground. With the lives and welfare of his family at stake, and generations of souls, trapped in the surrounding area, unable to complete their after-life journeys, it is time to rally all the forces at his disposal. The evil of the Soul Trap must be banished forever.

From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the ‘immortality’ of the subtitle unsubstantiated, and the ‘recollections’ insubstantial. Yet Wordsworth’s idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne’s starting point for the recovery of a lost vision comparable to Wordsworth’s. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality. Graham Davidson traces the origins of Wordsworth’s poetic impetus to his resistance to the Cartesian division between mind and nature, first adumbrated by the Cambridge Platonists. If reunited, Paradise was regained, but this personal trajectory was tempered by a deep sympathy for the woes of mortal life. Davidson explores the consequent dialogue through some of Wordsworth’s best-known poems, at the heart of which is the Ode. In the last section, he demonstrates how Wordsworth’s publishing history led the Victorians and modernists to misinterpret his work; if one considers Eliot’s Four Quartets as odes, facing several of the same problems as did Wordsworth, there is some irony in Eliot’s dismissal of the Immortality Ode as ‘verbiage’.

Although many readers are aware of John Updike's Rabbit tetralogy, fewer have paid close attention to his other multivolume work, "The Scarlet Letter trilogy." In Updike's Version, James Schiff provides the first full-length critical analysis of Updike's trilogy since the publication of its final volume in 1988. He demonstrates how Hawthorne's classic novel of adulterous love and divided selves has become an American myth, and how Updike, in his trilogy, has sought to expand, update, and satirize that myth. The three volumes that make up the trilogy, A Month of Sundays (1975), Roger's Version (1986), and S. (1988), engage in a dialogue with Hawthorne's novel, commenting upon and altering the original story. To understand the nature of this dialogue, Schiff employs a methodolgy specifically suited to Updike's mythical method, in which special attention is given to reader expectation, parody, point of view, and principles of fragmentation and condensation. Updike's Version covers new ground in Updike's studies, revealing how the intertextual dialogue between Updike and Hawthorne is far more complex and extensive than has yet been acknowledged. Providing close and detailed readings of the novels, Updike's Version will be of major importance to students and scholars of John Updike, Nathaniel Hawthorne's canonical American text, and American literature in general.

Nadia Ellis attends to African diasporic belonging as it comes into being through black expressive culture. Living in the diaspora, Ellis asserts, means existing between claims to land and imaginative flights unmoored from the earth—that is, to live within the territories of the soul. Drawing on the work of Jose Muñoz, Ellis connects queerness' utopian potential with diasporic aesthetics. Occupying the territory of the soul, being neither here nor there, creates in diasporic subjects feelings of loss, desire, and a sensation of a pull from elsewhere. Ellis locates these phenomena in the works of C.L.R. James, the testy encounter between George Lamming and James Baldwin at the 1956 Congress of Negro Artists and Writers in Paris, the elusiveness of the queer diasporic subject in Andrew Salkey's novel Escape to an Autumn Pavement, and the trope of spirit possession in Nathaniel Mackey's writing and Burning Spear's reggae. Ellis' use of queer and affect theory shows how geographies claim diasporic subjects in ways that nationalist or masculinist tropes can never fully capture. Diaspora, Ellis concludes, is best understood as a mode of feeling and belonging, one fundamentally shaped by the experience of loss.