Written by the preeminent Fitzgerald biographer and literary critic Scott Donaldson, this book presents a fresh, insightful exploration of the war between the sexes in F. Scott Fitzgerald’s fictional and autobiographical writings. The volume opens with a close reading of Tender Is the Night, in which Donaldson argues that the key theme of the novel is warfare—the struggle between the sexes for dominance in a marriage or relationship. Other essays expand on this theme, examining Fitzgerald’s assessment of love and the American dream in The Great Gatsby, Zelda Fitzgerald’s alleged affair with the French aviator Edouard Jozan, the writer’s relationship with his fellow author Dorothy Parker, and Fitzgerald’s autobiographical writings, in which he recounts his fast, extravagant life during the Jazz Age. Engagingly written and based on a deep understanding of Fitzgerald’s life and career, Fitzgerald and the War Between the Sexes will inform and influence fans and students of Fitzgerald’s work for many years to come.

"The threat posed by the recent rise of transnational non-state armed groups does not fit easily within either of the two basic paradigms for state responses to violence. The crime paradigm focuses on the interception of demonstrable immediate threats to the safety of others. Its aim is to protect specific persons and members of the general public from violence by identifiable individuals, who may be acting alone or in concert. In pursuit of this aim, the state uses police operations and the criminal justice system. Both of these tools are governed by human rights principles that significantly constrain state power. A state may not restrict liberty unless it has demonstrable evidence that an individual may pose a danger to others. It may not use force if other means will be effective to stop a threat. If using force is unavoidable, it must be the minimum amount necessary. Furthermore, a state generally may not take life unless no other measure will intercept an immediate threat to life"--