A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship

Between 1867 - the year of the Alaskan purchase - and the beginning of World War I, Russian and American dignitaries, diplomats, businessmen, writers, tourists, and entertainers crossed between the two countries in surprisingly great numbers. Concord and Conflict provides the first comprehensive investigation of this highly transformational and fateful era in Russian-American relations. Excavating previously unmined Russian and American archives, Norman Saul illuminates these fifty significant - and open - years of association between the two countries. He explores the flow and fluctuation of economic, diplomatic, social, and cultural affairs; the personal and professional conflicts and scandals; and the evolution of each nation's perception of the other.

Resolving a conflict is based on the art of helping people, with disparate points of view, find enough common ground to ease their fears, sheath their weapons, and listen to one another for their common good, which ultimately translates into social-environmental sustainability for all generations. Written in a clear, concise style, Resolving Environmental Conflicts: Principles and Concepts, Third Edition is a valuable, solution-oriented contribution that explains environmental conflict management. This book provides an overview of environmental conflicts, collaborative skills, and universal principles to assist in re-thinking and acting toward the common good, integrates a variety of new real-world conflicts as a foundation for building trust, skills, consensus, and capacity, and explains pathways to collectively construct a relationship-centric future, fostering healthier interactions with one another and the planet. The new edition illustrates how to successfully mediate actual environmental disputes and how to teach conflict resolution at any level for a wide variety of social-environmental situations. It adds a new chapter on water conflicts and resolutions, providing avenues to healthy, sustainable, and effective outcomes and provides new examples of conflicts caused by climate change with discussion questions for clear understanding. Land-use planners, urban planners, field biologists, and leaders and participants in collaborative environmental projects and initiatives will find this book to be an invaluable resource. University students in related courses will also benefit, as will anyone interested in achieving greater social-environmental sustainability and a more responsible use of our common natural resources for themselves and their children.

When a Martian spacecraft lands on Woking Common, mankind is terrorized by aliens in tall, armored capsules which stalk the countryside on three legs. The machines wreak havoc on London and the Southern Counties, and survivors are driven underground. Scientist John Nicholson tells how he was plunged into a paralyzing nightmare of stark terror, savage madness and utter destruction.

This book presents a clear and comprehensive introduction to the diverse and wide-ranging ethical aspects of war and peace. In a fair-minded and engaging analysis, Nigel Dower introduces the different ethical theories in traditional and contemporary debates ? realism, just war theory and pacifism ? and subjects each to detailed critical scrutiny. He frames these debates within a related but distinct framework of three approaches to international relations, namely skeptical realism, internationalism and cosmopolitanism. The book also identifies and evaluates two further important perspectives, militarism and pacificism. Whilst analyzing the advantages and disadvantages of the different outlooks, Dower makes a strong case for a cosmopolitan pacificist position, arguing that we need to see peace in more positive terms than merely the absence of war. The book uses a wide range of examples from across the world and includes discussion of nuclear weapons, new wars, terrorism, humanitarian intervention and human security. Written as a textbook for students who have no prior knowledge of philosophical ethics, The Ethics of War and Peace is designed to help students understand and see the relevance of how a professional philosopher can engage ethically with the world. Each chapter contains a helpful survey of its contents at the beginning and a set of questions for individual reflection or group discussion at the end. This book will be essential reading for students of security studies, conflict resolution, peace studies, philosophy and political theory and anyone interested in the ethical questions which arise from the study of war and peace.

This study is a pioneering exploration of how rabbis in the religious Zionist community in Israel constructed a body of Jewish law on war. It focuses on five leading rabbis in this camp and how they dealt with a number of key moral issues that the waging of war raised.

In the late 1930s, a number of American women—especially those allied with various peace and isolationist groups—protested against the nation's entry into World War II. While their story is fairly well known, Margaret Paton-Walsh reveals a far less familiar story of women who fervently felt that American intervention was absolutely necessary. Paton-Walsh recounts how the United States became involved in the war, but does so through the eyes of American women who faced it as a necessary evil. Covering the period between 1935 and 1941, she examines how these women functioned as political actors-even though they were excluded from positions of power-through activism in women's organizations, informal women's networks, and even male-dominated lobbying groups. In the "Great Debate" over whether America should enter the war, some women favored aid to the Allies not because they hoped for war but because they hoped aid would forestall more direct U.S. involvement-but also because they believed war was preferable to a Nazi victory. Paton-Walsh shows that this activism involved some of the most prominent women of their day. Elizabeth Cutter Morrow-whose son-in-law, Charles Lindbergh, was an isolationist spokesman-supported the revision of the Neutrality Acts to allow the sale of arms to the Allies and expressed her support in a national radio broadcast. Soon other women joined this debate: Esther Brunauer of the AAUW, journalist Dorothy Thompson, and organizations like the League of Women Voters and National Women's Trade Union League broke from the pacifist tradition to advocate American aid for the Allied cause. Focusing on the conflict in Europe, Paton-Walsh shows how these women grasped the implications of the Lend-Lease program for America's entry into the war but supported it nevertheless. By late 1941, the Women's Division of the Fight for Freedom Committee had been established; no longer merely advocating aid to Britain to keep American boys out of battle, this organization supported direct American involvement in the war as a means of stopping Nazi oppression. While most historians have focused on women's pacifism, Paton-Walsh connects women more directly to world events and shows how those interventionists reformulated maternalist ideas to justify and explain their beliefs. Our War Too is a story of American women trying to reconcile the irreconcilable, to preserve both their principles and their peace. It expands our understanding of women as political actors and thinkers about foreign policy as it sheds new light on American public opinion over the build-up to the war.

This unique new work of reference traces the origins of the modern laws of warfare from the earliest times to the present day. Relying on written records from as far back as 2400 BCE, and using sources ranging from the Bible to Security Council Resolutions, the author pieces together the history of a subject which is almost as old as civilisation itself. The author shows that as long as humanity has been waging wars it has also been trying to find ways of legitimising different forms of combatants and ascribing rules to them, protecting civilians who are either inadvertently or intentionally caught up between them, and controlling the use of particular classes of weapons that may be used in times of conflict. Thus it is that this work is divided into three substantial parts: Volume 1 on the laws affecting combatants and captives; Volume 2 on civilians; and Volume 3 on the law of arms control. This second book on civilians examines four different topics. The first topic deals with the targetting of civilians in times of war. This discussion is one which has been largely governed by the developments of technologies which have allowed projectiles to be discharged over ever greater areas, and attempts to prevent their indiscriminate utilisation have struggled to keep pace. The second topic concerns the destruction of the natural environment, with particular regard to the utilisation of starvation as a method of warfare, and unlike the first topic, this one has rarely changed over thousands of years, although contemporary practices are beginning to represent a clear break from tradition. The third topic is concerned with the long-standing problems of civilians under the occupation of opposing military forces, where the practices of genocide, collective punishments and/or reprisals, and rape have occurred. The final topic in this volume is about the theft or destruction of the property of the enemy, in terms of either pillage or the intentional devastation of the cultural property of the opposition. As a work of reference this set of three books is unrivalled, and will be of immense benefit to scholars and practitioners researching and advising on the laws of warfare. It also tells a story which throws fascinating new light on the history of international law and on the history of warfare itself.

“Valuable above and beyond a case study because it remarkably grounds what can be very illusive alchemical imagery into psychological experience.” – Margaret Johnson, editor, Psychological Perspectives “A testament to the healing capacities of the imagination, the humble “star in man” that connects us to the unconscious: to unknown and unexpected developments in ourselves.” – Literary Aficionado I suspect that far more would be resolved, and much of the world’s suffering wouldn’t be in vain, if only we could transform the wars in the Middle East and elsewhere in this world into the likes of Randy’s sand trays. War of the Ancient Dragon: Transformation of Violence in Sandplay is a major contribution to Jungian Psychology, Sandplay Therapy, and to the world at large. I urge you to read and to tell others about this powerfully moving book. – Mel Mathews, Publisher, Fisher King Press Six-year-old Randy conducts bloody wars in the sandtray, calling them “World War One,” World War Two, and “The War of the Ancient Dragon.” He burns fires and bombs helpless victims, killing some and saving others. What could possibly be going on in his imagination? The contents of his imagination—what the alchemists call the “realm of subtle bodies”—are revealed in his sandplay from one session to the next, and there we see the raw, autonomous dynamism that motivates Randy, already branded a bully and nearly expelled from first grade. We see fiery, destructive conflict, part his, part his culture’s, part lived, part projected, a conflict of archetypal opposites that engulf Randy’s personality and fuel his violent behavior. But also from Randy’s imaginal world, out of the very war between opposites that drives him, the unknown third possibility unfolds. Allowed to exist and be seen with a paradoxical healing aim, the war fights itself out over time in the safe container of the sandtray, finds its unpredictable resolution, and gradually releases Randy from its grip. He finally emerges, calling himself “king of the bloodfire,” returned to the rule of his own emotional life. He has adapted to school, proud of his achievements, a star student in math. Randy’s lively narratives animate his dramas and reveal the distinct hallmarks of an alchemical opus over the course of 24 therapy sessions. He remarkably echoes the words of the ancient sages such as Zosimos, who centuries ago in his own imagination witnessed the “torture” of transformation in fire. Randy’s process is thoroughly documented and amplified, unveiling the alchemical stages of transformation—nigredo, albedo, and rubedo—in a way that helps us relate to those chapters in our own individuation struggles. Psychological Perspectives editor Margaret Johnson writes that the work is “valuable above and beyond being a case study because it remarkably grounds what can be very illusive alchemical imagery into psychological experience.” War of the Ancient Dragon guides us through the gritty realities of the alchemical process, helping us realize how they can manifest in everyday life, dream images, and fantasy. Above all the book is a testament to the healing capacities of the imagination, the humble “star in man” that connects us to the unconscious: to unknown and unexpected developments in ourselves.