The first English translation of a classic treatise on how the Tibetan practice of Dzogchen, or Great Perfection, is in fact the culmination of the path of Mahayana Buddhism. Rongzom Chökyi Zangpo wrote this treatise in the eleventh century during the renaissance of Buddhism in Tibet that was spurred by the influx of new translations of Indian Buddhist texts, tantras, and esoteric transmissions from India. For political and religious reasons, adherents of the “new schools” of Tibetan Buddhism fostered by these new translations cast the older tradition of lineages and transmissions as impure and decadent. Rongzompa composed the work translated here in order to clearly and definitively articulate how Dzogchen was very much in line with the wide variety of sutric and tantric teachings espoused by all the Tibetan schools. Using the kinds of philosophic and linguistic analyses favored by the new schools, he demonstrates that the Great Perfection is indeed the culmination and maturation of the Mahāyāna, the Great Vehicle. The central topic of the work is the notion of illusory appearance, for when one realizes deeply that all appearances are illusory, one realizes also that all appearances are in that respect equal. The realization of the equality of all phenomena is said to be the Great Perfection approach to the path, which frees one from both grasping at, and rejecting, appearances. However, for those unable to remain effortlessly within the natural state, in the final chapter Rongzompa also describes how paths with effort are included in the Great Perfection approach.

All religions make statements about God or the Absolute and about "the beginning": about the beginning of the world and the beginning and nature of the human person. Propositions about God, the human person, and the world, statements about God's eternity or process of becoming, about the status and nature of the human person as the "image of God", and about the beginning of the world are woven into "religious speculations about the beginning". The theology, anthropology, and cosmology of the world religions determine the image of the human person and the image of the world in the world cultures shaped by the different religions. They stand in a tense relationship with the anthropologies and cosmologies of modern science, which in turn challenge the religions to deepen their image of the human person. With this volume leading thinkers of Hinduism, Buddhism, Judaism, Christianity, and Islam provide the reader with a first-hand source for understanding the five world religions and their teaching about God, the human person, and the origin of the world.

This book serves as an accessible and reliable survey for students wishing to gain familiarity with the basic ideas of Buddhist philosophical and religious thought, and with some of the recent research in the field. It guides readers towards a richer understanding of the central concepts of classical Indian Buddhist thought, from the time of Buddha to the latest scholarly perspectives and controversies. Abstract and complex ideas are made understandable by the authors' clear and engaging style. The second edition has been fully revised in light of new scholarship, in particular on Mahāyāna Buddhism and Tantric Buddhism, an often neglected and inadequately understood topic. As well as a detailed bibliography this authoritative resource now includes recommended further reading, study questions, a pronunciation guide and extensive glossary of terms, all aimed at helping students to develop their knowledge and appreciation of Buddhist thought.

This second volume of the five-volume commentary by the renowned Buddhist scholar Geshe Lhundub Sopa focuses on the key Buddhist concepts of karma, or cause and effect, and dependent origination. Considered one of the finest living Buddhist scholars, Geshe Sopa provides commentaries essential for anyone interested in a sound understanding of Tibetan Buddhist practice and philosophy. Never has a book gone into such clear detail on karma and dependent origination--concepts which, despite many references in contemporary culture, are too often misunderstood. Here, Geshe Sopa starts from the beginning with a faithful reading of the Lamrim Chenmo and, in the end, leaves readers with the proper tools for incorporating core Buddhist concepts into their study, teaching, and practice.

In this fascinating study, Dagyab Rinpoche not only explains the nine best-known groups of Tibetan Buddhist symbols, but he also shows how they serve as bridges between our inner and outer worlds. Buddhist Symbols in Tibetan Culture is a fascinating and fun book, offering us entry points into the layers of meaning that may be found in the common (and not-so-common), pointing the way to ultimate reality and transmitting a reservoir of deep knowledge formed over thousands of years.

Drawing on his encyclopaedic knowledge, one of the most famous masters in the history of Zen leads us on a grand tour of Buddhist theology in all its timeless relevance. Muso Soseki, the renowned fourteenth century Zen master, is today most known for developing the art of traditional Japanese Zen gardening. Even more impressive is his creation of the institutional structure for all Japanese Buddhist temples, which still in use today. Dialogues in a Dream is one of the many projects Soseki took on in this final period of his life. Written in the guise of a conversation between Soseki and the shogun, the work covers the breadth of Buddhist philosophy and practice, and includes insightful discussions of prayer, mediation, and the place of study in religious life. His penetrating analysis deepens our appreciation of even the simplest Buddhist practices. Acclaimed scholar Thomas Yuho Kirchner painstakingly translates this classic text into English.