In By Way of Obstacles, Emmanuel Falque revisits the major themes of his work—finitude, the body, and the call for philosophers and theologians to “cross the Rubicon” by entering into dialogue—in light of objections that have been offered. In so doing, he offers a pathway through a work that will offer valuable insights both to newcomers to his thought and to those who are already familiar with it. For it is only after one has carved out one’s pathway that one may see more clearly where one has been and where one might be going. Here readers will discover the profound relation between Falque’s emphasis on the human experience of the world and his desire for philosophy and Christian theology to enter into conversation. For only by speaking within the human horizon of finitude can Christianity be credible for human beings, and it is because Christian theology teaches that God entered into our finitude that it can also teach us something of what it is to be human. Contemporary phenomenology, Falque warns, over-privileges an encounter with the infinite that cannot be originary. Calling us back to finitude, he calls us to a deeper understanding of our humanity.

The late Jean-Louis Chretien's responsorial and polyphonic style of thinking is nothing less than a performance of gratitude, which manifests the many ways and manners that our wounded finitude is graced and blessed along the peregrine path of human existence. Finitude's Wounded Praise: Responses to Jean-Louis Chretien is a receptive celebratory response to the immense fecundity and potential of Chretien's "thank you" of gratitude. This volume gathers leading Chretien scholars and thinkers to explicate, explore, think with, and commemorate his thought. The essays in the volume engage Chretien's work from three primary fields: phenomenological, literary/poetic, and theological. Finitude's Wounded Praise is a diverse, exploratory, and impressive testament to the expansive and enduring richness of Chretien's oeuvre.

This is a comprehensive reconstruction and a detailed analysis of Kant's ""Critique of Judgment"". In the light of the third ""Critique"", the book offers a final interpretation of the critical project as a whole and proposes a new reading of Kant's notion of human experience.

Socratic and Platonic Political Philosophy invites readers to participate in the practices of Socratic and Platonic politics.

Suspending the distinction between headline news and high theory, Avital Ronell examines the diverse figures of finitude in our modernity: war, guerrilla video, trauma TV, AIDS, music, divorce, sadism, electronic tagging, rumor. Her essays address such questions as, How do rumors kill? How has video become the conscience of TV? How have the police come to be everywhere, even where they are not? Is peace possible? “[W]riting to the community of those who have no community—to those who have known the infiniteness of abandonment,” her work explores the possibility, one possibility among many, that “this time we have gone too far”: “One last word. It is possible that we have gone too far. This possibility has to be considered if we, as a species, as a history, are going to get anywhere at all.”

Theology of Horror explores the dark reaches of popular horror films, bringing to light their implicit theological and philosophical themes. Horror films scare and entertain us, but there’s more to be found in their narratives than simple thrills. Within their shadows, an attentive viewer can glimpse unexpected flashes of orthodox Christian belief. In Theology of Horror, Ryan G. Duns, SJ, invites readers to undertake an unconventional pilgrimage in search of these buried theological insights. Duns uses fifteen classic and contemporary horror films—including The Blair Witch Project, A Nightmare on Elm Street, Candyman, and The Purge—as doorways to deeper reflection. Each chapter focuses on a single film, teasing out its implicit philosophical and theological themes. As the reader journeys through the text, a surprisingly robust theological worldview begins to take shape as glimmers of divine light emerge from the darkness. Engaging and accessible, Theology of Horror proves that, rather than being the domain of nihilists or atheists, the horror film genre can be an opportunity for reflecting on “things visible and invisible,” as Christians profess in the Nicene Creed.

Postmodern Apologetics provides an introduction to contemporary French thinkers who argue for the coherence and viability of Christian faith and religious experience with phenomenological and hermeneutical tools. It treats both French philosophers and appropriations of their thought in the North American context.

What Guignon does, very skillfully, is to use the problem of knowledge as a focus for organizing a discussion of Heidegger's thought in its entirety. . . . Places him squarely within the philosophical tradition he struggled to overcome and provides an account of his development from Being and Time to the last writings.

Hegel is one of the most important modern philosophers, whose thought influenced the development of existentialism, Marxism, pragmatism, hermeneutics, and deconstruction. Yet Hegel's central text, the monumental Science of Logic, still remains for most philosophers (both figuratively and literally) a firmly closed book. The purpose of The Opening of Hegel's Logic is to dispel the myths that surround the Logic and to show that Hegel's unjustly neglected text is a work of extraordinary subtlety and insight. Part One of The Opening of Hegel's Logic argues that the Logic provides a rigorous derivation of the fundamental categories of thought and contrasts Hegel's approach to the categories with that of Kant. It goes on to examine the historical and linguistic presuppositions of Hegel's self-critical, "presuppositionless" logic and, in the process, considers several signifi-cant criticisms of such logic advanced by Schelling, Feuerbach, Gadamer, and Kierkegaard. Separate chapters are devoted to the relation between logic and ontology in Hegel's Logic and to the relation between the Logic itself and the Phenomenology. Part Two contains the text - in German and English - of the first two chapters of Hegel's Logic, which cover such categories as being, becoming, something, limit, finitude, and infinity. Part Three then provides a clear and accessible commentary on these two chapters that both examines Hegel's arguments in detail and relates his insights to those of other philosophers, such as Descartes, Spinoza, Kant, Nietzsche, and Levinas. The Opening of Hegel's Logic aims to help students and scholars read Hegel's often formidably difficult text for themselves and discover the wealth of philosophical riches that it contains. It also argues that Hegel's project of a presuppositionless science of logic is one that deserves serious consideration today.