Gu Mo Cheng only married the Mu family's daughter to humiliate the Mu family.Moreover, he was selfish enough to hope that this chess piece would not fight over it, not cry over it.But when this chess piece was done, Gu Mo Cheng became extremely irritable, "I'm eating with other women, why aren't you jealous?"Mu Wenwen cast a sidelong glance at him, "What are you crazy about?""..." Yeah, what happened to him?Thus, Young Master Gu could bear it no longer, but when Mu Ran looked at the other men, he couldn't help but get angry. "Mu Ran, I'm going to hide you!""I don't want to."Young Master Gu: "Then lock him up!""..."Everyone else: Mmm, it smells really good, Young Master Gu.

This bold and precedent-setting study details numerous slave rebellions against white masters, drawn from planters' records, government petitions, newspapers, and other documents. The reactions of white slave owners are also documented. 15 halftones.

Multidisciplinary in scope and using predominantly qualitative approaches, Conjugal Trajectories: Relationship Beginnings, Change, and Dissolutions focuses upon relevant trajectories to better comprehend the evolving nature of conjugal relationships and its implications for family life moving forward.

Up to now, there has been no complete English-language version of the Russian folktales of A. N. Afanas’ev. This translation is based on L. G. Barag and N. V. Novikov’s edition, widely regarded as the authoritative Russian-language edition. The present edition includes commentaries to each tale as well as its international classification number. This third volume contains 305 tales, those numbered 319–579, as well as forty-five additional tales from among those denied publication by the Russian censors. The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Belarusian, Russian, and Ukrainian. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection, he prepared a volume of Russian legends, many on religious themes; a collection of mildly obscene tales, Russkie zavetnye skazki; and voluminous writings on Slavic folklife and mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union in the 1990s. Overwhelmingly, his particular emendations were stylistic, while those of the censors mostly concerned content.