This book analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries. In the earlier texts, magic is predominantly a masculine pursuit, garnering its user prestige and power, but in the later texts, magic becomes a primarily feminine activity, one that marks its user as wicked and heretical. This project explores both the literary and the social motivations for this transformation, seeking an answer to the question, 'why did the witch become wicked?' Heidi Breuer traverses both the medieval and early modern periods and considers the way in which the representation of literary witches interacted with the culture at large, ultimately arguing that a series of economic crises in the fourteenth century created a labour shortage met by women. As women moved into the previously male-dominated economy, literary backlash came in the form of the witch, and social backlash followed soon after in the form of Renaissance witch-hunting. The witch figure serves a similar function in modern American culture because late-industrial capitalism challenges gender conventions in similar ways as the economic crises of the medieval period.

Dorothy Gale finds herself trapped in the mysterious Land of Oz and her presence threatens to re-ignite a war between magic and machines. The secret to getting home lies in the lost City of Emerald Light. Revenge Of The Dark Witch Of Oz is a science fiction/fantasy adaptation of L. Frank Baum's The Wonderful Wizard Of Oz. The tale is told in an illustrated screenplay format, complete with paintings, detailed images, sketches and storyboards.

The birth of Triana and Brey's child was just the beginning, but now the end is near. The humans search for the truth, believing the child was born dead, but only the wizard, Halloc, knows all. Only the wizard knows why evil roams the land, and only a child pronounced dead at birth can save both the humans and the wizard. Everyone must face the truth, the absolute truth is always astounding.

THE WITCH’S KISS trilogy by authors and sisters, Katharine and Elizabeth Corr incorporating titles: The Witch’s Kiss, The Witch’s Tears and The Witch’s Blood.

Suddenly, there were black clouds in the sky. Everyone heard a loud noise coming from the sky and they all knew that Vorltrarr the Dragon was coming. King Aurthorr yelled out, "Daughters, Vorltrarr comes! Get ready your weapons! The time has come for you to fulfill the prophecy!" Princess Sasha, Princess Trina, Princess Alexandra and Rebecca walked up ahead of the army and lined up together in a row. They looked like warriors! Rebecca was not afraid! She took a deep breath and got her weapon ready for the task that lay ahead. She understood the prophecy now and had faith in herself and the Princesses. She was determined not to let them or the Land of Antigua down. They each pulled out their bows and prepared to kill the dragon. The Dragon Vorltrarr got nearer to the heroes! Fire came out of his nostrils and his mouth. Princess Alexandra handed each of the other girls one of the special arrows that they had gotten from the Head Centaur of the Unicorns. All four of the girls pointed their bows up into the air and waited for Vorltrarr to come nearer. Vorltrarr let out such a loud noise that the ground shook! Then fire came right out of his nostrils. The Wizard Thandorfur held his mighty wand up toward the sky and yelled, "Mighty clouds of the sky, I call upon you to bring forth lightening to destroy the Dragon Vorltrarr!" Suddenly the black clouds over the Dragon Vorltrarr began to roar like a freight train. Large lightening bolts came out of the clouds toward Vorltrarr. One lightening bolt struck Vorltrarr and wounded him but it didn't kill him!

Kevin and Ginny were the only members of the Holmes and Watson Mysterious Events and Objects Consortium, which was fine, since they were also best friends. Small animals in their neighborhood are disappearing, including Ginny's cat. The children find a strange object hidden in the woods nearby. What they don't know is that the object is a witch's talisman, the source of her black power. And Ginny could find the talisman becasue Ginny is attracting the power to herself.

This handbook offers the most comprehensive, analytic, and multidisciplinary study of oral traditions and folklore in Africa and the African Diaspora to date. Preeminent scholars Akintunde Akinyemi and Toyin Falola assemble a team of leading and rising stars across African Studies research to retrieve and renew the scholarship of oral traditions and folklore in Africa and the Diaspora just as critical concerns about their survival are pushed to the forefront of the field. With five sections on the central themes within orality and folklore – including engagement ranging from popular culture to technology, methods to pedagogy – this handbook is an indispensable resource to scholars, students, and practitioners of oral traditions and folklore preservation alike. This definitive reference is the first to provide detailed, systematic discussion, and up-to-date analysis of African oral traditions and folklore.

Real heroes never die. But they do get grouchy in middle age. The beloved King Ik is dead, and there was barely time to check his pulse before the royal throne was supporting the suspiciously shapely backside of an impostor pretending to be Ik’s beautiful long-lost daughter. With the land’s heroic hunks busy drooling all over themselves, there’s only one man left who can save the kingdom of Jenair. His name is Dungar Loloth, a rural blacksmith turned innkeeper, a surly hermit and an all-around nobody oozing toward middle age, compensating for a lack of height, looks, charm, and tact with guts and an attitude. Normally politics are the least of his concerns, but after everyone in the neighboring kingdom of Farrawee comes down with a severe case of being dead, Dungar learns that the masquerading princess not only is behind the carnage but also has similar plans for his own hometown. Together with the only person senseless enough to tag along, an eccentric and arguably insane hobo named Jimminy, he journeys out into the world he’s so pointedly tried to avoid as the only hope of defeating the most powerful person in it. That is, if he can survive the pirates, cultists, radical Amazonians, and assorted other dangers lying in wait along the way. Logan J. Hunder’s hilarious debut blows up the fantasy genre with its wry juxtaposition of the fantastic and the mundane, proving that the best and brightest heroes aren’t always the best for the job.