There are two constants in academic and theological discourse throughout history, they are the debate around secularization and the dialogue concerning the intersection of religion and education. Each age has had its debate about modernizing forces that drive concerns of impending secularization. In this publication this theme is approached from perspectives of teachers, of students, of policy makers and situated in a politico-historical context. Aware of the fact that in today’s plural societies one sacred canopy is non-existent anymore, cracks of the sacred canopy/canopies are described, as well as ‘the light that gets in’, the possible and challenging ways out are roughly sketched.

Welcome to The Other Side ... Chasing a thief, Izzy Gregory takes a wrong turn down a Dublin alley and finds the ashes of a fallen angel splashed across the dirty bricks like graffiti. She stumbles into Dubh Linn, the shadowy world inhabited by the Sidhe, where angels and demons watch over the affairs of mortals, and Izzy becomes a pawn in their deadly game. Her only chance of survival lies in the hands of Jinx, the Sidhe warrior sent to capture her for his sadistic mistress, Holly. Izzy is something altogether new to him, turning his world upside down. A thrilling, thought-provoking journey to the magic that lies just beside reality.

Life used to be simple. I was a city girl with humble dreams. Then Dylan O’Dea broke into my flat, held me against the wall and told me to stay quiet. It was like in the movies, where the universe zeros in on a single scene. I looked into his eyes and knew he was going to change me. For Dylan, the sky was always falling. He showed me how our world is a contradiction of beauty and ugliness. How we choose to ignore the awful and gloss over it with the palatable. How you need just a tiny drop of something unsavoury to create every great scent. Pretty deep for a pair of teenagers living in a block of council flats in inner city Dublin, right? Probably. But we weren’t typical. We both had our obsessions. Mine was growing things, Dylan’s was scent. He taught me how to use my nose, and I introduced him to the magic of flowers. I had no idea that one day he’d build an empire from what we started together. But before that, there was love and happiness, tragedy and epic heartbreak… My name is Evelyn Flynn and I’m going to tell you about the crack in everything. A Crack in Everything is Book #1 in L.H. Cosway’s Cracks duet.

What is space? What is time? Where did the universe come from? The answers to mankind's most enduring questions may lie in science's greatest enigma: black holes. A black hole is a region of space where gravity is so strong that nothing, not even light, can escape. This can occur when a star approaches the end of its life. Unable to generate enough heat to maintain its outer layers, it shrinks catastrophically down to an infinitely dense point. When this phenomenon was first proposed in 1916, it defied scientific understanding so much that Albert Einstein dismissed it as too ridiculous to be true. But scientists have since proven otherwise. In 1971, Paul Murdin and Louise Webster discovered the first black hole: Cygnus X-1. Later, in the 1990s, astronomers using NASA's Hubble Space Telescope found that not only do black holes exist, supermassive black holes lie at the heart of almost every galaxy, including our own. It would take another three decades to confirm this phenomenon. On 10 April 2019, a team of astronomers made history by producing the first image of a black hole. A Crack in Everything is the story of how black holes came in from the cold and took cosmic centre stage. As a journalist, Marcus Chown interviews many of the scientists who made the key discoveries, and, as a former physicist, he translates the most esoteric of science into everyday language. The result is a uniquely engaging page-turner that tells one of the great untold stories in modern science.

"Gerst gets good mileage out of her political roots, but it's her finely honed plot that seals the deal. Here's hoping she runs for another term."—Kirkus Reviews STARRED review Politics, money, love . . . what could go wrong? Susan Callisto is pushing thirty and taking stock. Trading financial security at a Boston law firm for sandals and jeans in Waltham, she's reinvented herself as a political consultant for people seeking low-level office. Her income may be dicey, but Susan loves her new life—until her boyfriend, Detective Lieutenant Michael Benedict, dumps her without a goodbye. Not one to mope, Susan uses humor and perpetual motion to keep away the pain. When biotech high roller Charles Renfrow offers her a huge retainer to advise his political campaign, Susan is wary. Why would a scientist stalking the human genome want to be mayor of a small Massachusetts town? Rumor has it Renfrow's biotech company is dumping deadly waste and that a child has died. On her way to confront him, Susan finds the body of his gorgeous assistant. Assigned to the case, Michael reenters Susan's life. Soon mayhem rains down: Susan herself is attacked, an elderly client is beaten and left for dead, and a child is abducted. When Michael's suspicions settle on Susan's favorite candidate, she elbows her way into the investigation. She hopes to prove Michael wrong. But now, with her own life on the line, Susan uncovers the crack in everything.

Get ready: while other books may show up carefully dressed, this one answers the door in her underwear. SARK, Author, Artist, Creative Fountain, PlanetSARK.com a new, exciting voice in fictionA truly impressive debut novel that announces Carlisle as a writer to watch. Rob Roberge, author of Working Backwards from the Worst Moment of My Life The characters that inhabit this sharp and witty novel are troubled, impoverished, confused, lost, sexually frustrated, and intellectually unfulfilled. Sobasically everyone I know. Mike Barker, Co-Creator and Head Writer, American Dad! saucy writing yet tender and heart-felt charactersbridges an unusual but empowering sisterhood between girls-next-door and girls-on-stripper-poles. Its about time! Jennifer Musselman, author of Own It! The Ups & Downs of Homebuying for Women Who Go It Alone Twenty-five-year-old Tamina is a sharp-witted Jersey girl living in Hollywood with a near-phobic response to mismatching colors, an addiction to pedicures, and a hectic job teaching comprehensive sex education to urban youth. Suffering the consequences of a violent assault, Tam looks for relief in romance and LAs underground erotic entertainment scene. However, when Tams young attacker unexpectedly resurfaces among a crowd of drag queens, porn stars, and musicians, Tam finally must make real choices. Fear or confrontation. Cynicism or curiosity. Silence or honesty. It would be surreal, if it wasnt LA.

Through stories at once poetic and poignant, There Is Nothing So Whole as a Broken Heart offers a powerful elixir for all who rebel against systemic violence and injustice. The contemporary renewal of Jewish anarchism draws on a history of suffering, ranging from enslavement and displacement to white nationalism and genocide. Yet it also pulls from ancestral resistance, strength, imagination, and humor—all qualities, and wisdom, sorely needed today. These essays, many written from feminist and queer perspectives, journey into ancestral and contemporary trauma in ways that are humanizing and healing. They build bridges from bittersweet grief to rebellion and joy. Through concrete illustrations of how Jewish anarchists imaginatively create their own ritual, cultural, and political practices, they clearly illuminate the path toward mending ourselves and the world.

There’s a Buddhist saying, “When the student is ready, the teacher will appear.” That teacher is Pamela Des Barres, known to her students —and to the world over —as Miss Pamela. Miss Pamela has created a safe space for hundreds of women across the country and throughout the world to share their lives and express their most secret thoughts through writing. Their ages range from 20 to 75, and in her writing workshops the 20 year-olds can come across like wise-old sages, and the 70-year olds can appear like teenagers discovering their voices for the first time. The magic of getting women together to share their stories has wrought this collection of powerful, moving writing. The pieces are funny, angry, joyful, sad, full of hope, tragedy, and transformation—each a revelation in its own right. You will marvel at the skill with which these women have told their tales based on the prompts Miss Pamela gives them, all written extemporaneously in 12 minutes. You may also discover yourself in these glimpses into the lives of your fellow humans.

Like Conrad's Marlow, whose tale of journeying into the "heart of darkness" gives us as much insight into one man's personality as it does into the mysteries of the dark world he explored, so the anthropologist's record of another culture contains more than objective, scientific data about his investigation. Embedded within it are clues to the "personality" of anthropology itself: the attitudes, approaches, even prejudices that at any given stage in history are inextricable from the ideology of the anthropologist. Therefore, the mirror he holds up to show us another culture can never be a perfect one. His own professional attitude toward his subject, as well as his choice of medium, are factors that create "cracks" in the mirror of anthropology through which we believe we view the life of other cultures. Hence, the concept of "reflexivity" and the striving to recognize how it warps in the portrayal of anthropological truth lie at the core of the twelve finely wrought essays collected in this volume. Wide ranging in geography as well as viewpoint, they highlight various methods and media (film, ethnography, text) through which an anthropologist chooses to portray a culture, and the various forms, such as art, theater, and ritual, through which a culture portrays itself. Recognizing the link between these two processes provides the key to cultural and methodological self awareness. Reflexivity is defined and clarified in the introduction and in three of the essays, and the remaining nine essays evince the principle through fieldwork and startling case studies. Essays by Jay Ruby and Eric Michaels shed new light on the enormous potential of film and video, showing how a form generally thought to be "nonscientific" can in fact give fresh insight into the scientific premises underlying the discipline's methodology. Essays by Barbara Babcock and Carol Ann Parssinen focus on the novel and ethnography, examining existing works. Anthropologists, as well as students of film, art, and theater, will find that this intriguing work begins to redefine traditional distinctions between science and the arts and brings to light fresh resources that are utilized in the search for anthropological truth. Contributors: Richard Schechner, Victor Turner, Barbara Myerhoff, Jay Ruby, Eric Michaels, Dennis Tedlock, George Marcus, Paul Rabinow, Barbara Babcock, Carol Ann Parssinen, and Dan Rose.

Put on the entire armor of God and be able to effectively survive and thrive during conflict.