The life and works of South African writer, political activist and artist, from his early life in District Six, his arrest and trial for treason, to his eventual reluctant exile in Cuba.

A literary biography of one of South Africa's most extraordinary and eminent men of letters, Justine Alexander La Guma, better known as Alex La Guma. Concerned with the writing life of one of South Africa's most prolific, eloquent and courageous authors, it covers his contribution in the fight to overturn apartheid as well as his literary work and journalism.

In the Dark with my dress on fire is the remarkable life story of Blanche La Guma, a South African woman who dedicated her life to ending apartheid through her various roles as professional nurse, wife and mother, and underground Communist activist.

Ancient teachings suggest that we are capable of communing with the forces of nature and speaking readily to the animals, birds, reptiles, fish and even the insects. Each animal offers its own sacred teachings. When we learn the symbolic language of the animals and listen carefully to what they have to say, we can use the knowledge gained to manifest their qualities and wisdom into our own lives. ANIMAL DREAMING explores the spiritual and symbolic interpretations of over 200 native, domesticated and introduced animals, birds, reptiles and fish in Australia, offering a wealth of ancient knowledge and spiritual insight. ANIMAL DREAMING is an invaluable resource for anyone with an interest in the animal kingdom, sacred Earth Wisdom and Shamanic Lore.

Tongue and Mother Tongue takes on two compelling challenges: the language question and the place and role of the mother tongue in African literature. This collection is the culmination of the fierce, decades-old debate on the question of African literature and its criticism. The fourteen essays range from a variety of critical and theoretical perspectives, covering the theoretical and ideological aspects of the language question, the nature of criticism, the influence of the oral tradition, critical analysis of mother tongue literature and textual analyses.

One number each year includes Annual bibliography of Commonwealth literature.

Spyder Lee is a happy man who lives in San Francisco and owns a tattoo shop. One night an angry demon tries to bite his head off before he's saved by a stranger. The demon infected Spyder with something awful - the truth. He can suddenly see the world as it really is: full of angels and demons and monsters and monster-hunters. A world full of black magic and mysteries. These are the Dominions, parallel worlds full of wonder, beauty and horror. The Black Clerks, infinitely old and infinitely powerful beings whose job it is to keep the Dominions in balance, seem to have new interests and a whole new agenda. Dropped into the middle of a conflict between the Black Clerks and other forces he doesn't fully understand, Spyder finds himself looking for a magic book with the blind swordswoman who saved him. Their journey will take them from deserts to lush palaces, to underground caverns, to the heart of Hell itself.

By employing a range of critical perspectives—cultural materialist, feminist and ecocritical— Graham investigates the relation between land and nationalism in South African and Zimbabwean fiction from the 1960s to the present. This study discusses a wide range of writing including novels by Coetzee, Gordimer, Head, Hove, and Vera.

Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1900 and 1960, from the first published critical appraisals to current evaluations.

An epic fiction drenched in reality. Devils Paintbrush tells the life story a young boy who grows up in a violent and abusive home within the Projects of Brooklyn, Baltimore during the 1960s. Then, as a young man, he once again finds himself in another hostile environment South Vietnam. Somehow he survives both worlds. Decades after receiving The Bronze Star in combat, Ken Callahans long suppressed memories and fractured emotions compel him to enter yet another threatening battlefield and engage a very different enemy a foe deadlier than any Viet Cong or bird-eating tarantula he ever confronted as a younger man. This new battlefield is the private office of the Veteran Administrations top PTSD clinician. His new enemy is himself. Within the relative safety of this clinicians office, Ken is reluctantly dragged-back in time to unearth decades of buried memories of war. Thats when the PTSD professional community becomes stunned as they discover Kens combat experience was not as lethal as the domestic violence and sexual abuse he endured at the hands of a disturbed older brother and sinfully wicked mother long before he even went to war. In short, Ken Callahans PTSD was deeply entrenched well before he stepped foot on the battlefields of South Vietnam. Discovering the truth about his own past proves to be challenging enough, but in order to accept such truth, Ken must cross a line from which there is no return. The man who ultimately emerges is not the same Bronze Star recipient who reluctantly enters PTSD treatment; nor are the people he touches along the way. Only the qualities of a Devils Paintbrush can provide the caliber of personal resilience needed throughout every step of Ken Callahans life-long journey. Readers of this fictionalized, true story will be either shocked and disgusted or enlightened and educated. There is no safe place between these two extremes.