Beyond her most famous creation—the nightmarish vision of Frankenstein’s Creature—Mary Shelley’s most enduring influence on politics, literature, and art perhaps stems from the legacy of her lesser-known novel about the near-extinction of the human species through war, disease, and corruption. This novel, The Last Man (1826), gives us the iconic image of a heroic survivor who narrates the history of an apocalyptic disaster in order to save humanity—if not as a species, then at least as the practice of compassion or humaneness. In visual and musical arts from 1826 to the present, this postapocalyptic figure has transmogrified from the “last man” into the globally familiar filmic images of the “invisible man” and the “final girl.” Reading Shelley’s work against the background of epidemic literature and political thought from ancient Greece to Covid-19, Eileen M. Hunt reveals how Shelley’s postapocalyptic imagination has shaped science fiction and dystopian writing from H. G. Wells, M. P. Shiel, and George Orwell to Octavia Butler, Margaret Atwood, and Emily St. John Mandel. Through archival research into Shelley’s personal journals and other writings, Hunt unearths Shelley’s ruminations on her own personal experiences of loss, including the death of young children in her family to disease and the drowning of her husband, Percy Bysshe Shelley. Shelley’s grief drove her to intensive study of Greek tragedy, through which she developed the thinking about plague, conflict, and collective responsibility that later emerges in her fiction. From her readings of classic works of plague literature to her own translation of Sophocles’s Oedipus Rex, and from her authorship of the first major modern pandemic novel to her continued influence on contemporary popular culture, Shelley gave rise to a tradition of postapocalyptic thought that asks a question that the Covid-19 pandemic has made newly urgent for many: What do humans do after disaster?

'Is there anything in sport to compare with the sustained excitement of a cricket match, especially a Test match, in which the advantage continually fluctuates one way and then the other, and when the match enters its last few minutes, all four results are still possible?' After entertaining countless radio listeners around the world for decades, who better to convey the breathless drama of a Test match cliffhanger than Henry Blofeld? Now, in Ten to Win . . . and the Last Man In, he has personally selected thirty matches featuring unforgettable finishes and brought them vividly to life again in his own inimitable way. Ranging from the match-winning bowling of F.R. Spofforth against W.G. Grace's England in 1882, via the first tied Test between Benaud's Australia and Worrell's West Indies in 1960, to the never-say-die batting of Ben Stokes in 2019, he picks out the key events and performances of each memorable match and describes them as only he can. Alongside the big-hitting heroics of Jessop in 1902 and Botham in 1981, he revisits less celebrated matches such as South Africa's hard-fought first Test win in 1906, as well as a crucial innings from Denis Compton in 1948 and a match-saving performance by a young Alan Knott in Guyana in 1968 - one of the most exciting matches he has ever witnessed first-hand. Filled with colourful detail and informed by insight gained from a lifetime immersed in the sport he loves, Henry Blofeld's latest book will leave the reader in no doubt - as he himself puts it - about 'what an absurdly irresistible game cricket can be'.

Taken from an ancient text found abandoned in a cave, The Last Man ends in 2100, "the last year of the world." A devastating worldwide plague has annihilated all of humanity except for one man, who chronicles the world's demise. This novel of apocalyptic horror, originally published in 1826, was rejected in its time and was out of print from 1833 to 1965, when the first Bison Books edition appeared.

An American Marine recounts his ordeal as a World War II POW forced by the Japanese to build the railway immortalized in The Bridge on the River Kwai. From June 1942 to October 1943, more than 100,000 Allied POWs who had been forced into slave labor by the Japanese died building the infamous Burma-Thailand Death Railway, an undertaking immortalized in the film The Bridge on the River Kwai. One of the few who survived was American Marine H. Robert Charles, who describes the ordeal in vivid and harrowing detail in Last Man Out. The story mixes the unimaginable brutality of the camps with the inspiring courage of the men, such as a Dutch Colonial Army doctor whose skill and knowledge of the medicinal value of wild jungle herbs saved the lives of hundreds of his fellow POWs, including the author. Praise for Last Man Out “A remarkable story, long overdue, of the treatment of POW’s captured by Japan.” —Arthur L. Maher, USN, Senior officer to survive sinking of the USS Houston, POW of the Japanese in World War II “In World War II, to move materials and troops from Japan to Burma by avoiding the perilous sea route around the Malay Peninsula, the Japanese military built a railroad through the jungles of Thailand and Burma at great human cost to its prisoner laborers. Last Man Out is an effective addition to the history of this tragedy.” —Library Journal

THE NEW YORK TIMES NUMBER ONE BESTSELLER A hero can't always be good . . . Joe Rickman, head of clandestine operations in the Middle East, has been kidnapped, and with him top secret CIA information that could prove disastrous in the wrong hands. Mitch Rapp must find Rickman at all costs. But something doesn't add up and he soon suspects something even more sinister is afoot. With elements inside his own government working against him, Rapp will have to make to make a tough call between playing the hero and playing nice. Or will he be stopped dead before he can succeed? AMERICAN ASSASSIN, book one in the series, now a MAJOR MOTION PICTURE starring Dylan O'Brien (Maze Runner), Taylor Kitsch (True Detective) and Michael Keaton. Praise for the Mitch Rapp series 'Sizzles with inside information and CIA secrets' Dan Brown 'A cracking, uncompromising yarn that literally takes no prisoners' The Times 'Vince Flynn clearly has one eye on Lee Child's action thriller throne with this twist-laden story. . . instantly gripping' Shortlist 'Action-packed, in-your-face, adrenalin-pumped super-hero macho escapist fiction that does exactly what it says on the label' Irish Independent 'Mitch Rapp is a great character who always leaves the bad guys either very sorry for themselves or very dead' Guardian

The Apocalyptic Novel of the 19th Century “What is there in our nature that is for ever urging us on towards pain and misery?” - Mary Shelley, The Last Man Set in the late 21th century, The Last Man by Mary Shelley follows closely the life of Lionel who grew up isolated from society although he and his sister were meant to be raised by the Royal British family. Eventually, he becomes civilized and fond of the society of Men after meeting the heir of the British throne, Adrian. But how will he and the human society survive a deadly plague? This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Mary Shelley (née Mary Wollstonecraft Godwin, often known as Mary Wollstonecraft Shelley) was a British novelist, short story writer, dramatist, essayist, biographer, travel writer, and editor of the works of her husband, Romantic poet and philosopher Percy Bysshe Shelley. She was the daughter of the political philosopher William Godwin and the writer, philosopher, and feminist Mary Wollstonecraft. Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author of Frankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biography Mary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published. The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression. The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.

A modern reframing of Friedrich Hayek’s most famous work for the 21st century. Friedrich Hayek’s The Road to Serfdom was both an intellectual milestone and a source of political division, spurring fiery debates around capitalism and its discontents. In the ensuing discord, Hayek’s true message was lost: liberalism is a thing to be protected above all else, and its alternatives are perilous. In Liberalism’s Last Man, Vikash Yadav revives the core of Hayek’s famed work to map today’s primary political anxiety: the tenuous state of liberal meritocratic capitalism—particularly in North America, Europe, and Asia—in the face of strengthening political-capitalist powers like China, Vietnam, and Singapore. As open societies struggle to match the economic productivity of authoritarian-capitalist economies, the promises of a meritocracy fade; Yadav channels Hayek to articulate how liberalism’s moral backbone is its greatest defense against repressive social structures.

In this unique, enlightening monograph, Toivo Koivukoski explores the circumstances that have led modern society to use the concept of progress as a surrogate cosmology that gives individuals a sense of place and purpose. By linking various historical paradigms from German Idealist philosophy to contemporary philosophies of technology, this work of political theory describes an alternative, immanent pattern of development that is, in a sense, driven by its own unintended consequences. The meditations outlined within this book map out the hypertext pathways of our global system, making its constitutive relations and underlying thought processes transparent. Koivukoski mirrors the new hyper-realities of electronic communications technologies by structuring the text in compact subchapters that are linked through an index of subjects that allows readers to 'find their own philosophy' by jumping to areas of interest. If, as he argues, history understood in a linear, lockstep fashion is over, then the ways of developing concepts should change respectively so that the sorts of retrievals, anticipations, loops, and leaps that characterize nonlinear, networked thinking are consciously realized in an identity of form and substance.