The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

Through a wide-ranging series of essays and relevant readings, A Companion to Twentieth-Century United States Fiction presents an overview of American fiction published since the conclusion of the First World War. Features a wide-ranging series of essays by American, British, and European specialists in a variety of literary fields Written in an approachable and accessible style Covers both classic literary figures and contemporary novelists Provides extensive suggestions for further reading at the end of each essay

Students will write more effective term papers with this guide to 500 term paper ideas—as well as a listing of appropriate print and nonprint sources— on twentieth-century U.S. history. This guide presents entries on 100 of the most important events and developments in twentieth-century U.S. history organized in chronological order. Each entry consists of a short description of the event, followed by five specific suggestions for term papers about the event, and a wide-ranging annotated bibliography of 15-35 books, articles, videos, and a web site appropriate for student research. In every case the emphasis is on recent and up-to-date material, as well as landmark works and primary sources. Every entry contains a video and concludes with a recommended web site, producing a multimedia approach designed to appeal to the current information-gathering habits and preferences of young people. From the Spanish-American War to the creation of NAFTA, the 100 events and developments cover political, social, economic, and cultural issues. The work has been designed to meet the needs of the U.S. history curriculum. Term paper topic ideas offer students thought-provoking suggestions that are challenging and develop critical thinking skills. The annotated bibliography is organized into reference sources, general sources, specialized sources, biographical sources, periodical articles, recommended videos and World Wide Web sites. All items are readily available in school, public, and academic library collections. This unique guide is valuable not only to students, but to teachers and librarians who guide students in research, and is an excellent purchasing guide for librarians who serve student needs.

Never before had any century in history known the continually accelerating rate and scope of change experienced in the twentieth century -- with its revolutionary discoveries, technological inventions, political upheaval, and scientific advances, radical transformation touched virtually every arena of life. In The Twentieth Century: A World History, R. Keith Schoppa uses a global lens spanning Africa, the Middle East, Russia, Asia and the Pacific, Europe, and the Americas. He traces the major developments of the twentieth century from the rise of globalization to the dawn of the digital age; from the Great War of 1914-18 to the "great war in Africa," conflicts that span the first genocide of the century in Namibia to that of Bosnia-Kosovo in the late 1990s. It was the "century of the refugee," as the explosion of human violence caused significant population displacement-and it was also the century of indigenous peoples fighting off the lingering impacts of imperialism. This volume surveys various U.S. struggles in battles for civil rights, and witnesses the 1992 collapse of Soviet communism. The century ended in a spasm of violence: four African and European national genocides and the African war, one of the ten deadliest in history, involving nine nations, leaving 6 million dead and 5.4 million refugees. From the collapse of empires to the rise of decolonized nation-states on the global stage, The Twentieth Century: A World History offers a rich chronological narrative of our recent past and provides a valuable historical standpoint from which to view our twenty-first century world.

Photography, Architecture, and the Modern Italian Landscape explores the impact of photography at a pivotal moment in Italian architecture and culture, focusing on the period between 1910 and the mid-1970s. The book analyzes architectural photographs taken by Italian cultural figures who helped transform the Italian landscape into what we know today. This study charts the oscillation of Italians’ ideas about what progress signified. For example, the book demonstrates that for writers and artists familiar with ancient ideas about civilization in 1910, the Roman countryside exemplified the contradictions inherent in primitivism. On the one hand, their photographs praised the region’s primordial beauty, yet their images condemned the crudeness of local living conditions. More broadly, it traces the history of primitivism and photography in Italy to show how cultural leaders’ alarm at the nation’s pre-modern living conditions, their aspiration to modernize them, and their grasp of photography to catalyze the process helped forge the modern Italian landscape—its monuments, housing, infrastructure, and natural environments. At the same time, it explores a vibrant period in photographic history when the advent of photographic reproduction as a commercial process developed into a medium with its own visual style capable of shaping ideas about modernity. This new image-making and reproduction technology empowered Italy’s cultural leaders not simply to represent the Italian landscape through photography but to determine how it developed. Of interest to researchers and students from a range of disciplines, modern architecture, photography, and Italian studies, this book demonstrates the power of art to transform society and to reformulate our ideas of progress.

By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date. This study argues that the Zionist movement makes particular use of the machinery of the photographic archive, aiming to constitute the boundaries of Palestine as a Jewish state, claiming ownership over the land and announcing internationally the success of its enterprise, thus substantiating the image it sought to embed as the “reality” of the land. This archive was not stand-alone, as it was functioning in relation to a vast, complicated network of organizational systems and technologies, in the Middle East and across the world. Crucially, this system functioned as a national archive in future tense, for a nation-state that was not yet in existence, seeking to substantiate its regional authority and shape its cultural repository, outlining parameters for inclusion and exclusion from its civic space. The book will be of interest to scholars working in art history, photography history, visual culture, Jewish studies, Israel studies and Middle East studies.

Dorothea Lange, Documentary Photography, and Twentieth-Century America charts the life of Dorothea Lange (1895–1965), whose life was radically altered by the Depression, and whose photography helped transform the nation. The book begins with her childhood in immigrant, metropolitan New York, shifting to her young adulthood as a New Woman who apprenticed herself to Manhattan’s top photographers, then established a career as portraitist to San Francisco’s elite. When the Great Depression shook America’s economy, Lange was profoundly affected. Leaving her studio, Lange confronted citizens’ anguish with her camera, documenting their economic and social plight. This move propelled her to international renown. This biography synthesizes recent New Deal scholarship and photographic history and probes the unique regional histories of the Pacific West, the Plains, and the South. Lange’s life illuminates critical transformations in the U.S., specifically women’s evolving social roles and the state’s growing capacity to support vulnerable citizens. The author utilizes the concept of "care work," the devalued nurturing of others, often considered women’s work, to analyze Lange’s photography and reassert its power to provoke social change. Lange’s portrayal of the Depression’s ravages is enmeshed in a deeply political project still debated today, of the nature of governmental responsibility toward citizens’ basic needs. Students and the general reader will find this a powerful and insightful introduction to Dorothea Lange, her work, and legacy. Dorothea Lange, Documentary Photography, and Twentieth-Century America makes a compelling case for the continuing political and social significance of Lange’s work, as she recorded persistent injustices such as poverty, labor exploitation, racism, and environmental degradation.