Herman Melville's first book, partly based on his actual experiences as a captive on Nuku Hiva (which Melville spelled as Nukuheva) in the South Pacific Marquesas Islands.

First published in 1996. Adventure stories, produced and consumed in vast quantities in eighteenth-, nineteenth- and twentieth-century Europe, narrate encounters between Europeans and the non-European world. They map both European and non-European people and places. In the exotic, uncomplicated and malleable settings of stories like Robinson Crusoe, they make it possible to imagine, and to naturalise and normalise, identities that might seem implausible closer to home. This book discusses the geography of literature and looking at where adventure stories chart colonies and empires, projecting European geographical fantasies onto non-European, real geographies, including the Americas, Africa and Australasia.

Official organ of the book trade of the United Kingdom.

Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

This is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship.

The publishing house of John Murray was founded in Fleet Street in 1768 and remained a family business over seven generations. Intended both to entertain and inspire, Dear Mr Murray is a collection of some of the best letters from the John Murray Archive and elsewhere. Full of literary history and curiosities from correspondents including Charles Darwin who hoped John Murray would accept for publication On the Origin of Species, Jane Austen who was anxious about printing delays of Emma, Lord Byron upset on discovering that forged letters had been sent in his name, David Livingstone who was furious about editorial interference, John Betjeman who asked for help in responding to his fan mail and Patrick Leigh Fermor who apologised for tardiness in delivering his manuscript, Dear Mr Murray is the perfect treat for book lovers everywhere.