Bhakti Ethics, Emotions, and Love in Gauḍīya Vaiṣṇava Metaethics explores the broader implications of understanding bhakti, “devotional love to the divine,” as an ethical theory based on a “realist” account of emotions, where emotions are sensory perceptions of the real ethical qualities of classes of actions. The book spotlights one complex articulation of an Indian epistemology and ontology of ethics based on the metaphysics of Gauḍīya Vaiṣṇava psychology of emotions in dialogue with a variety of academic fields, including the philosophy of religion and related methodologies such as virtue ethics, theological voluntarism, and ecofeminist and feminist care ethics. The work discusses how emotions are understood metaphysically as extra-mental, objectively real qualities, what Cogen Bohanec refers to as “affective realism.” This follows from a cosmogenic model where the universe emanates from the loving relationship between the divine feminine, Rādhā, and her intense loving relationship with her masculine counterpart, Kṛṣṇa. Since the origin of all of reality emanates from the ultimacy of an affective relationship, then the fabric of reality can be described as having objectively real affective qualities and that is the basis for grounding this ethical system.

The tales of the mi'raj describe the prophet Muhammad's journey through the heavens, his encounters with prophets and angels, and his visit to heaven and hell. The tales are among Islam's most popular, appearing in Arabic, Persian, and Turkish literature, and in later adaptations throughout the Muslim world. Often serving as narratives designed to promote the worldview of particular Muslim groups, the tales were also a means for communities to construct rules of normative behavior and ritual practices, and were used to assert the superiority of Islam over other religions. The essays in this collection discuss the formation of this narrative, the mi'raj as a missionary text, its various adaptations, its application to esoteric thought, and its use in performance and ritual. -- Book jacket.

Filling the most glaring gap in Shrivaishnava scholarship, this book deals with the history of interpretation of a theological concept of self-surrender-prapatti in late twelfth and thirteenth century religious texts of the Shrivaishnava community of South India. This original study shows that medieval sectarian formation in its theological dimension is a fluid and ambivalent enterprise, where conflict and differentiation are presaged on ""sharing"", whether of a common canon, saint or rituals or two languages (Tamil and Sanskrit), or of a ""meta-social"" arena such as the temple.

"Since the earliest encounters between tantric traditions and Western scholars, tantra has posed a challenge. Representation of tantra has tended to emphasize the antinomian, decadent aspects, which, as attention-grabbing as they were for Western audiences, hampered the study of the field. The Oxford Handbook of Tantric Studies is intended to overcome these obstacles, facilitating collaboration between scholars working on different forms of tantra, and in different disciplines. With more than forty chapters and a global pool of contributors, the Handbook aims to be the definitive reference work in the field, exploring core topics such as action, transformation, embodiment, art, language, and social movements. The first chapter provides an overview of major issues confronting the field today, including debates regarding the definition and category of "tantra," historical origins and dating, and recent developments in gender studies and tantra, ethnography and "lived tantra," and cognitive approaches to the study of tantra. Using a topical framework, the opening section explores the concept of action, one of the most prominent features of tantra, which includes performing rituals, practicing meditation, chanting, embarking on a pilgrimage, or reenacting moments from a sacred text. From there, the sections cover broad topics such as transformation (e.g., soteriology and healing), gender and embodiment, "extraordinary" beings (such as deities and saints), art and visual expressions, language and literature, social organizations, and the history and historiography of tantra. Keywords tantric studies, tantra, Buddhism, Hinduism, Jainism, ritual, soteriology, meditation, embodiment, yoga"--

This book represents the first systematic collection and analysis of the principal legends about Kabir Das, a fifteenth-century poet-saint. It focuses on the ways in which the legends embody and reflect the often changing social and religious needs of those who created and listened to them. Particular attention is paid to the earliest known collection of legends, Ananta-das's Kabir Parachai. This book makes available for the first time an English translation of this text, with detailed notes on its variant readings, as well as a corrected Hindi edition based on a comparison of over a dozen manuscripts. The various historical synchronisms between Kabir and his leading contemporaries, including Ramananda and King Virasimhadev Baghel, are reevaluated, and a solution is proposed to the longstanding debate about Kabir's dates.

The latest volume in the complete works of the internationally renowned philosopher of religion Raimon Panikkar.

Part of the ancient Hindu epic The Mahabharata, The Bhagavad Gita is one of the enduring religious texts of the world The Bhagavad Gita is an early poem that recounts the conversation between Arjuna the warrior and his charioteer Krishna, a manifestation of God. In the moments before a great battle, Krishna sets out the important lessons Arjuna must learn to understand his own role in the war he is about to fight. Krishna reveals to Arjuna his true cosmic form and counsels the warrior to act according to his sacred obligations. Ranging from instructions on yoga to moral discussion, the Gita has served for centuries as an everyday, practical guide to living well. Translated with an introduction by Laurie L. Patton

Art and History: Texts, Contexts and Visual Representations in Ancient and Early Medieval India seeks to locate the historical contexts of premodern Indian art traditions. The volume examines significant questions, such as: What were the purposes served by art? How were religious and political ideas and philosophies conveyed through visual representations? How central were prescription, technique and style to the production of art? Who were the makers and patrons of art? How and why do certain art forms, meanings and symbols retain a relevance across context? With contributions from historians and art historians seeking to unravel the interface between art and history, the volume dwells on the significance of visual representations in specific regional historical contexts, the range of symbolic signification attached to these and the mythologies and textual prescriptions that contribute to the codification and use of representational forms. Supplemented with over 60 images, this volume is a must-read for scholars and researchers of history and art.

Bringing together texts from a variety of sectarian traditions, this reader provides the broadest selection of primary source Hindu literature available to date. The volume is divided into two major parts. The first section presents selections that explore major themes in classical Sanskrit traditions, including those in the Vedic, Upanisadic, and Dharma literatures, as well as the classical philosophical-religious schools. The second part includes selections that highlight the sectarian and devotional movements related to major deities such as Vishnu, Shiva, Krishna, Rama, Sant, Tantra, and the goddess figures. In addition to a general introductory chapter on Indian literature, each major section is introduced by an essay that places the selections within the context of Hindu history. This comprehensive reader stands on its own as an indispensable anthology of original textual sources for courses in Hinduism, while also serving as a companion volume to the text The Many Colors of Hinduism: A Thematic-Historical Introduction.