Countless garden books tell us what, when, where and how to plant. Few explore the reasons why gardening becomes central to so many people's lives. In Garden Voices, Carolyn Rapp explores the relationships of women with their gardens, revealing sources of joy that go far beyond the pleasure of harvesting flowers, herbs or vegetables. As the 12 women tell their stories, readers will share the heartache and triumph set within plots of lovingly cultivated land. Everyone who reads Garden Voices will hear a whisper of themselves in the words of these creative, courageous, wise women. This is not just a book for people who love gardens; it's for people who love stories.

Have you ever wondered if we live when we die? Do our beloved pets live on after death? Will we see them again? Have you ever thought you've seen a dark, ghostly figure out of the corner of your eye, but it vanished when you looked towards it? How many times have you awoken suddenly, certain that someone has called your name, but there is no one to be seen? What is clairvoyance? How does a medium make contact with the Spirit World? What is a ghost, and can we communicate with one?

Our Voices is a story of a woman in search of herself that keeps on turning the kaleidoscope that is memory and life over and over again, looking for a meaning that seems to escape her; an echo into both past and future; a lyrical, deeply personal confession.

For many African Americans who grew up in the pre-civil rights era, the segregated community was usually referred to as a village. This was the origination of the phrase, "It takes a village to raise a child." The voices that came out of the village were voices that are now becoming diminished. These voices helped to keep the culture intact. The voices from the elderly, the parents, the church, and the community-provided discipline, hope, pride, and integrity for the inhabitants. Many may feel that some of the messages were crude or inappropriate, but we have to take into account the lack of educational opportunities during this time. This book attempts to capture the messages that we need to not only remember, but respect. These voices helped us to survive racism and discrimination. The voices of the village are still relevant today and should not be forgotten.

God desires to speak to you and to be heard clearly! Are you in a position where you can hear Him? Would you recognize His voice if He spoke directly to you at this very moment? God wants His relationship with you to be personal and intimate. He wants you to hear what He has to say to you. He expects you to tune in and respond to just His voice--not your own and not the enemy's. Fine-tune your spiritual antennae and embrace some awesome revelations that can change your entire life!

Poetry and Voice, with a foreword by Helen Dunmore, is a book of essays which fuses critical and creative treatments of poetic voice. Some contributors focus on critical explorations of voice in work by poets such as John Ashbery, Simon Armitage, Eavan Boland, Carol Ann Duffy, Arun Kolatkar, Don McKay and Dragica Rajčić, and on the musical voices of the lyric tradition and of poetry itself. Vicki Feaver, Jane Griffiths, Philip Gross, Waqas Khwaja, Lesley Saunders and David Swann reflect on their own poetic processes of composition, and the development of the voices of childhood, old age, migration, landscape, bilinguality, and imprisonment. Laurel Cohen-Pfister and Tatjana Bijelić examine the nature of poetic voice in exile, the need for fresh voices after war and new spaces in which poetic voices can be heard. In this international collection, the contributors give rare and generous insights into inner poetic processes and external effects. They engage with artistic debates about developing, losing and appropriating voice in poetry and approach the question of what is ‘finding a voice’ in poetry from multiple angles. The book will interest literary critics, poets, lecturers, and undergraduate and postgraduate students of literature, poetry and creative writing.

An Oratorio for Zion. The Holy City. The New Jerusalem. Heaven. Does John's language regarding The New Jerusalem in his Revelation describe a literal place, the home of the redeemed, or is it figurative for something else, a spiritual entity which is quite incapable of being seen with mortal eye? The author compares John's apocalyptic vision of the New Jerusalem, with similar Old Testament passages regarding Zion, especially in Isaiah and The Song of Solomon. Sometimes this entity is metaphorically described as a city, sometimes as a bride or even a garden. This book examines the relationship between Zion and Christ, the bride and the bridegroom, and the garden and gardener. Jordan discovered that all the prophecy, however, is primarily about Jesus Christ. And that ultimately Christ died to save sinners. "Surely, it is with 'the voice of melody' that his servants declare the good news unto all people."

"Two ideas lie at the heart of this study and its claim that we need a new history of reading: that voices in books can affect us deeply ; that printed books can be brought to life with the voice. Voices and Books offers a new history of reading focussed on the oral and voice-aware silent reader, rather than the historical reader we have privileged in the last few decades, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tone-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit the voices of their readers. It offers fresh readings of the key Tudor authors who anticipated oral readers: John Bale, Anne Askew, William Baldwin, Thomas Nashe. And it aims to rethink what a printed book can be, searching the printed page for vocal cues, and exploring the neglected role of the voice in the printing process"-- Provided by publisher.