Innovation is the major driving force in organisations today. With the rise of truly global markets and the intensifying competition for customers, employees and other critical resources, the ability to continuously develop successful innovative products, services, processes and strategies is essential. While creativity is the starting point for any kind of innovation, design is the process through which a creative idea or concept is translated into reality. Managing Innovation, Design and Creativity, 2nd Edition brings these three strands together in a discussion built around a collection of up-to-date case studies.

As the Internet and World Wide Web continue to influence corporate and private activities, systems are needed that mimic human-to-human interface, to simplify the human-to-computer interface. Intelligent Agents are likely to play a significant role in the design of such interfaces, and this book explores how they could influence media-based systems. Throughout, the text maps out the considerable advances that have already been made, paving the way toward a future where computers will be truly described as an intelligent aid to our personal and business lives.

From their discovery in the 19th century to the dawn of the Nuclear Age, dinosaurs were seen in popular culture as ambassadors of the geological past and as icons of the "life through time" narrative of evolution. They took on a more foreboding character during the Cold War, serving as a warning to mankind with the advent of the hydrogen bomb. As fears of human extinction escalated during the ecological movement of the 1970s, dinosaurs communicated their metaphorical message of extinction, urging us from our destructive path. Using an eclectic variety of examples, this book outlines the three-fold "evolution" of dinosaurs and other prehistoric monsters in pop culture, from their poorly understood beginnings to the 21st century.

Genre is central to understanding the industrial context and visual form of television. This new edition of the key textbook on television genre brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of the field. Structured in eleven sections, The Television Genre Book introduces the concept of 'genre' itself and how it has been understood in television studies, and then addresses the main televisual genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment. This third edition is illustrated throughout with case studies of classic and contemporary programming from each genre, ranging from The Simpsons to Buffy the Vampire Slayer and from Monty Python's Flying Circus to Who Wants to be a Millionaire?. It also features new case studies on contemporary shows, including The Only Way Is Essex, Homeland, Game of Thrones, Downton Abbey, Planet Earth, Grey's Anatomy and QVC, and new chapters covering topics such as constructed reality, travelogues, telefantasy, stand-up comedy, the panel show, 24-hour news, Netflix and video on demand.

The discovery of dinosaurs and other large extinct saurians - a term under which the Victorians commonly lumped ichthyosaurs, plesiosaurs, pterosaurs and their kin - makes exciting reading and has caught the attention of palaeontologists, historians of science and the general public alike. The papers in this collection go beyond the familiar tales about famous fossil hunters and focus on relatively little-known episodes in the discovery and interpretation (from both a scientific and an artistic point of view) of dinosaurs and other inhabitants of the Mesozoic world. They cover a long time span, from the beginnings of modern scientific palaeontology in the 1700s to the present, and deal with many parts of the world, from the Yorkshire coast to Central India, from Bavaria to the Sahara. The characters in these stories include professional palaeontologists and geologists (some of them well-known, others quite obscure), explorers, amateur fossil collectors, and artists, linked together by their interest in Mesozoic creatures.

The DATA Set find themselves stuck in the prehistoric era in the second adventure of the brand-new series! Thanks to Dr. Bunsen’s latest wacky invention, the DATA Set are blasted back to the prehistoric era. Gabe is in heaven, but Laura warns that they shouldn’t touch anything. She’s afraid they could contaminate the past and permanently change the future! But it’s hard not to interfere with the locals as the crew quickly finds themselves dashing from flying pterosaurs, stomping stegosaurus stampedes, and a sharp-toothed T-rex! Will they be able to survive in the past…or have their futures been lost for good? With easy-to-read language and illustrations on almost every page, The DATA Set chapter books are perfect for beginning readers!

Bringing together a range of renowned scholars in the field, this book examines eighteen key issues within contemporary media studies. Written in an accessible student-friendly style, Media Studies - Key Issues and Debates is an authoritative landmark text for undergraduate students. Each individual chapter begins with a concise definition of the concept(s) under investigation. This is followed by a 5,000 word discussion on the current state of play within research on the specific area. Chapters contain case-studies and illustrative materials from Europe, North America, Australasia and beyond. Each chapter concludes with annotated notes, which guide the student-reader in terms of future study. With a preface by Denis McQuail, contributors include Janet McCabe, John Corner, David Croteau, William Hoynes, Natalie Fenton, Jenny Kitzinger, Jeroen de Kloet, Liesbet van Zoonen, Sonia Livingstone and Greg Philo.

The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.

Is there a shark movie that is scarier than Jaws? What is the sneaky secret hidden in the Loch Ness monster’s name? How did the Gill-man in Creature from the Black Lagoon become a romantic hero? Do mermaids count as sea monsters? What terrifying sea creature was discovered to really exist, and just what on earth is a globster? From Kraken to kaiju, Open Water to The Shallows, monsters of the deep have fascinated and horrified us for centuries. There’s even a name for the fear of deep bodies of water: thalassophobia. Humans have a natural fear of predators in the water, and yet we just can’t stop thinking about them! There are a lot of deep water monster movies out there; good, bad, strange and ‘so bad it’s good’. This book has collected some of the best, worst and most interesting out there to tell you about. If you ever wanted to know your crocodile from your Cthulhu and find out how they make the monsters come alive, whether you like your monsters in the ocean or in lakes, based on real animals or totally made up, with fins or tentacles, one head or five, if you love your movie monsters of the deep then this book was written for you.

Encourage your students to go beyond learning scientific facts and skills, to an in-depth collaborative inquiry into scientific concepts, the nature of science, the ethical implications of science, and the links between science and their everyday lives.