What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.

Over the past four decades, East and Southeast Asia have seen a proliferation of heritage sites and remembrance practices which commemorate the region’s bloody conflicts of the period 1931–45. Remembering Asia’s World War Two examines the origins, dynamics, and repercussions of this regional war “memory boom”. The book analyzes the politics of war commemoration in contemporary East and Southeast Asia. Featuring contributions from leading international scholars, the chapters span China, Japan, Malaysia, Hong Kong, and Singapore, covering topics such as the commemoration of the Japanese military’s “comfort women” system, forms of "dark tourism" or commemorative pilgrimages (e.g. veterans’ tours to wartime battlefields), and the establishment and evolution of various war-related heritage sites and museums. Case studies reveal the distinctive trajectories of new and newly discovered forms of remembrance within and across national boundaries. They highlight the growing influence of non-state actors over representations of conflict and occupation, as well as the increasingly interconnected and transnational character of memory-making. Taken together, the studies collected here demonstrate that across much of Asia the public commemoration of the wars of 1931–45 has begun to shift from portraying them as a series of national conflicts with distinctive local meanings to commemorating the conflict as a common pan-Asian, or even global, experience. Focusing on non-textual vehicles for public commemoration and considering both the local and international dimensions of war commemoration within, Remembering Asia’s World War Two will be a crucial reference for students and scholars of History, Memory Studies, and Heritage Studies, as well as all those interested in the history, politics, and culture of contemporary Asia.

Long overlooked in favor of land engagements, this is the first encyclopedia to analyze the naval aspects of the American Civil War. The brilliance of both sides' secretaries of the navy, Stephen Mallory and Gideon Welles. The Dahlgren guns of the Union forces and the Confederate Navy's Brooke guns that were essential in battles involving ironclad ships. The significant contributions of African Americans in the ship crews of the U.S. Navy during the Civic War. These are examples of the fascinating details contained in The Civil War Naval Encyclopedia that provide readers with a complete understanding of the naval aspects of the American Civil War. The entries in this sweeping text provide comprehensive treatment of overall strategies on each side, the role of diplomacy, leading naval officers and other personalities, battles and important engagements, ship types, well-known individual warships, naval ordnance and weapons systems, and new developments such as mines and submarines. Topics such as shipboard life, major waterways, prominent seaports, and the role of logistics in determining the outcome of the war are also covered.

This collection of essays represents the best recent history written on Civil War activity in Arkansas. It illuminates the complexity of such issues as guerrilla warfare, Union army policies, and the struggles hetween white and black civilians and soldiers, and also shows that the war years were a time of great change and personal conflict for the citizens of the state, despite the absence of "great" battles or armies. All the essays, which have been previously published in scholarly journals, have been revised to reflect recent scholarship in the field. Each selection explores a military or social dimension of the war that has been largely ignored or which is unique to the war in Arkansas—gristmill destruction, military farm colonies, nitre mining operations, mountain clan skirmishes, federal plantation experiments, and racial atrocities and reprisals. Together, the essays provoke thought on the character and cost of the war away from the great battlefields and suggest the pervasive change wrought by its destructiveness. In the cogent introduction Daniel E. Sutherland and Anne J. Bailey set the historiographic record of the Civil War in Arkansas, tracing a line from the first writings through later publications to our current understanding. As a volume in The Civil War in the West series, Civil War Arkansas elucidates little-known but significant aspects of the war, encouraging new perspectives on them and focusing on the less studied western theater. As such, it will inform and challenge both students and teachers of the American Civil War.

In The Erotics of War in German Romanticism, Patricia Anne Simpson explores the ways early nineteenth-century German philosophers, poets, and artists represent war and erotic desire. The author argues that gender is connected to a larger debate about the construction of the self in relation to a community at a time that this definition is under revision. She analyzes the culture of war as it shapes the bonds of fraternal, familial, and eventually national identity. Simpson defines the erotics of war as discursive attempts to assert the priority of ethical identity and citizenship over individualized desire. The seemingly ancillary problem of female desire emerges not as a marginal issue, but as the focal point of a debate about identity.

Storytelling at its best, this compelling memoir graphically portrays the scarred emotional landscape of young men who seek a place in the world by way of a military career. Exhausted shadows of the past are brought alive with uncommon eloquence as the author looks back on his youth brimming with innocence, idealism and patriotism. A page turner, the book explores the complex nature of a man whose brave, daring and sometimes foolhardy exploits led to the essential task; building a scaffold of choices and attitudes by rendering meaning from the intractable depths of experience. What in other hands might be a dreary tale of adolescent angst, betrayal and disillusion, takes on truly pyrotechnic energy, lifting his coming of age from the mundane to the profound. Reviews Rating="Excellent" (top rating) by Writer's Digest "...What I like best is the humanity of the speaker. Narrators often glorify themselves or the people they love and consequently attack those who might have ever hurt them slightly. It seems those authors do not approach their lives from a position of power. But this book is filled with real people with distinctive voices, made human and vulnerable by their standards and faults and are loved all the more for them by the reader. Especially wonderful is the perspective on the world, the philosophies and stories presented with reasoning throughout, as well as the various layers of actual war and the psychology of boy and manhood ... the raw, relatable, vivid voice that is found inside ... the project is quite necessary and brilliant, and I hope it will come under the gaze of many a person interested at all in our worlds history or the intelligent wisdom of one who has lived." Rating="5 Stars" By jd2 (ID) In War Stories For My Grandchildren, the author vividly portrays how war is not always on the military battlefield. This unique book tells of war in all walks of life, be it young, old, personal, social or military. It connects the reader to war through the eyes and mind of the author who experienced these events as they unfolded. With a poignant view of the military, gained from a combined total of twenty plus years in the Air Force and Navy, he writes with the technical expertise of an insider and the wisdom acquired after five tours in Southeast Asia. Here's a bargain if I ever read one. The book contains about twenty different stories for the price of one book. Each story filled with a refreshingly honest point of view. Not just the blood and guts side of war but a deeper philosophical understanding of what it is, what it does, and how humanity can't seem to detach itself from it. Real life danger and excitement await the reader in stories like The Drowning of Helen Lee and Sea Dragon, as well as others. I'm sure his Grandchildren will enjoy them all. I did! Highly recommended from a satisfied reader. Jd2/SFR

This ground-breaking 5-volume reference is a comprehensive print and electronic resource covering the history of warfare from ancient times to the present day, across the entire globe. Arranged in A-Z format, the Encyclopedia provides an overview of the most important events, people, and terms associated with warfare - from the Punic Wars to the Mongol conquest of China, and the War on Terror; from the Ottoman Sultan, Suleiman ‘the Magnificent’, to the Soviet Military Commander, Georgi Konstantinovich Zhukov; and from the crossbow to chemical warfare. Individual entries range from 1,000 to 6,000 words with the longer, essay-style contributions giving a detailed analysis of key developments and ideas. Drawing on an experienced and internationally diverse editorial board, the Encyclopedia is the first to offer readers at all levels an extensive reference work based on the best and most recent scholarly research. The online platform further provides interactive cross-referencing links and powerful searching and browsing capabilities within the work and across Wiley-Blackwell’s comprehensive online reference collection. Learn more at www.encyclopediaofwar.com. Selected by Choice as a 2013 Outstanding Academic Title Recipient of a 2012 PROSE Award honorable mention

This compelling, interdisciplinary compilation of essays documents the extensive, intersubjective relationships between gender, war, and militarism in 21st-century global politics. Feminist scholars have long contended that war and militarism are fundamentally gendered. Gender, War, and Militarism: Feminist Perspectives provides empirical evidence, theoretical innovation, and interdisciplinary conversation on the topic, while explicitly—and uniquely—considering the links between gender, war, and militarism. Essentially an interdisciplinary conversation between scholars studying gender in political science, anthropology, and sociology, the essays here all turn their attention to the same questions. How are war and militarism gendered? Seventeen innovative explanations of different intersections of the gendering of global politics and global conflict examine the theoretical relationship between gender, militarization, and security; the deployment of gender and sexuality in times of conflict; sexual violence in war and conflict; post-conflict reconstruction; and gender and militarism in media and literary accounts of war. Together, these essays make a coherent argument that reveals that, although it takes different forms, gendering is a constant feature of 21st-century militarism.

Can it be ever possible to write about war in a work of fiction? asks a protagonist of one of Makine’s strongly metafictional and intensely historical novels. Helena Duffy’s World War II in Andreï Makine’s Historiographic Metafiction redirects this question at the Franco-Russian author’s fiction itself by investigating its portrayal of Soviet involvement in the struggle against Hitler. To write back into the history of the Great Fatherland War its unmourned victims — invalids, Jews, POWs, women or starving Leningraders — is the self-acknowledged ambition of a novelist committed to the postmodern empowerment of those hitherto silenced by dominant historiographies. Whether Makine succeeds at giving voice to those whose suffering jarred with the triumphalist narrative of the war concocted by Soviet authorities is the central concern of Duffy’s book.