The seminal account of the battle between Montgomery’s Eighth Army and Rommel’s Afrika Corps, amidst the endless harsh wastes of the Western Desert. In 1940, Alan Moorehead was sent to cover the North Africa campaign by the Daily Express, and he followed its dramatic course all the way to 1943. The three books he subsequently wrote about the Desert War – later collected as his ‘African Trilogy’ – were swiftly acclaimed as a classic account of the tussle between Montgomery’s Eighth Army and Rommel’s Afrika Corps, under the beating sun of the Egyptian Sahara's Western Desert. Moorehead was responsible for the celebrated insight that tank battles in the desert are like battles at sea, the lumbering tanks like ships lost in a vast ocean of sand. The New Statesman could not have put it better when it described his achievement with this riveting book: ‘There is something of genius in the breadth and penetration of his vision, which encompasses the whole panorama of war and then narrows it down to the particular: the soldier stubbing out his cigarette before going into action, the expression on a tank commander’s face as he is hit… The story of the African campaigns will go down in history as one of the great epics of mankind, largely thanks to Mr Moorehead’s account.’

70 years ago, on 7 June 1944, the British 7th Armored Division landed in Normandy, halfway through a wartime journey that had started in north Africa. Formed on 16 February 1940, it adopted the Jerboa as its divisional signÑand while many units that fought in the desert call themselves by the name, 7th Armoured Division are the original ÔDesert RatsÕ. The division helped destroy the Italian Tenth Army at Beda Fomm on 7 February 1941, defeat the Desert?FoxÑRommelÑat El Alamein in October 1942, and drive Axis forces out of North?Africa. After the desert, 7th Armored Division landed at Salerno on 15 September 1943, in time to help repulse concerted German counterattacks, beforeÑas part of U.S. Fifth ArmyÕs British X CorpsÑit took Naples and crossed the Volturno. Pulled out of Italy, it reached England in January 1944 where it prepared to enter the Northwestern European theater at Gold Beach from 7 June, equipped with the new Cromwell and the Sherman Firefly. The division had difficulties in Normandy, particularly at Villers-Bocage, and suffered the ignominy of having its GOCÑGeorge ErskineÑand a number of officers sacked and moved to other positions. Erskine was replaced by Gerald Lloyd Verney on 4 August 1944. He helped reinstill confidence and discipline to the division which took part in the Allied liberation of France and Belgium, entering Ghent in September. Verney was, in turn, replaced by Lewis Lyne in November 1944 and Lyne led the division on their final advance through Holland and into Germany. The Desert Rats ended the war with the liberation of Hamburg on 3 May 1945 after one of the most remarkable military journeys in history and was chosen to take part in the Allied victory parade held in Berlin on 21 July 1945. Winston Churchill recognized the achievements of the division when he spoke at the opening of a soldiersÕ club in Berlin: ÔDear Desert Rats! May your glory ever shine! May your laurels never fade! May the memory of this glorious pilgrimage of war which you have made from Alamein, via the Baltic to Berlin never die!Õ Desert Rats at War is an evocation of what it was like to serve with the division, in the African desert and Europe, from the first encounters by the Mobile Force in 1940 to Berlin in 1945. Full of eyewitness accounts and private photos, Desert Rats at War has been completely revised and updated, with additional text, maps and photographs.

The air campaign that opened the Gulf War in January 1991 was one of the most stunning in history. For five weeks, American and other Coalition aircraft pounded enemy targets with 88,000 tons of bombs. Sorties—more than 100,000 of them—were launched from bases in Saudi Arabia, from aircraft carriers in the Persian Gulf and Red Sea, and even from bases in the United States. The skies over Iraq and Kuwait were filled with a dizzying array of new and improved weapons—Tomahawk and Hellfire missiles, stealth aircraft, and laser-guided smart bombs—and the results were impressive. The Coalition swiftly established air superiority and laid the foundation for the successful five-day ground campaign that followed. The results were also highly visible as the American people watched the bombings unfold in grainy green video-game-like footage broadcast on CNN and the nightly news. The overwhelming success of the Desert Storm air campaign has made it influential ever since, from the “shock and awe” bombing during the Iraq War in 2003 to more recent drone operations, but the apparent ease with which the campaign was won has masked the difficulty—and the true achievement—of executing such a vast and complex operation. Using government reports, scholarly studies, and original interviews, Jim Corrigan reconstructs events through the eyes of not only the strategists who planned it, but also the pilots who flew the missions.

Description This book introduces us to a new phase in the theatre of war in the Middle East. All partakers had been trained with both land and sea forces and were in a situation both to attack and defend. Controlling the air over North Africa and the Mediterranean was of vital importance and Rosaleen captures this in its full embellishment. We can read about what it was like under the blazing hot sun as a Boston has returned from a raid four brave South Africans come in and report. This book will thrill you the reader and is a fine tribute to all those who have been part of the desert war. Describing how it was hard to come to terms with too little water in the summer and perhaps too much in winter it creates a scene which brings our heroes alive again with these historic stories that may have been forgotten due to age and infirmity. This desert war was at times almost impossible with the sand storms, which stripped tents, covered everything with sand and almost stopped the planes from flying. This is a little gem of a book and deserves a place near to the readers heart. Read about the worse fear of all facing every R A F fighter, that of being stranded without food or water, this was a constant fact that had to be considered at all times. To read this book is an appreciation of the war and how hard it was to win, taking into account the strength of the enemy, planting hundreds of thousands of land mines were a problem to be dealt with. Every man of every rank piled in a carried on till the job was done, Rosaleen writes this book in way that shows the combined dedicated spirit of these our men of the R. A. F and other forces without whom we may not be able to say today...R A F Heroes of the desert war...They remembered our country. Will you remember them and their families? About the Author I have been in receipt of trauma counselling since 1999 on a daily basis, at times speaking till the early hours of the morning.Support from my trauma Counsellor helps me to come to terms with accepting that what has happened to me cannot now be changed. I cannot ever forgive those who had a vicarious liability to look after me and failed. As a result of being locked away for some years all because we were poor has brought certain limitations to my day to day life. Writing is a form of therapy and allows me to be free to be the person that I want to be, and should have been my birthright. Through writing I can reach out to others who may have had such an unfortunate experience as myself . Daily flashbacks can be upsetting and I fill my life with things to do so as to block them out. Day to day life can be exhausting and coping mechanisms that I learnt in order to survive have not helped me in the outside world. God help all fellow survivors and perhaps one day Ireland will accept the terrible price we paid. Shame on all you right thinking residents in Ireland to allow the government and Catholic Church to ignore harm done to me and many others who are either dead or too ill to tell their story. Thanks to Chipmunkapublishing I have been able to confront my demons and a Big Thank you to Reatha my trauma counsellor without her I would not be here today writing about my stolen life.

An examination of telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works. "Telepresence” allows us to feel present—through vision, hearing, and even touch—at a remote location by means of real-time communication technology. Networked devices such as video cameras and telerobots extend our corporeal agency into distant spaces. In Here/There, Kris Paulsen examines telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works. Paulsen traces an arc of increasing interactivity, as video screens became spaces for communication and physical, tactile intervention. She explores the work of artists who took up these technological tools and questioned the aesthetic, social, and ethical stakes of media that allow us to manipulate and affect far-off environments and other people—to touch, metaphorically and literally, those who cannot touch us back. Paulsen examines 1970s video artworks by Vito Acconci and Joan Jonas, live satellite performance projects by Kit Galloway and Sherrie Rabinowitz, and CCTV installations by Chris Burden. These early works, she argues, can help us make sense of the expansion of our senses by technologies that privilege real time over real space and model strategies for engagement and interaction with mediated others. They establish a political, aesthetic, and technological history for later works using cable TV infrastructures and the World Wide Web, including telerobotic works by Ken Goldberg and Wafaa Bilal and artworks about military drones by Trevor Paglen, Omar Fast, Hito Steyerl, and others. These works become a meeting place for here and there.

A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship