This book presents a comprehensive and systematic study of the narrative history and narrative methods of Chinese and Western popular fiction from the perspectives of narratology, comparative literature, and art and literature studies by adopting the methodology of parallel comparison. The book is a pioneering work that systematically investigates the similarities and differences between Chinese and Western popular fiction, and traces the root causes leading to the differences. By means of narrative comparison, it explores the conceptual and spiritual correlations and differences between Chinese and Western popular fiction and, by relating them to the root causes of cultural spirit, allows us to gain an insight into the cultural heritage of different nations. The book is structured in line with a cause-and-effect logical sequence and moves from the macroscopic to the microscopic, from history to reality, and from theory to practice. The integration of macro-level theoretical studies and micro-level case studies is both novel and effective. This book was awarded Second Prize at the Sixth Outstanding Achievement Awards in Scientific Research for Chinese Institutions of Higher Learning (Humanities & Social Sciences, 2013).

Stories by the following authors: Ernest Haycox; Max Brand; Alan Lemay; Wayne Overholser; William Colt McDonald; T. T. Flynn; Luke Short; Bill Gulick; Peter Dawson; W. Ryerson Johnson; Les Savage, Jr.; Fiff Cheshire; Dwight Bennett Newton; Frank Bonham; Dan Cushman; Robert Easton; Will Cook; Lewis B. Patten; Ed Gorman; and Steve Frazee. Several novels: The Strange Ride of Perry Woodstock by Max Brand; Gun Fog by William MacDonald; Trail of the Lonely Gun by Les Savage, Jr.; Death Rides this Trail by Steve Frazee.

Beginning in the mid-1940s, the bleak, brooding mood of film noir began seeping into that most optimistic of film genres, the western. Story lines took on a darker tone and western films adopted classic noir elements of moral ambiguity, complex anti-heroes and explicit violence. The noir western helped set the standard for the darker science fiction, action and superhero films of today, as well as for acclaimed TV series such as HBO's Deadwood and AMC's Breaking Bad. This book covers the stylistic shift in westerns in mid-20th century Hollywood, offering close readings of the first noir westerns, along with revealing portraits of the eccentric and talented directors who brought the films to life.

For decades, the Western film has been considered a dying breed of cinema, yet filmmakers from Quentin Tarantino to Ethan and Joel Coen find new ways to reinvigorate the genre. As Westerns continue to be produced for contemporary audiences, scholars have taken a renewed interest in the relevance of this enduring genre. In Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained, Lee Broughton has compiled a wide-ranging collection of essays that look at various forms of the genre, on both the large and small screen. Contributors to this volume consider themes and subgenres, celebrities and authors, recent idiosyncratic engagements with the genre, and the international Western. These essays also explore issues of race and gender in the various films discussed as well as within the film genre as a whole. Among the films and television programs discussed in this volume are The Assassination of Jesse James by the Coward, Robert Ford; Django Kill; Justified; Meek’s Cutoff; Tears of the Black Tiger; Appaloosa; The Frozen Limits; and Red Harvest.Featuring a diverse selection of chapters that represent current thinking on the Western. Critical Perspectives on the Western will appeal to fans of the genre, film students, and scholars alike.

The western American landscape has always had great significance in American thinking, requiring an unlikely union between frontier mythology and the reality of a fragile western environment. Additionally it has borne the burden of being a gendered space, seen by some as the traditional "virgin land" of the explorers and pioneers, subject to masculine desires, and by others as a masculine space in which the feminine is neither desired nor appreciated. Both Wallace Stegner and Cormac McCarthy focus on this landscape and environment; its spiritual, narrative, symbolic, imaginative, and ideological force is central to their work. In this study, McGilchrist shows how their various treatments of these issues relate to the social climates (pre- and post-Vietnam era) in which they were written, and how despite historical discontinuities, both Stegner and McCarthy reveal a similar unease about the effects of the myth of the frontier on American thought and life. The gendering of the landscape is revealed as indicative of the attempts to deny the failure of the myth, and to force the often numinous western landscape into parameters which will never contain it. Stegner's pre-Vietnam sensibility allows the natural world to emerge tentatively triumphant from the ruins of frontier mythology, whereas McCarthy's conclusions suggest a darker future for the West in particular and America in general. However, McGilchrist suggests that the conclusion of McCarthy's Border Trilogy, upon which her arguments regarding McCarthy are largely based, offers a gleam of hope in its final conclusion of acceptance of the feminine.

The enduring fascination of the American West marks this collection of essays by distinguished historians, investigative reporters, a novelist, and a celebrated screenwriter. All of these articles have won Wrangler Awards—the western equivalent of the Oscars—presented annually by the National Cowboy & Western Heritage Museum in Oklahoma City. Exciting storytelling, a hallmark of western writing, shapes every selection. C. L. Sonnichsen's 1986 revisionist account of Geronimo's life foreshadows the work of younger historians who continue to deepen our understanding of American Indian history. Jeffrey Pearson's story of the death of Crazy Horse and Greg Michno's novelistic rendering of the Lakota view of the Battle of the Little Bighorn represent history as practiced by scholars who are also powerful writers. Journalist-screenwriter William Broyles's narrative of the King family and ranch is a Texas saga as captivating as anything by Larry McMurtry. The renowned novelist Oakley Hall writes with a historian's precision about Wyoming, setting for The Virginian and site of the Teapot Dome scandal and the Johnson County range war. Focusing on Charles M. Russell, Raphael Cristy establishes the western artist's importance as a writer who overturned stereotypes about American Indians. Environmental studies are showcased in Dan Flores's essays on the demise of the great buffalo herds and the history of the horse trade. And no overview of the West would be complete without military and law enforcement history, amply represented by Robert M. Utley's work on the Texas Rangers, Paul Hutton's panoramic recounting of the Alamo, and Sally Denton's new look at the controversial Mountain Meadows Massacre, incorporating the latest forensic evidence. In what serves as a fitting coda to the violent yet inspiring history of the American West, Hutton offers a stirring account of Teddy Roosevelt's leadership at the Battle of San Juan Hill. This is a collection as pleasurable to read as it is rich with great and significant stories about one of the most enduring national epochs—the history of the great American West.

An illustrated history of California writers, with extensive sections on Harte, Clemens, Miller, Bierce and the local periodicals and publishers. A considerable amount of the text is dedicated to women writers of California and the Women's Press Association

Through interviews with British herbalists, the importance of hidden experiences of meetings with plants is explored alongside how such 'enchantment' has influenced the narrative of their lives. Some herbalists have visible entryways into studying, such as personal experience of taking herbal medicine, a search for a new career or a love of nature. Other entryways are more hidden, with many noting 'crossings' and 'callings' with plants at a young age. This sensual ability of herbs raises questions about the agency of living plants and of herbal medicines, and about how the relationship between herbalists and plants may be reconceived. Meetings with plants and herbal medicines allow herbalists to draw easily from a diverse range of influences that others may see as incommensurable."This fascinating, original and challenging book convincingly explores modern-day herbalists understanding of their place in the complementary health world, against the backdrop of encroaching professionalisation, legitimacy and scientism. In his case study interviews with herbalists, Guy Waddell draws our attention to the enchanting power of plants and their agentic qualities. In his quest for greater understanding of their sensual power, the author rejects the conventional modernity/rationalisation thesis, seen both in the sensual- affective energy that herbalists draw upon and in the ontological implications of human/nonhuman crossings. This book is an excellent contribution to our understanding of Western herbal medicine and contemporary thought." - Dr Stuart McClean, PhD. Associate Professor in Public Health (Health and Wellbeing), University of the West of England"In the field of herbal medicine, few seem to know their history and the lessons it teaches us. In The Enchantment of Western Herbal Medicine, Dr Guy Waddell not only provides the reader with a detailed history of the trials and triumphs of British Phytotherapy, but also travels into uncharted territory looking at how herbalists come to find their passion for plants and the use of them to help heal others. This is a new area of research and exploring the entryways to practice though interviews and clinician narratives is both a fascinating undertaking and a unique way of understanding our own motivations and experiences as herbalists." - David Winston, RH(AHG), DSc (hc), author of Adaptogens; Herbs for Strength, Stamina and Stress Relief"Both compelling and challenging, Guy Waddell's unique book is filled with the voices of herbalists and makes essential reading for anyone on their own journey into herbalism or those interested in human- plant relationships. Here is a much-needed roadmap for all who are exploring the diverse choices between ancient and modern, science and tradition, evidence and intuition, and human and nonhuman agency. My congratulations to the author for so brilliantly signposting the fundamental unity that resides at the heart of herbal practice." - Phil Deakin. President of the National Institute of Medical Herbalists