Show business is a multimillion dollar business, and its celebrities and sports figures are the most famous people on earth. Yet, most entertainers are neither rich nor famous. In Life upon the Wicked Stage, author Jacqueline Boles provides an academic portrait of live performers and offers insight into their unique world. Based on the biographies and autobiographies of one hundred and seventeen American show people, Life upon the Wicked Stage delves into the lives of entertainers musicians, singers, dancers, comics, and variety artists. This sociological study first shares the history of show business from its beginnings to present-day, where the public's fascination with entertainers and celebrities is avid. Then, Boles analyzes the entertainers and their family backgrounds, investigates their reasons for choosing entertainment, and explores their career patterns. This study also shows the affects that show business has on family and relationships, and it discusses the costs and rewards of life as a performer. Life upon the Wicked Stage illustrates that live entertainment has changed dramatically over the last one hundred and fift y years while remaining remarkably unchanged. Boles communicates that the show must go on.

In 2004, the original Broadway production of Wicked earned 10 Tony nominations, including best musical. Based on the best-selling novel by Gregory Maguire, the show continues to run on Broadway and has touring companies throughout the United States and around the world. In Wicked: A Musical Biography, author Paul Laird explores the creation of this popular Broadway musical through an examination of draft scripts, interviews with major figures, and the study of primary musical sources such as sketches, drafts, and completed musical scores. Laird brings together an impressive amount of detail on the creation of Wicked, including a look at Maguire's novel, as well as the original source material, The Wizard of Oz. This volume also offers a history of the show's genesis along with examinations of the draft scenarios and scripts that demonstrate the show's development. Laird also explores Stephen Schwartz's life and work, providing an analysis of the composer and lyricist's work on the show through song drafts, sketches, and musical examples. Laird also surveys the show's critical reception in New York and London, noting how many critics failed to appreciate its qualities or anticipate its great success. The unusual nature of Wicked's story—dominated by two strong female leads—is also placed in the context of Broadway history. A unique look into a successful Broadway production, Wicked: A Musical Biography will be of interest to musicologists, theatre scholars, students, and general readers alike.

The Road to Wicked examines the long life of the Oz myth. It is both a study in cultural sustainability— the capacity of artists, narratives, art forms, and genres to remain viable over time—and an examination of the marketing machinery and consumption patterns that make such sustainability possible. Drawing on the fields of macromarketing, consumer behavior, literary and cultural studies, and theories of adaption and remediation, the authors examine key adaptations and extensions of Baum’s 1900 novel. These include the original Oz craze, the MGM film and its television afterlife, Wicked and its extensions, and Oz the Great and Powerful—Disney’s recent (and highly lucrative) venture that builds on the considerable success of Wicked. At the end of the book, the authors offer a foundational framework for a new theory of cultural sustainability and propose a set of explanatory conditions under which any artistic experience might achieve it.

More than an academic critique, Performing Psychology offers a new methodology for understanding human life. Arguing that both psychological activity and its study are essentially performance, Neuman and his colleagues expose the myths of mainstream psychology and the limitations of its postmodern challengers.

“Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely ‘enter’ American popular culture, but did so much to invent it.”—Jonathan Boyarin Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina For centuries, Jews were one of the few European cultures without any official public theatrical tradition. Yet in the modern era, Jews were among the most important creators of popular theater and film–especially in America. Why? In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by reimagining key aspects of traditional Judaism as theatrical. Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman—among many others—Most situates American popular culture in the multiple religious traditions that informed the worldviews of its practitioners. Offering a comprehensive history of the role of Judaism in the creation of American entertainment, Theatrical Liberalism re-examines the distinction between the secular and the religious in both Jewish and American contexts, providing a new way of understanding Jewish liberalism and its place in a pluralist society. With extensive scholarship and compelling evidence, Theatrical Liberalism shows how the Jewish worldview that permeates American culture has reached far beyond the Jews who created it.

Jerome Kern (1885-1945) is considered one of the most versatile and influential of all American theatre and film composers. His pioneer work in developing a truly American musical sound inspired many of the great songwriters of the 1920s, 1930s, and 1940s, and his songs include dozens of beloved standards still heard today, such as “Smoke Gets in Your Eyes” and “The Way You Look Tonight.” The Jerome Kern Encyclopedia consists of entries on people, theatre and film musicals, songs, subjects, and themes related to the composer. Not only are all of Kern’s stage and screen projects from 1904 to 1946 covered, but there are also entries on all the major librettists and lyricists with whom he worked, as well as producers, directors, actors, and other individuals who figured prominently in his career. Approximately 100 of Kern’s most important songs are discussed, and other entries address awards, collaborations, working methods, song styles, and other related subjects. The encyclopedia also includes a brief biography of Kern, a chronology of his life and work, and appendices on recordings, interpolations, revivals, and remakes. The most complete work on one of America’s greatest composers, this fascinating, readable, and extensive look at Kern will appeal totheatregoers, movie musical fans, students, teachers, and professionals in musical theatre.

Vygotsky at Work and Play is an intimate portrayal of the Vygotskian-inspired approach to human development known as ‘social therapeutics’ and ‘the psychology of becoming’. Holzman provides an accessible, practical-philosophical portrayal of a unique performance-based methodology of development and learning that draws upon a fresh reading of Vygotsky. This expanded edition includes new content dealing with how Lev Vygotsky’s work can be applied to profound social issues of our times, including worsening police/community relations, authoritarianism in schools, the medical-model approach to social/emotional life, and the erosion of play in Western cultures. Holzman also weaves together Vygotsky’s discoveries with qualitative case studies from organizations that practice the approach in psychotherapy offices, classrooms, outside-of-school programs, corporate workplaces and virtual learning environments. The new edition of Vygotsky at Work and Play poses a practical-critical challenge to more traditional conceptions and methods of psychology and education, introducing performance as a new ontology and the author’s own activist research performance as a new way to do psychology. It is an essential read for researchers and professionals in educational and developmental psychology, psychotherapy, cultural historical activity, social science, performance studies and education.

Show Boat: Performing Race in an American Musical draws on exhaustive archival research to tell the story of how Jerome Kern, Oscar Hammerstein II, and a host of directors, choreographers, producers, and performers -- among them Paul Robeson -- made and remade the most important musical in Broadway history.

Peggy L. Headlund, author of Innocence: Simplicity of Spirit and Confidence: Reliance on the Spirit, returns with the third book in her acclaimed young adult series about the rousing adventures of Lilia Faith Christian. Fifteen-year-old Lilia lives on a ranch in Wailua, Kauai, with her family. She has a wondrous relationship with her animals. The musical prodigy is an internationally known singer and model. Her dad institutes one simple rule for her safety: Lilia cannot go anywhere by herself. Lilia disguises herself as a boy, stuffs an envelope full of money down her bra, and hitchhikes into Lihue. She passes the driver's test and buys a Jeep. When she drives back to the ranch, Jim, her bodyguard and boyfriend, is furious. When he demands the keys, she hides them. He retrieves a lug wrench and jack to remove a tire and disable the Jeep, and she fights him. Jim knows that Lilia responds to love with love, but her temper gets in the way. He adores this girl and wants to protect her, but she exasperates him at the same time. They both sit down with her parents to find a solution. Jim and Lilia work through their real-life situations with faith and hope. They learn they must have courage and trust to say goodbye to yesterday and tomorrow, because they discover that today has enough troubles of its own. Peggy L. Headlund grew up on a dairy farm in Farmington, Minnesota. She now lives in Calabasas, California, with her husband, Don, and two Westies. Publisher's website: http: //www.strategicpublishinggroup.com/title/Consequence-ImportanceOfTheSpirit.html

Countering the misperceptions about Broadway performers leading glamorous lives, the words of more than 150 Broadway stars provide unprecedented insight into their struggle for stardom. With an introduction by Jason Alexander and candid interviews with today's most celebrated Broadway stars, this book offers stories to entertain and astonish theater lovers, as well as serve as a sobering reality check for those considering careers on the stage. This book shares firsthand accounts of professional actors' difficult yet fulfilling journeys to Broadway: moving to New York, finding survival jobs, auditioning, landing roles, avoiding pitfalls, forging a family life, and much more. Interviews Include These Award-Winning Actors: • Jason Alexander • Daisy Eagan • Heather Headley • Wilson Heredia • Randy Graff • Donna McKechnie • Donna Murphy • John Rubinstein • Lea Salonga • Scott Wise • Chita Rivera Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.