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A diary entry, begun by a wife and finished by a husband; a map of London, its streets bearing the names of forgotten lives; biographies of siblings, and of spouses; a poem which gives life to long-dead voices from the archives. All these feature in this volume as examples of ‘writing lives together’: British life writing which has been collaboratively authored and/or joins together the lives of multiple subjects. The contributions to this book range over published and unpublished material from the late eighteenth to the late nineteenth centuries, including biography, auto/biographical memoirs, letters, diaries, sermons, maps and directories. The book closes with essays by contemporary, practising biographers, Daisy Hay and Laurel Brake, who explain their decisions to move away from the single subject in writing the lives of figures from the Romantic and Victorian periods. We conclude with the reflections and work of a contemporary poet, Kathleen Bell, writing on James Watt (1736–1819) and his family, in a ghostly collaboration with the archives. Taken as a whole, the collection offers distinctive new readings of collaboration in theory and practice, reflecting on the many ways in which lives might be written together: across gender boundaries, across time, across genre. This book was originally published as a special issue of Life Writing.

The island of Sicily has for centuries been a meeting point where civilizations transformed one another and gave life to the cultural developments at the foundation of European modernity. The essays collected here explore Sicily as a place where these cultural interactions have produced conflict but also new material and intellectual exchange.

A highly insightful study of three major movements in Roman Catholic theology over the past thirty years. This fascinating work of theological scholarship offers an exceptionally broad scope and powerfully unifying theme. Gaspar Martinez first offers penetrating interpretations of three major contemporary theologians working on three continents, in quite dissimilar historical, cultural, social, and economic situations. Then he goes on to illustrate how Johannes Metz, Gustavo GutiTrrez, and David Tracy each had a tensive ongoing relationship to the mid-twentieth century theologians and movements that formed them-Karl Rahner, nouvelle theologie, and Bernard Lonergan, respectively. Martinez brilliantly contextualizes each of these thinkers. In broad strokes, he sketches postwar Germany, postcolonial Peru, and the American century and shows how each man was formed by his era. He also examines the lines of influence and relationship between these theologians and some of their nontheological contemporaries: Metz and Adorno, Bloch, and Benjamin; GutiTrrez and Paulo Freire, JosT Carlos Mariategui, and the novelist JosT Marfa Arguedas; and Tracy and thinkers from Eliade and Ricoeur to Gadamer and Derrida.Martinez convincingly illustrates how each of these theologians in recent years has focused more directly on the mystery of God, entailing greater emphasis on spirituality and mysticism, with the consequence that the more properly theological their theologies have become the more they have become negative theologies.

Harold Lindsell (1913-98) was an evangelical author and scholar. He taught at Columbia Bible College, Northern Baptist Theological Seminary, and Fuller Theological Seminary. He served as President of the Evangelical Theological Society in 1971, as well as editor of Christianity Today from 1968 to 1978. He authored more than twenty books, including The Battle for the Bible (1976).

These two criticisms are based on the presumption that only a socially and intellectually elite reader is able to view the author's language in terms of its organic relationship with the text as a whole. The Romantics focused on the interpretive reproduction of Shakespeare through sympathetic identification with his characters."--BOOK JACKET.

Borderland: On Reviving Culture is a most timely book that tells the story of a project for our times. It is the story of the Borderland organization, which consists of two dovetailing initiatives, an international NGO, the Borderland Foundation, and the more locally and nationally focused Borderland Centre of Arts, Culture and Nations. Borderland is based in the far northeastern corner of Poland close to the borders of Russia, Lithuania and Belarus, where it has devised an array of programs and initiatives designed to promote harmonious cultural plurality in a region of inter-ethnic and religious tensions that date back centuries. Ian Watson, Director of the Theatre Program, Director of the Urban Civic Initiative, Department of Arts, Culture and Media, Rutgers University-Newark