His contemporaries called him Wild Bill, and newspapermen and others made him a legend in his own time. Among western characters only General George Armstrong Custer and Buffalo Bill Cody are as readily recognized by the general public. In writing this biography, Joseph G. Rosa has expressed the hope that "Hickok emerges as a man and not a legend." For this comprehensive revision of his earlier biography of Wild Bill the author was allowed to work from newly available materials in the possession of the Hickok family. He also discovered new material pertaining to Wild Bill’s Civil War exploits and his service as a marshal and found the pardon file of his murderer, John McCall. Additional, rare photographs of Wild Bill are published here for the first time. The results of Rosa’s additional research make this second edition the best biography of Wild Bill likely to be written for years to come.

Of all the Old West figures whose images eventually found their way into our popular culture, none was better known than Wild Bill Hickok. This book, a companion volume to Joseph Rosa’s exhaustive biography, They Called Him Wild Bill, reproduces in one volume nearly all the known portraits of Wild Bill, together with photographs of his family, his friends, his foes, and the places that knew him.

“James Butler Hickok, generally called ‘Wild Bill,’ epitomized the archetypal gunfighter, that half-man, half-myth that became the heir to the mystique of the duelist when that method of resolving differences waned. . . . Easy access to a gun and whiskey coupled with gambling was the cause of most gunfights--few of which bore any resemblance to the gentlemanly duel of earlier times. . . . Hickok’s gunfights were unusual in that most of them were ‘fair’ fights, not just killings resulting from rage, jealousy over a woman, or drunkenness. And, the majority of his encounters were in his role as lawman or as an individual upholding the law.”--from Wild Bill Hickok, Gunfighter Wild Bill Hickok (1837–1876) was a Civil War spy and scout, Indian fighter, gambler, and peace officer. He was also one of the greatest gunfighters in the West. His peers referred to his reflexes as “phenomenal” and to his skill with a pistol as “miraculous.” In Wild Bill Hickok, Gunfighter, Joseph G. Rosa, the world’s foremost authority on Hickok, provides an informative examination of Hickok’s many gunfights. Rosa describes the types of guns used by Hickok and illustrates his use of the plains’ style of “quick draw,” as well as examining other elements of the Hickok legend. He even reconsiders the infamous “dead man’s hand” allegedly held by Hickok when he was shot to death at age thirty-nine while playing poker. Numerous photographs and drawings accompany Rosa’s down-to-earth text.

Wild Bill Elliott was a major western star. His screen persona met evil head-on and emerged victorious, bringing cheers from Saturday audiences. This book covers Elliott's entire career. It begins with a biographical sketch and then discusses each of his 78 starring roles as well as his more than 130 supporting roles. The film entries include studio, release date, alternate titles, cast and credit listings, songs, location filming, color, running time, source, story synopsis, notes and commentary, quotations from published reviews and a critical summation of the film. Appendices include Elliott's short films, TV and radio appearances and comic books.

Profiles the life and exploits of William Hickok, the legendary Western sharpshooter known as Wild Bill.

Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.

It has not been the purpose of this book to novelize Wild Bill Hickok. That has already been done, and rather effectively. The main purpose of this work is to find out what was real, and what imaginary, in the stories about him. Wild Bill was a fascinating personality to all who knew him. The mere mention of his name never failed to bring a crash of brasses from the orchestra. His friends never ceased to chant his praises as an honest man, an incredibly accurate pistol shot, and an individual who was without fear in the presence of danger. Contents: The Prince of Pistoleers Ancestry and Early Manhood The Magnum Opus of Pistolry The Mccanles Mystery Solved Wartime Adventures Fight With Conquering Bear and a New Indian Romance The Duel With Dave Tutt A Blue Ribbon Outburst of Guns On the Plains With the Wilson Party Marshal of Hays City and Abilene Wild Bill Starts a Wild West Show Traits and Personal Appearance Three Shooting Stars A Visit to Cheyenne Romance and Marriage The Calamity Jane-Wild Bill Myth Last Days The Trial and Execution of Jack Mccall

Wild Bill Hickok and Buffalo Bill Cody were considered heroes and the greatest plainsmen of their time. They were larger than life, legendary characters. They knew where to locate water, good grass for livestock, sheltered campsites, and game for hunting. They knew how to survive the blistering heat and terrific thunderstorms of summer and the subzero blizzards of winter. They could avoid Indians or act as trackers following the trails of Indians as well as desperados. They were expert marksmen and did not back down from a fight. They rushed in where others held back. Hickok, a frontier wagon and stagecoach driver, became a Union spy during the Civil War, furthering his reputation after the war as a frontier Army scout, gunfighter, and lawman. Cody, who claimed to ride for the Pony Express, served in the Union Army, and became legendary as an expert buffalo hunter and Army scout. Hickok and Cody were good friends and experienced a series of adventures together. Hickok traveled to Deadwood, Dakota Territory, during the 1876 Black Hills goldrush where he was assassinated by Jack McCall. Cody continued scouting for the Army and after the Battle of the Little Big Horn, won a one-on-one duel with a Cheyenne warrior, Yellow Hair. Cody went on to become one of the most well-known showmen in the world with his Buffalo Bill’s Wild West. Wild Bill Hickok and Buffalo Bill Cody: Plainsmen, the fourth book in the Legendary West series, explores the lives of these two well-known characters.