The Lords of the Grebsa Network were caught completely off guard. The alien Veroshi swooped into Earth with a compulsion to worship the Grebsas as gods that had been engineered by a Prophet they never knew. It was enough to bring a charging Grebsa to a sudden stop. The Veroshi are just beginning to settle into the city built for them by the reluctant gods when an elderly member of the Guardian Faction collapses while protecting abandoned Veroshi puppies in a blizzard. The Mind-Priestesses insist that these puppies are the children of a Grebsa. That leads to snorts of "Impossible!" from the Grebsas, but as events unfold, they begin to wonder exactly how unlikely it is.

This two-volume set provides a comprehensive guide to the vast array of feminine divine figures found throughout the world. Drawn from a variety of sources ranging from classical literature to early ethnographies to contemporary interpretations, the Encyclopedia of Goddesses and Heroines provides a comprehensive introduction to the ways goddess figures have been viewed through the ages. This unique encyclopedia of over thousands of figures of feminine divinity describes the myths and attributes of goddesses and female spiritual powers from around the world. The two-volume set is organized by culture and religion, exploring the role of women in each culture's religious life and introducing readers to the background of each pantheon, as well as the individual figures who peopled it. Alternative names for important divinities are offered, as are lists of minor goddesses and their attributes. Interest in women's spirituality has grown significantly over the last 30 years, both among those who remain in traditional religions and those who explore spirituality outside those confines. This work speaks to them all.

In the Federation of Democracy, unsettling events are unfolding. A dedicated special unit is tasked with unravelling the mystery, but they’re quickly ensnared in a web of murder, espionage, and dark cult secrets. What initially seemed like a straightforward mission becomes a perilous journey. With the aid of the police and by delving into the worlds that surround them, they uncover an even more ominous threat on the horizon. Now, unity is their only weapon. They must band together, not just to solve the mystery, but to survive the looming darkness. Dive into a tale of intrigue, danger, and the unyielding spirit of those sworn to protect.

Geoff Wood's reflections on the Sunday readings make visible scripture's perennial applicability to human experience. Through reference to Western literature as well as his life experiences, he engages our imagination and helps us to see the wisdom of the biblical word shine forth.

We are in the midst of an epic evolution in consciousness that involves a radical shift in orientation from the ego to the heart and soul. This transformative process requires a breaking down of the old form, which we are witnessing personally and collectively, to create the space for something new to emerge. As we live from the soul and express our deepest truths, we actively participate in this change. Life experiences may seem as though they're random, but in fact they have an intention, deeper meaning, and purpose, which is to facilitate this transformation within us. Everything is occurring to free us from our old beliefs, outdated ways of living, and any limiting ideas we have about life and ourselves. In INITIATION OF THE SOUL, Dr. Pamela Alexander explores the soul's journey through myth and classic fairy tales. In the initiatory mythic story of "Psyche and Amor," the goddess of love orchestrates events in order to awaken the soul from its slumber. The heroine faces challenging tasks that draw the deeper truth of the soul's inherent wholeness, freedom, and power out of the unconscious and into an embodied awareness. Dr. Alexander proceeds from there to explore fairy tales that speak to the issues that arise during the soul's emergence. These stories symbolically instruct us as to how to resolve our fears and open to love. As inner restrictions are resolved, we can embody expanded versions of ourselves and become more stable in a chaotic and uncertain world. The stories guide us to free the soul from an egoic identification, which is buffeted by the winds of change and the opinions of others, to the unshakeable ground of being within. Then, we are empowered to live in freedom and wholeness as we participate in the creation of a new world.

A thick white mist hangs over the Eastern Sea, covering all of the ships that are attempting to navigate the grey waters. The pirates sit on the bottom of their sleek ship, huddled amongst their chests of gold, shivering in fear despite the warmth of the night. Humfard the one-eyed hobgoblin jumps lithely up onto the aft castle towards Elkira, who steers the ship. "It's unnatural, this fog," he grumbles, "at this time of year it is." "Aye, Humfard," responds the pirate woman, "I sense the work of a spell caster. Look, I cannot even see the bottom of the ship from up here." Through the fog on the forecastle, two pirates stand and look over the side, trying to peer through the deep forbidding wall of whiteness. "Did you hear something?" one of them asks. "It was like a splashing on the water." "It is just the ship." "Actually, it was me," says a feminine voice from the gloom. They jump up, startled, as a soaking wet Mora steps from the ship's wooden railing onto the top of the forecastle. The water on her cape and hood is evaporating, turning into steam as she moves. "I am looking for a band of travellers who stole the cargo of a ship called the Peregrine." "How?" stammers one of the pirates. The other draws his falchion and jumps at the cloaked figure. The scythe spins around and the man falls back, his arm severed. The second pirate jumps to the back of the forecastle and yells for help. Mora's scythe slices across and cuts off his cry in mid-yell. His head falls down from the forecastle amongst his comrades. The second pirate is pulling himself away from Mora, dragging himself with his left hand. She is almost nonchalant in her execution of him, the point of her scythe stabbing down as she investigates the remainder of the forecastle. She walks to the edge of the forecastle and looks into the mist-filled hull of the ship. She can hear the shouts and yells of the pirates and she smiles to herself. She readies her scythe and jumps down from the forecastle, amongst the confused pirates. Humfard stares intently into the mist. "What is happening?" he growls. "I cannot see a thing." Behind him, Elkira ties the steering in place and draws her falchion. "We must investigate," she says. "Our dog-brothers need our help." "No," he mutters. "If we go down into the mist, we will be ambushed. We will wait up here and catch them if they come up the ladder." They wait, standing at the top of the ladder that leads from the hull. They can hear the sounds: of cries and shrieks, of muffled movements and the swish of sword and scythe strikes. A head flies out of the mist and crashes against the side of the forecastle, before dropping back into the hull. Two pirates run out of the mist towards the forecastle, screaming in fright. One appears to trip over and his body falls forward. Elkira notices that his legs are severed below the knee. The second pirate jumps up onto the ladder and Humfard reaches down a hand to help him up. He grabs the pirate by the hand and pulls him upwards, dragging him towards the top. The pirate shrieks in pain and Humfard grunts, unable to drag any further. Then the pirate is free and Humfard falls backwards; the body of the pirate falls onto him. Elkira gasps in fright; there is a huge hole in the pirate's back. Elkira turns back to the ladder and looks into the depths of the fog, her falchion ready. Humfard pushes the body from him and staggers to his feet. Humfard backs away from the edge with fear in his eyes. He hears a creaking sound behind him, like a door opening, and he turns around slowly. Mora is standing behind him, next to the trapdoor that leads from the cabin below, inside the aft castle. There are cuts on her cloak and blood splattered over it. Elkira notices that, although most of the blood is red, some of appears to be white and actually burns the cloak where it drips onto

Phoenix is a young girl who lives in Hawaii. She is there because her father, who is a navy chief, is stationed there. When her school class goes to Volcano Island to see the world’s largest volcano, Phoenix encounters Eli-Ela, the queen of the Volcano Island Fairies. No one else can see or hear the queen, but the queen warns Phoenix that the volcano is about to erupt, and they must save the people who are gathered around it. For aiding the fairy queen, Phoenix is made a princess of the fairies. But it is not till later she learns she can fly and why she can never be a fairy princess. From that first encounter with the queen, Phoenix has other adventures with the fairies. She meets President Lin-Con of the Fairy Council. She finds that she must save the fairy city from destruction and she must rescue the fairy children. In the end, Phoenix becomes the first human in centuries to share with the fairies “The Festival of the Sun and Stars.” Parents who have read these stories with their young daughters have noticed that all of the primary and strong characters are women.

Modernist Physics takes as its focus the ideas associated with three scientific papers published by Albert Einstein in 1905, considering the dissemination of those ideas both within and beyond the scientific field, and exploring the manifestation of similar ideas in the literary works of Virginia Woolf and D. H. Lawrence. Drawing on Gillian Beer's suggestion that literature and science 'share the moment's discourse', Modernist Physics seeks both to combine and to distinguish between the two standard approaches within the field of literature and science: direct influence and the zeitgeist. The book is divided into three parts, each of which focuses on the ideas associated with one of Einstein's papers. Part I considers Woolf in relation to Einstein's paper on light quanta, arguing that questions of duality and complementarity had a wider cultural significance in the early twentieth century than has yet been acknowledged, and suggesting that Woolf can usefully be considered a complementary, rather than a dualistic, writer. Part II looks at Lawrence's reading of at least one book on relativity in 1921, and his subsequent suggestion in Fantasia of the Unconscious that 'we are in sad need of a theory of human relativity', a theory which is shown to be relevant to Lawrence's writing of relationships both before and after 1921. Part III considers Woolf and Lawrence together alongside late nineteenth- and early twentieth-century discussions of molecular physics and crowd psychology, suggesting that Einstein's work on Brownian motion provides a useful model for thinking about individual literary characters.

This book is divided into four sections with each section addressing the different stages of the healing journey which we all go through in life. We are all in this life together. We are all endeavouring to make this world a more peaceful and pleasant realm in which to live rather than merely exist.