A COMPANION TO WITTGENSTEIN The most comprehensive survey of Wittgenstein’s thought yet compiled, this volume of fifty newly commissioned essays by leading interpreters of his philosophy is a keynote addition to the Blackwell Companions to Philosophy series. Full of penetrating insights into the life and work of the most important philosopher of the twentieth century, the collection explores the full range of Wittgenstein’s contribution to philosophy. It includes essays on his intellectual development, his work in logic and mathematics, philosophy of language, philosophy of mind and action, epistemology, ethics, philosophy of religion, and much else. As well as examining Wittgenstein’s contribution to human understanding in detail, the Companion features vital contextual analysis that traces the relationship between his ideas and those of other philosophers and schools of thought, including the Aristotelian and continental philosophical traditions. Authors also address prominent themes that remain current in today’s philosophical debates, explaining Wittgenstein’s continuing legacy alongside his historical significance. Essential reading for scholars of philosophy at all levels, A Companion to Wittgenstein combines engaging commentary with unrivaled academic authority.

The question of what Wittgenstein meant by 'forms of life' has attracted a great deal of attention in the literature, yet it is an expression that Wittgenstein himself employs on only a relatively small number of occasions, and that he does not explicitly define. This Element gives a description of this concept that also explains Wittgenstein's reluctance to say much about it. A short historical introduction examines the origins and uses of the term in Wittgenstein's time. The Element then presents a survey of Wittgenstein's employment of it, and an overview of the literature. Finally, the Element offers a methodological reading of this notion, interpreting it as a conceptual tool in Wittgenstein's wider inquiries into the workings of our language.

This book offers a lucid and highly readable account of Wittgenstein's philosophy, framed against the background of his extraordinary life and character. Woven together with a biographical narrative, the chapters explain the key ideas of Wittgenstein's work, from his first book, the Tractatus Logico-Philosophicus, to his mature masterpiece, the Philosophical Investigations. Severin Schroeder shows that at the core of Wittgenstein's later work lies a startlingly original and subversive conception of the nature of philosophy. In accordance with this conception, Wittgenstein offers no new philosophical doctrines to replace his earlier ones, but seeks to demonstrate how all philosophical theorizing is the result of conceptual misunderstanding. He first diagnoses such misunderstanding at the core of his own earlier philosophy of language and then subjects philosophical views and problems about various mental phenomena understanding, sensations, the will to a similar therapeutic analysis. Schroeder provides a clear and careful account of the main arguments offered by Wittgenstein. He concludes by considering some critical responses to Wittgenstein's work, assessing its legacy for contemporary philosophy. Wittgenstein is ideal for students seeking a clear and concise introduction to the work of this seminal twentieth-century philosopher.

In the first in-depth philosophical study of the subject, Nicholas Gier examines the published and unpublished writings of Ludwig Wittgenstein, to show the striking parallels between Wittgenstein and phenomenology. Between 1929 and 1933, the philosopher proposed programs that bore a detailed resemblance to dominant themes in the phenomenology of Husserl and some "life-world" phenomenologists. This sound, thoroughly readable study examines how and why he eventually moved away from it. Gier demonstrates, however, that Wittgenstein's phenomenology continues as his "grammar" of the post-1933 works, which continue to present instructive parallels with Heidegger and Merleau-Ponty.

One of the most influential philosophers of the twentieth century, Ludwig Wittgenstein, and the roots of his monumental Tractatus are explored in this imaginative work. Oxaal picks up on themes developed in an earlier work of his on Jews, Anti-Semitism and Culture in Vienna, adding to it special issues concerning Wittgenstein's experiences in Norway in 1913-14, where he worked on ideas that were completed during the war. Oxaal situates the great philosopher in time, place, and attitude, showing how his personal background came to bear on the writing of the Tractatus. Wittengenstein has often been criticized for traces of solipsism and even mysticism, and Oxaal also examines these issues in a volume that integrates ethnography, nationality, and cultural studies. Oxaal sheds new light on the theme of Wittgenstein's Jewishness, and develops a new appreciation of the Wittgenstein family and Wittgenstein's better-known years in Vienna. The author is unsparing in his observations about racism and pessimism in Berlin and Great Britian during the period in which Wittgenstein worked and studied at Cambridge. The writing of the Tractatus spanned the First World War. In the period immediately after its completion, Wittgenstein found himself in The Hague where he was in discussions and disputes with Bertrand Russell. Oxaal covers these problems sensitively and with an appreciation of ambiguities in the life of a great philosopher and the confusions caused by a post-war change in fortunes--personal and familial. This work of an eminent social scientist and historian may not be the final statement on Wittgenstein, but it most certainly must be considered in any serious assessments of an iconic figure of the twentieth century.

This volume argues that Wittgenstein’s philosophy of religion and his thought in general continue to be highly relevant for present and future research on interreligious relations.

The commonly held view that Wittgensteinian philosophy of religion is fideistic loses plausibility when contrasted with recent scholarship on Wittgenstein's corpus and biography. This book reevaluates the place of Wittgenstein in the philosophy of religion and charts a path forward for the subfield by advancing three themes.

This accessible and lucidly written guidebook introduces the student of Wittgenstein to his most important work, the Philosophical Investigations and looks at the overall importance of Wittgenstein to current philosophy.

In the last half-century Ludwig Wittgenstein's relevance beyond analytic philosophy, to continental philosophy, to cultural studies, and to the arts has been widely acknowledged. Wittgenstein's Tractatus Logico-Philosophicus was published in 1922 - the annus mirabilis of modernism - alongside Joyce's Ulysses, Eliot's The Waste Land, Mansfield's The Garden Party and Woolf's Jacob's Room. Bertolt Brecht's first play to be produced, Drums in the Night, was first staged in 1922, as was Jean Cocteau's Antigone, with settings by Pablo Picasso and music by Arthur Honegger. In different ways, all these modernist landmarks dealt with the crisis of representation and the demise of eternal metaphysical and ethical truths. Wittgenstein's Tractatus can be read as defining, expressing and reacting to this crisis. In his later philosophy, Wittgenstein adopted a novel philosophical attitude, sensitive to the ordinary uses of language as well as to the unnoticed dogmas they may betray. If the gist of modernism is self-reflection and attention to the way form expresses content, then Wittgenstein's later ideas - in their fragmented form as well as their “ear-opening” contents - deliver it most precisely. Understanding Wittgenstein, Understanding Modernism shows Wittgenstein's work, both early and late, to be closely linked to the modernist Geist that prevailed during his lifetime. Yet it would be wrong to argue that Wittgenstein was a modernist tout court. For Wittgenstein, as well as for modernist art, understanding is not gained by such straightforward statements. It needs time, hesitation, a variety of articulations, the refusal of tempting solutions, and perhaps even a sense of defeat. It is such a vision of the linkage between Wittgenstein and modernism that guides the present volume.

This book critically examines three distinct interpretations of Ludwig Wittgenstein, those of George Lindbeck, David Tracy, and David Burrell, while paying special attention to the topic of interreligious disagreement. In theological and philosophical work on interreligious communication, Ludwig Wittgenstein has been interpreted in very different, sometimes contradicting ways. This is partly due to the nature of Wittgenstein’s philosophical investigation, which does not consist of a theory nor does it posit theses about religion, but includes several, varying conceptions of religion. In this volume, Gorazd Andrejč illustrates how assorted uptakes of Wittgenstein’s conceptions of religion, and the differing theological perspectives of the authors who formulated them, shape interpretations of interreligious disagreement and dialogue. Inspired by selected perspectives from Tillichian philosophical theology, the book suggests a new way of engaging both descriptive and normative aspects of Wittgenstein’s conceptions of religion in the interpretation of interreligious disagreement.