"This book explains the ambiguities of wartime changes in the private and public lives of New Zealand women. It considers women as mothers, wives and lovers, as well as workers, using many examples from real lives. Deborah Montgomerie's main argument is that despite the changes, the war was essentially a conservative period, pointing out that understanding the continuities in gender relations is as important as cataloguing female 'firsts'. Her book stylishly challenges accepted wisdom and offers a clear, fresh view of a period often viewed through the blurry lens of nostalgia and anecdote."--BOOK JACKET.

Published in association with the Imperial War Museum, this series uses primary source evidence such as diaries, posters, newspaper cuttings and oral accounts to portray life on the Home Front.

The First World War was a transformative experience for women, facilitating their entry into new spaces and alternative spheres of activity, both on the home front and on the edges of danger zones in Europe and beyond. The centenary of the conflict is an appropriate moment to reassess what we choose to remember about women’s roles and responsibilities in this period and how women recorded their experiences. It is timely to (re)consider the narratives of women’s involvement not only as nurses, VADs and mourning mothers, but as pacifist campaigners, poets, war correspondents and contributors to developing genres of war writing. This interdisciplinary volume examines women’s representations of wartime experience across a wide range of genres, including modernist fiction, ghost stories, utopia, poetry, life-writing and journalism. Contributors provide fresh perspectives on women’s written responses to the conflict, exploring women’s war work, constructions of femininity and the maternal in wartime, and the relationship between feminism, suffrage and pacifism. The volume reinforces the importance of the retrieval of women’s wartime experience, urging us to rethink what we choose to commemorate and widening the presence of women in the expanding canon of war writing. This book was originally published as a special issue of Women’s Writing.

There are few moments in history when the division between the sexes seems as "natural" as during wartime: men go off to the "war front," while women stay behind on the "home front." But the very notion of the home front was an invention of the First Worl