A Woman’s Empire explores a new dimension of Russian imperialism: women actively engaged in the process of late imperial expansion. The book investigates how women writers, travellers, and scientists who journeyed to and beyond Central Asia participated in Russia’s "civilizing" and colonizing mission, utilizing newly found educational opportunities while navigating powerful discourses of femininity as well as male-dominated science. Katya Hokanson shows how these Russian women resisted domestic roles in a variety of ways. The women writers include a governor general’s wife, a fiction writer who lived in Turkestan, and a famous Theosophist, among others. They make clear the perspectives of the ruling class and outline the special role of women as describers and recorders of information about local women, and as builders of "civilized" colonial Russian society with its attendant performances and social events. Although the bulk of the women’s writings, drawings, and photography is primarily noteworthy for its cultural and historical value, A Woman’s Empire demonstrates how the works also add dimension and detail to the story of Russian imperial expansion and illuminates how women encountered, imagined, and depicted Russia’s imperial Other during this period.

Long live female empire, There's hope, The rise and rise of the female empire Inequality is the question...Are you the answer? Equality: ♀ = ♂, 3+1 wise women and the feminist dream, Woman Power, feminism activists, The power of women, No woman No... Nothing! The making of♀empire; It's males against the world (females); kiss inequality bye! Dowidzenia Inequality! Au revoir inequality! Auf wieder sehen violence! Assorted female activists; Do not give up! Victory is at hand "GOODBYE EVERYBODY; WE'VE GOT TO GO NOW, PROMISING NOT TO ROCK YOU AGAIN. LET EQUALITY PREVAIL IN THE WORLD." Signed & Sealed: INEQUALITY ASSOCIATES

In the last several decades, U.S. women's history has come of age. Not only have historians challenged the national narrative on the basis of their rich explorations of the personal, the social, the economic, and the political, but they have also entered into dialogues with each other over the meaning of women's history itself. In this collection of seventeen original essays on women's lives from the colonial period to the present, contributors take the competing forces of race, gender, class, sexuality, religion, and region into account. Among many other examples, they examine how conceptions of gender shaped government officials' attitudes towards East Asian immigrants; how race and gender inequality pervaded the welfare state; and how color and class shaped Mexican American women's mobilization for civil and labor rights.

Women, Empires, and Body Politics at the United Nations, 1946-1975 tells the story of how women's bodies were at the center of the international politics of women's rights in the postwar period. Giusi Russo focuses on the United Nation Commission on the Status of Women and its multiple interactions with the colonial and postcolonial worlds, showing how--depending on the setting and the inquiry--liberal, imperial, and transnational feminisms could coexist. Russo suggests that in the early stages of identifying discriminating agents in women's lives, UN commissioners overlooked the nation-state and went through a process of fighting discrimination without identifying the discriminator. However, it was the focus on empire that allowed for a clear identification of how gender constructs were instrumental to state politics and the exclusion of women. An emphasis on colonial practices also generated a focus on the body and radically shifted the commission's politics from formal equality to a gender-based equilibrium of rights that emphasized practice rather than law. Through a multidisciplinary approach, Russo looks at the women living under colonial and postcolonial systems as the key actors in defining the politics of women's rights at the UN.

Three stereotypical figures have come to represent the 'war on terror' - the 'dangerous' Muslim man, the 'imperilled' Muslim woman, and the 'civilized' European. Casting Out explores the use of these characterizations in the creation of the myth of the family of democratic Western nations obliged to use political, military, and legal force to defend itself against a menacing third world population. It argues that this myth is promoted to justify the expulsion of Muslims from the political community, a process that takes the form of stigmatization, surveillance, incarceration, torture, and bombing. In this timely and controversial work, Sherene H. Razack looks at contemporary legal and social responses to Muslims in the West and places them in historical context. She explains how 'race thinking,' a structure of thought that divides up the world between the deserving and undeserving according to racial descent, accustoms us to the idea that the suspension of rights for racialized groups is warranted in the interests of national security. She discusses many examples of the institution and implementation of exclusionary and coercive practices, including the mistreatment of security detainees, the regulation of Muslim populations in the name of protecting Muslim women, and prisoner abuse at Abu Ghraib. She explores how the denial of a common bond between European people and those of different origins has given rise to the proliferation of literal and figurative 'camps,' places or bodies where liberties are suspended and the rule of law does not apply. Combining rich theoretical perspectives and extensive research, Casting Out makes a major contribution to contemporary debates on race and the 'war on terror' and their implications in areas such as law, politics, cultural studies, feminist and gender studies, and race relations.

The lives of the Western women who lived, worked and travelled in Arabia in the first half of the 20th century have been largely ignored by historians. Penelope Tuson tells the stories of these women. Sometimes flamboyant and unconventional, sometimes conservative and conformist, all of them wanted in some way to be a part of British imperial life. Some were prepared to "play the game", others were not and could even be regarded as difficult and dangerous. "Playing the Game" explores how these women negotiated power and position in the Empire and how conventional female roles were defined by the masculine perspecitves and hierarchies of imperial authority, often with the collusion of the women themselves actively, but also sometimes despite their attempts to subvert the stereotypes.

A New Gospel for Women tells the story of Katharine Bushnell (1855-1946), author of God's Word to Women, one of the most innovative and comprehensive feminist theologies ever written. An internationally-known social reformer and women's rights activist, Bushnell rose to prominence through her highly publicized campaigns against prostitution and the trafficking of women in America, in colonial India, and throughout East Asia. In each of these cases, the intrepid reformer struggled to come to terms with the fact that it was Christian men who were guilty of committing acts of appalling cruelty against women. Ultimately, Bushnell concluded that Christianity itself - or rather, the patriarchal distortion of true Christianity - must be to blame. A work of history, biography, and historical theology, Kristin Kobes DuMez's book provides a vivid account of Bushnell's life. It maps a concise introduction to her fascinating theology, revealing, for example, Bushnell's belief that gender bias tainted both the King James and the Revised Versions of the English Bible. As Du Mez demonstrates, Bushnell insisted that God created women to be strong and independent, that Adam, not Eve, bore responsibility for the Fall, and that it was through Christ, "the great emancipator of women," that women would achieve spiritual and social redemption. A New Gospel for Women restores Bushnell to her rightful place in history. It illuminates the dynamic and often thorny relationship between faith and feminism in modern America by mapping Bushnell's story and her subsequent disappearance from the historical record. Most pointedly, the book reveals the challenges confronting Christian feminists today who wish to construct a sexual ethic that is both Christian and feminist, one rooted not in the Victorian era, but rather one suited to the modern world.

The original French edition of this encyclopedia, the Encyclopédie politique et historique des femmes, Second Edition has been lauded by French reviewers, and now Routledge is pleased to publish this acclaimed resource in an English language edition. From the Salic Law in medieval France to the American Revolution to today's women's representation in American and European politics, this valuable resource discusses women's participation in Western political and historical transformation. The 40 authoritative in-depth articles, written by an international team of scholars, examine women's activism in areas such as voting, emancipation, equality, and democracy, providing students and general readers with an indispensable resource.

The Irish New Woman explores the textual and ideological connections between feminist, nationalist and anti-imperialist writing and political activism at the fin de siècle . This is the first study which foregrounds the Irish and New Woman contexts, effecting a paradigm shift in the critical reception of fin de siècle writers and their work.

London's literary and cultural scene fostered newly configured forms of feminist anticolonialism during the modernist period. Through their writing in and about the imperial metropolis, colonial women authors not only remapped the city, they also renegotiated the position of women within the empire. This book examines the significance of gender to the interwoven nature of empire and modernism. As transgressive figures of modernity, writers such as Jean Rhys, Katherine Mansfield, Una Marson and Sarojini Naidu brought their own versions of modernity to the capital, revealing the complex ways in which colonial identities 'traveled' to London at the turn of the twentieth century. Anna Snaith's original study provides an alternative vantage point on the urban metropolis and its artistic communities for scholars and students of literary modernism, gender and postcolonial studies, and English literature more broadly.