On what terms and concepts can we ground the comparative study of Anglophone literatures and cultures around the world today? What, if anything, unites the novels of Witi Ihimaera, the speculative fiction of Nnedi Okorafor, the life-writings by Stuart Hall, and the emerging Anglophone Arab literature by writers like Omar Robert Hamilton? This volume explores the globality of Anglophone fiction both as a conceptual framing and as a literary imaginary. It highlights the diversity of lives and worlds represented in Anglophone writing, as well as the diverse imaginations of transnational connections articulated in it. Featuring a variety of internationally renowned scholars, this book thinks through Anglophone literature not as a problematic legacy of colonial rule or as exoticizing commodity in a global literary marketplace but examines it as an inherently transcultural literary medium. Contributors provide new insights into how it facilitates the articulation of divergent experiences of modernity and the critique of hierarchies and inequalities within, among, and beyond post-colonial societies.

Challenging the notion that Central American literature is a marginal space within Latin American literary and world literary production, this collection positions and discusses Central American literature within the recently revived debates on world literature. This groundbreaking volume draws on new scholarship on global, transnational, postcolonial, translational, and sociological perspectives on the region's literature, expanding and challenging these debates by focusing on the heterogenous literatures of Central America and its diasporas. Contributors discuss poems, testimonios, novels, and short stories in relation to center-periphery, cosmopolitan, and Internationalist paradigms. Central American Literatures as World Literature explores the multiple ways in which Central American literature goes beyond or against the confines of the nation-state, especially through the indigenous, Black, and migrant voices.

Pallas Zenith just wants to save her friends and go home. She has no interest in being a princess and even less in fulfilling prophecies. Once upon a time, Pallas was a normal teenage girl from a troubled family. Then she was kidnapped and taken 90,000 light-years to the planet Titan where she was trained for a mission to gain control of the Celestial Sphere. Now, Pallas and the rest of Gamma Squad have a new quest—to rescue their friends and return home to Earth. Their journey takes them back to Olympus, and then to Phoenicia, where Pallas is unexpectedly made Crown Princess of the Eternal Phoenician Empire. Something strange is happening to Pallas, and all is not well on Phoenicia, but Pallas can’t just leave her friends to die in a civil war. If she’s going to save lives, Pallas will have to become something greater than a princess.

The contentious discourse around world literature tends to stress the ‘world’ in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around ‘world literature’ have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek Attridge’s theory of how literature ‘works’, the contributions in this volume explore in diverse ways and with attention to a variety of literary practices what it might mean to speak of ‘the work of world literature’. The volume shows how attention to literariness complicates the ethical and political conundrums at the centre of debates about world literature.

The theory of “literary worlds” has become increasingly important in comparative and world literatures. But how are the often-contradictory elements of Eastern and Western literatures to cohere in the new worlds such contact creates? Drawing on the latest work in philosophical logic and analytic Asian philosophy, this monograph proposes a new model of literary worlds that is best suited to comparative literature dealing with Western and East Asian traditions. Unlike much discussion of world literature anchored in North American traditions, featured here is the transnational work of artists, philosophers, and poets writing in English, French, Japanese and Mandarin in the twentieth century. Rather than imposing sharp borders, this book suggests that vague boundaries link Eastern and Western literary works and traditions, and that degrees of distance can better help us to see the multiple dimensions that both distinguish and join together literary worlds East and West. As such, it enables us to grasp not only how East Asian and Western writers translate one another’s works into their own languages and traditions, but also how modern writers East and West modify their own traditions in order to make them fit in the new constellation of literary worlds brought about by the complex flow of literary information across twentieth-century Eurasia.

Oona and her friends face their ultimate challenge in the final installment of the graphic sci-fi fantasy series that's Star Wars meets Avatar: The Last Airbender! In the epic conclusion to the 5 Worlds series, the final battle looms as Oona, Jax, and An Tzu travel to the treacherous world of Grimbo (E)! There, Oona must light the last beacon to save the 5 Worlds, but first she has to find it! When Jax saves an old friend, Oona is given a clue to the green beacon's location. Unfortunately, the journey to lighting it on this strange, watery planet is the most dangerous yet. Meanwhile, Stan Moon has one more trick up his sleeve as his frightening powers and mysterious connection to An Tzu continue to grow. How can Oona ever hope to beat him? Can she count on her friends or will a terrible betrayal mean the 5 Worlds will be lost to evil forever? The 5 Worlds series: #1: The Sand Warrior, #2: The Cobalt Prince, #3: The Red Maze, #4: The Amber Anthem, #5: The Emerald Gate

R. J. Palacio, #1 New York Times bestselling author of WONDER, hails this adventure series as “Mind-blowingly beautiful. . . . A must-read.” Think Star Wars meets Avatar: The Last Airbender! The Five Worlds are on the brink of extinction unless five ancient and mysterious beacons are lit. When war erupts, three unlikely heroes will discover there’s more to themselves—and more to their worlds—than meets the eye. . . . • Oona Lee, the clumsiest student at the Sand Dancer Academy, is a fighter with a destiny bigger than she could ever imagine. • An Tzu, a boy from the poorest slums, has a surprising gift and a knack for getting out of sticky situations. • Jax Amboy is the star athlete who is beloved by an entire galaxy, but what good is that when he has no real friends? When these three kids are forced to team up on an epic quest, it will take not one, not two, but 5 WORLDS to contain all the magic and adventure! "A magical journey, as fun as it is beautiful!” —Kazu Kibuishi, #1 New York Times bestselling creator of AMULET "Bang-zoom . . . a series that promises to be epic."—The New York Times “This stellar team has created a gorgeous and entrancing world like no other!” —Noelle Stevenson, New York Times bestselling author of Nimona “Epic action, adventure, and mystery will draw you in, but the heartfelt characters and their seemingly impossible journey will keep you turning the pages.” —Lisa Yee, author of the DC Super Hero Girls™ series