Martyr was written over a three year period between 2015 and 2018. It was begun while Kathleen was living in Algiers, Algeria with her daughter and continues through the summer of 2018 in Oran, Tlemcen, Sidi Bel Abbes, Algeria and through the fall of 2018. In 2008, Kathleen's son Rayan Mehdi passed away and she was inconsolable. This book, MARTYR, is the result of three years of therapeutic writing. Kathleen writes in English but often incorporates Algerian Dardja or Algerian Arabic into her writing. Martyr is the sequel to THE BOOK OF MOULAY, published in 2015. There are also poems written after Kathleen visited Morocco in 2015. There are influences from both countries in the body of her work. Kathleen took her daughter Zahra to Algeria in the winter of 2015 2016 and lived in Algiers in an apartment in a neighborhood called Birmourad Rais. She returned to Algeria in the summer of 2018 and travelled to Batna and drove across the country and wrote and filmed.

NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE NATIONAL BOOK AWARD • NAMED A BEST BOOK OF THE YEAR SO FAR FOR 2024 BY THE NEW YORK TIMES BOOK REVIEW • A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction. “Kaveh Akbar is one of my favorite writers. Ever.” —Tommy Orange, Pulitzer Prize–nominated author of There There “The best novel you'll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness.” —Lauren Groff, best-selling author of Matrix and Fates and Furies Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others.

Bhagat Singh, 1907-1931, Indian revolutionary and freedom fighter.

This study is an inquiry into the intellectual origins of the Reformed branch of Protestantism generally called Calvinism. It focuses on the early theologian who gave formative shape to Reformed theology, Peter Martyr Vermigli.

A first examination of the writings of the Reformed theologian Pietro Martyre Vermigli (1499-1562) in English, especially following his career in Northern Europe from 1542-1562. Appendix I (pp. 467-486): Register Epistolarum Vermigli, a list of 305 letters. pp. 540-585: Bibliography of sources and reference tools, including a full survey of manuscripts and printed editions.

Ancient iconography of Paul is dominated by one image: Paul as martyr. Whether he is carrying a sword--the traditional instrument of his execution--or receiving a martyr's crown from Christ, the apostle was remembered and honored for his faithfulness to the point of death. As a result, Christians created a cult of Paul, centered on particular holy sites and characterized by practices such as the telling of stories, pilgrimage, and the veneration of relics. This study integrates literary, archaeological, artistic, and liturgical evidence to describe the development of the Pauline cult within the cultural context of the late antique West.

"Have you grace to be a martyr?" D.L. Moody was once asked. "No," he replied, "I have not. But if God wanted me to be one, he would give me a martyr's grace." They came from around the world. Administrators, teachers, doctors and nurses, church planters and pilots. Regular people in the prime of life. In A Martyr’s Grace, Marvin Newell tells the individual stories of these faithful men and women who made a difference in the places they served. He also describes—in many cases for the very first time—how Jesus called them home. Their legacies live on in the rainforests, villages, churches, and cities where they died. What is it that compels ordinary people to sacrifice their lives in this way? Only Christ. They didn’t go expecting to die. But they went—having already given their lives.

We have found in our clinical practice that the victim mentality is truly a problem. Most people enter counselling describing themselves in a ‘stuck’ place, unknowingly having fallen into the realms of a victim mind-set. Whether it is by being in difficult and tumultuous relationships, or with a barrage of constant negative self-judgements, people unconsciously create complex layers of addictive patterns of behaviours through self-neglect, substance abuse, eating too much, erratic spending, loving too much, or caring too much, and even shaming and humiliating others and self. Ultimately to survive you can unconsciously fool yourself into believing that you are ‘dealing with it’. As people, our main strategy is survival, our default is to run away from feeling the emotional pain and instead, if left untreated you create dysfunctional protective layers of behaviours and delude yourself into believing you ‘feel better’. The addictive nature of rationalisation, intellectualisation along with denial places a dent in your personal values that reinforces negative messages into your mind, and which further embeds limiting beliefs about you, your relationships and your reality. Just as importantly, this book is not targeted to any person who has suffered a real-life event which has left them being a genuine victim of circumstance. Any of us can fall victim to a real-life event or become a victim of circumstance. Being caught up in a predicament where we had no control over what happened, and nothing we did or failed to do made things happen the way they did, is deeply affecting and disturbing that can eventually be experienced as traumatic. Being a survivor means ‘to take action’ by moving through the ordeal, the pain, the grief and loss in a holistic approach encompassing the mind and body. If not, you can find yourself unknowingly moving into a Victim Life Position and further becoming accustomed to staying in denial, trapped and engaging in self-destructive coping behaviour. If you do not heal through a mind-heart coherence, by embracing the unification of wisdom of mind and heart of compassion, your victim mentality becomes programmed and embedded as your personality and eventually establishes into an identity, where you can no longer recognise its origins. You can end up beating yourself up and ruining valuable relationships. You become a complainer and blamer and can forget ever having made a choice to live this way.