Challenging the human understanding of life and death, the zombie figure represents a fragmentation of personhood. From its earliest appearances in literature, the zombie characterized a human being that was no longer an indivisible whole, embodying the ontological debate over which elements of personhood are most uniquely human. Through its literary evolution, the zombie's missing element gradually approached a finer definition, as narratives moved beyond highlighting metaphysically opaque concepts like "soul" or "will." Studying over a century of American literary history, this book explores how zombies translate cultural concepts and definitions of personhood. Chapters detail how literary zombies have long presented narratives of American cultural self-examination.

Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

This story unfolds in a dystopian future where humanity is on the brink of extinction, overtaken by a deadly virus—COVID-20—that turns people into zombies. In this world, the government has seized control, creating massive camps where zombies are contained, studied, and repurposed. But the twist? Instead of eradicating the zombies, the government has developed a "cure" that keeps them docile, transforming them into obedient workers and stripping away their humanity. The protagonist, David, is one of the few surviving humans assigned to manage these camps, grappling with the surreal and disturbing reality around him. As he struggles with his grief and loss, David begins to unravel the sinister plans behind the government’s actions. The camps, the experiments, and the relentless turning on of the CERN collider hint at something much darker. David suspects that the government is creating a new kind of life form: a fusion of AI, robotics, and reanimated bodies—creatures that don’t just work but could also form an army that could be used for global control. He fears that humanity itself is being phased out in favor of this hybrid race, designed to follow orders without question or soul. Amid this horror, David is haunted by questions: What is the government really planning? Why do they need these hybrid beings? And most of all, what does this mean for the remaining humans like him? The story is a suspenseful journey as David wrestles with the despair of his situation, the loss of his former life, and the creeping realization that he may be humanity’s last line of defense in a world increasingly controlled by the undead and AI. He faces a dilemma: Will he fight back, or will he be crushed under the weight of this new order? In essence, this book is about survival, loss, government conspiracy, and the erosion of humanity in a world where technology and the undead have collided. It explores themes of control, dehumanization, and resistance in a future where the line between life and death has become disturbingly blurred.

This is a seriously fun read. What keeps the zombie swallowing and swallowing? When will they ever get enough? Imagine a world ravaged by a Zombie Apocalypse. What would it look like? You might be familiar with it. “In ZOMBIES R A PROBLEM, Jeff Bates stands out as a deep thinker who utilizes his storytelling talent to encourage youth to think about how to mindfully make wiser, more meaningful, and ultimately more satisfying life choices rather than thoughtlessly going with the societal flow.” - Mark Zeiler, Educator

Growing from their early roots in Caribbean voodoo to their popularity today, zombies are epidemic. Their presence is pervasive, whether they are found in video games, street signs, hard drives, or even international politics. These eighteen original essays by an interdisciplinary group of scholars examine how the zombie has evolved over time, its continually evolving manifestations in popular culture, and the unpredictable effects the zombie has had on late modernity. Topics covered include representations of zombies in films, the zombie as environmental critique, its role in mass psychology and how issues of race, class and gender are expressed through zombie narratives. Collectively, the work enhances our understanding of the popularity and purposes of horror in the modern era. Instructors considering this book for use in a course may request an examination copy here.

In a Howard Zinn-like parody of American history, zombies help create America but are later victimized and eventually demonized by the "land of the free."

The figure of the zombie is a familiar one in world culture, acting as a metaphor for "the other," a participant in narratives of life and death, good and evil, and of a fate worse than death--the state of being "undead." This book explores the phenomenon from its roots in Haitian folklore to its evolution on the silver screen and to its radical transformation during the 1960s countercultural revolution. Contributors from a broad range of disciplines here examine the zombie and its relationship to colonialism, orientalism, racism, globalism, capitalism and more--including potential signs that the zombie hordes may have finally achieved oversaturation. Instructors considering this book for use in a course may request an examination copy here.

Are you prepared for the zombie apocalypse? Surviving a zombie apocalypse is no laughing matter. You need the right guns, the right gear and the right people to survive. Unfortunately the customers of the zombie apocalypse call center don’t have the right guns, the right gear, or the right people supporting them. Now the world has gone mad and zombies are everywhere. Can the customers survive the zombies that are now taking over the world? Can they survive the cutthroat survivalists who are on the hunt for more supplies and guns? Can they trust each other enough to live another day? Find out the fate of the customers of the zombie apocalypse call center in this anthology which shares what happens when the zombie apocalypse gets real.

An in-depth look at the problems surrounding zombie banks and their dangerous effect on the global economy “The title is worthy of a B movie, but it's also apt. Bloomberg News reporter Yalman Onaran, supported by former U.S. Federal Deposit Insurance Corp. chief Sheila Bair - who provides a foreword and numerous interviews - urge that insolvent banks both small and too big to fail be allowed to do precisely that. Reading bank balance sheets is not everyone's idea of a good time. But Mr. Onaran, with support from Ms. Bair, does the chore and explains what it means. Mr. Onaran shows that the process of rescuing dead and dying banks is increasing systemic risk in the global banking system. And that is really more frightening than scream flicks from Tinseltown.” -- Financial Post “Yalman Onaran knows of putrid financial institutions, having written about them in his native Turkey so successfully he brought down a few in Istanbul in the late '90's.” -- Huffington Post “Do We Love Zombie Banks? The new book by Yalman Onaran of Bloomberg News, Zombie Banks: How Broken Banks and Debtor Nations Are Crippling the Global Economy, is a well-organized and clearly written discussion of the use of leverage to provide growth in many different economies. Onaran has carefully researched the zombie phenomenon and makes some important points in this concise volume about both public policy and the concerns of investors. One of the more interesting early threads in the book is the juxtaposition of the experience of the US in the S&L crisis and Japan in the 1980s and 1990s with the US today. Zombie Banks is a good review of the latest thinking about the ebb and flow of the political economy.” -- R. Christopher Whalen, author of Inflated Zombie banking has become standard operating procedure for big debtor nations. They prop up failing institutions, print money, and avoid financial corrections. But in an attempt to prolong the inevitable, bigger problems are created. The approach used now has not, and will not, work. This timely book reveals why. Zombie Banks tells the story of how debtor nations and failing institutions are damaging the long-term prospects of the global economy. Author Yalman Onaran, a veteran Bloomberg News reporter and financial banking sector expert, examines exactly what a zombie bank is and why they are kept alive. He also discusses how they hurt economic recovery and what needs to be done in order to restore stability. Along the way, Onaran takes an honest look at how we arrived at this point and details the harsh realities that must be faced, and the serious steps that must be taken, in order to get things headed in the right direction. Puts insolvent banks and debtor nations in the spotlight and examines how they are crippling the global economy On the record sources include Paul Volcker, Joseph Stiglitz, Sheila Bair, and many more bank executives, regulators, politicians, and policymakers in the United States and abroad Takes the complexity of the current situation and translates it in a way that makes it understandable While the short-term measures taken to stave off depression and rejuvenate economic growth may offer hope, they are unsustainable over the long term. Get a better look at what really lies ahead, and what it will take to improve our economic situation, with this book.

Illusionism is the view that phenomenal consciousness (in the philosophers' sense) is an illusion. This book is a reprint of a special issue of the Journal of Consciousness Studies devoted to this topic. It takes the form of a target paper by the editor, followed by commentaries from various thinkers, including leading defenders of the theory such as Daniel Dennett, Nicholas Humphrey, Derk Pereboom and Georges Rey. A number of disciplines are represented and different viewpoints are discussed and defended. The colleciton is tied together with a response to the commentaries from the editor.