Although Nemesis was already revered in Archaic Greece, the main evidence for worship comes from the Roman Principate. During this period two important facets of the cult were the association of the goddess with the state, and her presence in agonistic contexts. Nemesis, the Roman State and the Games explores these aspects, discerning a possible connection between them. The author begins by discussing the origin and background of the goddess. He then clarifies the ways in which the goddess was enlisted into the service of the Roman emperor and state. Finally, he explains the presence of the goddess almost exclusively at the Roman Munus and Venatio as derived from the function of such games to express the proper order of society. Nemesis represents a significant re-evaluation of the place of Nemesis in the Roman World. The book also provides an invaluable corpus of epigraphic, literary, and iconographic evidence for the goddess.

Archaeological, epigraphic, numismatic, and historical research is used to illuminate the meaning and function of temples in both Jewish and Greco-Roman cultures. This evidence is then brought into a dialogue with a literary analysis of how the temple functions as a symbol in Revelation.

Although scholars employ pictorial material in biblical exegesis, the question of how images from the Ancient Near East can contribute to a better understanding of the Bible has been left unanswered. This is the first monograph to outline a historical method for iconographic exegesis. The methodological study includes both responses to important theoretical questions such as What is an image? and What is culture? and an interdisciplinary exploration of issues of history, art history, archaeology and cultural anthropology. The three-stage method proposed is embedded in hermeneutical and exegetical reflections. The application of iconographical exegesis to the interpretation of metaphors is also considered. In demonstrating the method and its application, Izaak J. de Hulster focuses on Third Isaiah and develops three iconographical exegetical studies on yad in Isaiah 56:5, light in Isaiah 60 and grape processing in Isaiah 63.