Reprint of the original, first published in 1875.

Reprint of the original, first published in 1875.

This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience - including women - than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically attractive to political radicals, progressive theatre professionals, and to the aesthetic avant-garde. All Greek has been translated, and the book will be essential reading for anyone interested in Greek tragedy, the reception of ancient Greece and Rome, theatre history, British social history, English studies, or comparative literature.

John Macrone, who wrote this life of Scott in 1832-3, was admirably suited to the task; for, while he had never met Scott, his friends and associates included Cunningham, Galt, and Hogg, who wrote his Anecdotes of Scott for publication in Macrone's book. A quarrel with Lockhart, however, put a stop to the project, and nothing more was heard of it until the recent discovery of an autograph manuscript, here edited and published for the first time. A well-written and carefully-researched narrative, it increases our knowledge of Scott's life and work as perceived by his contemporaries, as well as enabling us to read Hogg's Anecdotes in their original context. The editor's introduction draws extensively on uncollected and unpublished material to illuminate Macrone's career, in the course of which he became the friend and publisher of Dickens, Thackeray, and Moore.