This book is a comprehensive guide that distills the essence of successful business practices into easily understandable language, reminiscent of wisdom passed down through generations. It aims to equip readers with practical knowledge, offering insights into challenges, perspectives, and solutions without delving into complex statistics, analyses, or intricate management techniques. The focus is on simplifying the understanding of key elements essential for business success. In summary, this book aspires to guide readers in setting up a culture, understanding problems, and preparing for future generations. It emphasizes simple tools that can solve problems without the need for extensive mathematics or statistics. By offering practical and commonsense approaches, the book aims to empower organizations to excel in diverse industries, irrespective of their size or technological prowess.

An international cult classic and a New York Times Notable Book of the Year, The Crying Heart Tattoo follows the unlikely romance between a young man and a woman more than twice his age. Beginning their relationship when Sonny is just fourteen and Felicity thirty-four, the couple share a poignant history together that ends only upon Felicity's passing -- despite four marriages, numerous obstacles, and enough misadventures to challenge the most loyal of lovers. At once heartbreaking and euphoric, their story mirrors the tale that Felicity has passed down to Sonny, a story uncanny in its similarity to their own: when a prehistoric outcast locates her former tribe, she falls in love with a young boy. A masterful novel first published a quarter of a century ago, The Crying Heart Tattoo keeps the impossible within reach, proving once and for all that the struggle for true love is worth everything.

The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento. This book traces the 15 years (1964-1979) leading up to Naná's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Naná's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Naná made music as complex and contemporary as the ARP synthesizers in vogue at the time.

The Grammar and Lexis of Conversational Informal English in Advanced Textbooks defends the view that the acquisition of conversational English depends highly on the kind of materials available to L2 learners. The need to acquire a proficient competence in English is growing exponentially in an incessantly demanding society, but it is the oral skill, and more specifically the ability to communicate in everyday situations, that learners are calling for. The current learning process, nonetheless, is not particularly effective, as is shown in the data collected by the Eurobarometer and published in June 2012, which shows that only 38% of the Europeans surveyed were able to maintain a conversation in English, although 67% believed it to be the most useful language to learn for personal development. The present study supports the idea expressed in The Common European Framework of Reference for Languages, which states that a language is learnt “reactively, following the instructions and carrying out the activities prescribed for them by teachers and by textbooks” (2001: 141). Consequently, these materials should reflect the everyday use of informal discourse and allow learners to analyse, understand and interpret the different underlying messages conveyed by means of lexico-syntactic, as well as paralinguistic, elements. The book is divided into seven chapters in which various different linguistic aspects of conversation are dealt with. In the opening chapters, spoken language is presented and approached as a multidimensional entity, particularly as the sum of lexico-syntactic and socio-linguistic elements. The following chapters provide a description of the main characteristics of conversational English based on corpus-informed grammars and publications. The final chapter analyses twenty ESL textbooks in order to determine how corpus data has influenced the materials designed for the acquisition of conversational discourse.

this book includes all basic grammar and useful for school and college students.

Some of the poems in this book will bring you to tears. Others will make you erupt in laughter. Whatever your reasons may be for reading my book, you will be moved and you will find yourself picking up W.O.W. created w.o.w. often. It is my hope that it garners hope within your breast and reminds you of a HIGHER POWER! Whether this book helps you a little or a lot, please pass any blessings you receive from it, forward.

The first handbook to survey and expand the burgeoning field of corpus pragmatics, the intersection of pragmatics and corpus linguistics.

BAX 2015 is the second volume of an annual literary anthology compiling the best experimental writing in poetry, fiction, and creative nonfiction. This year's volume, guest edited by Douglas Kearney, features seventy-five works by some of the most exciting American poets and writers today, including established authors—like Dodie Bellamy, Anselm Berrigan, Thomas Sayers Ellis, Cathy Park Hong, Bhanu Kapil, Aaron Kunin, Joyelle McSweeney, and Fred Moten—as well as emerging voices. Best American Experimental Writing is also an important literary anthology for classroom settings, as individual selections are intended to provoke lively conversation and debate. The series coeditors are Seth Abramson and Jesse Damiani. Hardcover is un-jacketed.