Maps have always been a fundamental tool in archaeological practice, and their prominence and variety have increased along with a growing range of digital technologies used to collect, visualise, query and analyse spatial data. However, unlike in other disciplines, the development of archaeological cartographical critique has been surprisingly slow; a missed opportunity given that archaeology, with its vast and multifaceted experience with space and maps, can significantly contribute to the field of critical mapping. Re-mapping Archaeology thinks through cartographic challenges in archaeology and critiques the existing mapping traditions used in the social sciences and humanities, especially since the 1990s. It provides a unique archaeological perspective on cartographic theory and innovatively pulls together a wide range of mapping practices applicable to archaeology and other disciplines. This volume will be suitable for undergraduate and postgraduate students, as well as for established researchers in archaeology, geography, anthropology, history, landscape studies, ethnology and sociology.

Historians often assume a one-directional transmission of knowledge and ideas, leading to the establishment of spatial hierarchies defined as centres and peripheries. In recent decades, transnational and global history have contributed to a more inclusive understanding of intellectual and cultural exchanges that profoundly challenged the ways in which we draw our mental maps. Covering the early modern and modern periods, Re-Mapping Centre and Periphery investigates the asymmetrical and multi-directional structure of such encounters within Europe as well as in a global context. Exploring subjects from the shores of the Russian Empire to nation-making in Latin America, the international team of contributors demonstrates how, as products of human agency, centre and periphery are conditioned by mutual dependencies; rather than representing absolute categories of analysis, they are subjective constructions determined by a constantly changing discursive context. Through its analysis, the volume develops and implements a conceptual framework for remapping centres and peripheries, based on conceptual history and discourse history. As such, it will appeal to a wide variety of historians, including transnational, cultural and intellectual, and historians of early modern and modern periods.

The essays in this collection combine historical, cultural, and literary analyses in their treatment of aspects of exile in Irish writing. Some are 'structuralist' in seeing exile as a physical state of being, often associated with absence, into which an individual willingly or unwillingly enters. Others are 'poststructuralist', considering the narration of exile as a celebration of transgressiveness, hybridity, and otherness. This type of exile moves away from a political, cultural, economic idea of exile to an understanding of exile in a wider existential sense. The volume presents readings of Irish literature, history and culture that reflect some of the historical, sociological, psychological and philosophical dimensions of exile in the 1800s and 1900s. The theme of exile is discussed in a wide range of texts including literature, political writings and song-writing, either in works of Irish writers not normally associated with exile, or in which new aspects of 'exile' can be discerned. The essays cover, among others: Butler, D'Arcy McGee, Mulholland, Joyce, Hewitt, Van Morrison, Ni Chuilleanain, Doyle, and Banville.

This innovative volume presents, for the first time ever, cutting-edge research about the Swedish Nobel Laureate Selma Lagerlöf (1858-1940) in one comprehensive resource. Written by scholars from a range of countries, it highlights the interdisciplinarity of current Lagerlöf research and the latest trends in it, frequently cutting across genres, media, and disciplines. The structure of the book - with dedicated sections to performance, film, and intermediality; transnational narratives; and European transmission - is reinforced by the extensive introductory portal. The volume includes a range of illustrations previously rarely displayed, and the notes and detailed bibliographical section will help ensure its position as a platform for Lagerlöf scholarship for years to come. Generously equipped with photos, references, and an extensive bibliography, the volume provides offers a model for interdisciplinary research in the arts and humanities.

Since the end of the Second World War the map of the Americas has changed dramatically. Not only were many former European colonies turned into sovereign states, there was also an ongoing process of region-making recognizable throughout the hemisphere and obvious through the establishment of several regional agreements. The emergence of political and economic regional integration blocs is a very timely topic analyzed by scholars in many disciplines worldwide. This book looks at remapping the recent trends in region-making throughout the Americas in a way that hasn’t been at the center of academic analyses so far. While examining these regionalisation tendencies with a historical background in mind, the authors also answer fundamental questions such as: What influences does globalization have on region-making, both on normative regionalism plans as well as on actual economic, political, cultural, military and social regionalization processes driven by state and non-state actors? What ideas or interests lead states in the Americas to cooperate or compete with one another and how is this power distributed? How do these regional agreements affect trade relations and have there been trade barriers set up to protect national economies? What agreements exist or have existed and how did they change with regard to contents and for what reason? The book informs academic as well as non-academic audiences about regional developments in the Americas, in particular those dating back to the last twenty years. Beyond the primary purpose of summarizing the hemisphere’s recent trends, the book also brings clarification in a detailed but easy to understand way about timely issues regarding the institutionalisation, or lack thereof, of the plethora of regional and sub-regional bodies that have emerged in this hemisphere over the past couple of decades.

How can we talk about World Literature if we do not actually examine the world as a whole? Research on World Literature commonly focuses on the dynamics of a western center and a southern periphery, ignoring the fact that numerous literary relationships exist beyond these established constellations of thinking and reading within the Global South. Re-Mapping World Literature suggests a different approach that aims to investigate new navigational tools that extend beyond the known poles and meridians of current literary maps. Using the example of Latin American literatures, this study provides innovative insights into the literary modeling of shared historical experiences, epistemological crosscurrents, and book market processes within the Global South which thus far have received scant attention. The contributions to this volume, from renowned scholars in the fields of World and Latin American literatures, assess travelling aesthetics and genres, processes of translation and circulation of literary works, as well as the complex epistemological entanglements and shared worldviews between Latin America, Africa and Asia. A timely book that embraces highly innovative perspectives, it will be a must-read for all scholars involved in the field of the global dimensions of literature.

In these essays the author draws on ideas in art history, literature, philosophy and the study of visual culture to subvert the traditional 'positivist' model of cartography and replace it with one grounded in an iconological and semiotic theory of the nature of maps.

Writing Early Modern London explores how urban community in London was experienced, imagined and translated into textual form. Ranging from previously unstudied manuscripts to major works by Middleton, Stow and Whitney, it examines how memory became a key cultural battleground as rites of community were appropriated in creative ways.

Between the late seventeenth and the early nineteenth century, the possibilities for travelling within Britain became increasingly various owing to improved transport systems and the popularization of numerous tourist spots. Women Writing the Home Tour, 1682-1812 examines women's participation in that burgeoning touristic tradition, considering the ways in which the changing face of British travel and its writing can be traced through the accounts produced by the women who journeyed England, Scotland, and Wales during this important period. This book explores female-authored home tour travel narratives in print, as well as manuscript works that have hitherto been neglected in criticism. Discussing texts produced by authors including Celia Fiennes, Ann Radcliffe and Dorothy Wordsworth alongside the works of lesser-known travellers such as Mary Morgan and Dorothy Richardson, Kinsley considers the construction, and also the destabilization, of gender, class, and national identity through chapters that emphasize the diversity and complexity of this rich body of writings.