Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

In bringing biography and celebrity together, the essays in Making Stars interrogate contemporary and current understandings of each. Although biography was not invented in the eighteenth century, the period saw the emergence of works that focus on individuals who are interesting as much, if not more, for their everyday, lived experience than for their status or actions. At the same time, celebrity emerged as public fascination for the private lives of publicly visible individuals. Biography and celebrity are mutually constitutive, but in complex and varied ways that this volume unpacks. Contributors to this volume present us a picture of eighteenth-century celebrity that was mediated across multiple sites, demonstrating that eighteenth-century celebrity culture in Britain was more pervasive, diverse and, in many ways, more egalitarian, than previously supposed.

"The splendour of Asia" by L. Adams Beck. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Ninth Vibration and Other Stories' is a collection of short stories written by L. Adams Beck. A total of eight stories can be found inside: 'The Ninth Vibration'; 'The Interpreter: A Romance of the East'; 'The Incomparable Lady'; 'The Hatred of the Queen'; 'Fire of Beauty'; 'The Building of the Taj Mahal'; 'How Great is the Glory of Kwannon!'; and 'The Round-Faced Beauty.'

Reproduction of the original: The Ladies by E. Barrington

“An intelligent and generous companion to Pride and Prejudice: its author and her era, characters, language, reception, [and] adaptations.” —Sydney Morning Herald Pride and Prejudice has a fair claim to being the world’s favorite novel. Read and studied from Cheltenham to China, it’s been translated into many languages and made into countless films. This book, from longtime Jane Austen Society of Australia president Susannah Fullerton, describes how Austen wrote her masterpiece, its lukewarm initial reception, and its evolving popularity. As well as discussing sex-symbol Mr. Darcy, charming heroine Elizabeth Bennet, and the superb range of comic characters, she discusses the novel’s style: its wicked irony, brilliant structuring, and revolutionary use of the technique known as “free indirect speech.” Readers through the years have both loved the book and hated it, and the reactions of writers, politicians, artists, and explorers can tell us as much about the reader as they do about the book itself. Pride and Prejudice has morphed into many strange and interesting forms: screen adaptations, sequels, prequels, and updates. Happily Ever After explores these—and the wilder shores of zombies, porn, dating manuals, T-shirts, tourism, and therapy. “[The illustrations are] as much fun as the text.” —Star-Tribune “An enjoyable and loyally enthusiastic tribute . . . contains thoughtful plot and character summaries useful for orienting the school student, and is full of trivia for Austen enthusiasts (the term ‘Janeites’ was coined in 1884).” —Times Literary Supplement

This is the first exploration of the performative and theatrical force of Austen’s work and its afterlife, from the nineteenth century to the present. It unearths new and little-known Austen materials: from suffragette novels and pageants to school and amateur theatricals, passing through mid-twentieth-century representations in Scotland and America. The book concludes with an examination of Austen fandom based on an online survey conducted by the author, which elicited over 300 responses from fans across the globe. Through the lens of performative theory, this volume explores how Austen, her work and its afterlives, have aided the formation of collective and personal identity; how they have helped bring people together across the generations; and how they have had key psychological, pedagogical and therapeutic functions for an ever growing audience. Ultimately, this book explains why Austen remains the most beloved author in English Literature.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.