The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form… As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves. H. P. Lovecraft Horror intends to create an eerie and frightening atmosphere for the reader. Prevalent elements include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, dystopian and apocalyptic worlds, serial killers, cannibalism, psychopaths, cults, dark magic, Satanism, the macabre, gore, and torture. Edgar Allan Poe The Murders in the Rue Morgue The Gold Bug The Black Cat The Pit and the Pendulum The Tell-Tale Heart The Fall of the House of Usher The Masque of the Red Death The Cask of Amontillado The Facts in the Case of M. Valdemar Hop-Frog The Raven Bram Stoker Dracula Mary Shelley Frankenstein Joseph Sheridan Le Fanu Carmilla Robert Louis Stevenson The Strange Case of Dr. Jekyll and Mr. Hyde H.P. Lovecraft The Alchemist At the Mountains of Madness Azathoth The Beast in the Cave Beyond the Wall of Sleep The Book The Call of Cthulhu The Case of Charles Dexter Ward The Cats of Ulthar The Colour out Of Space Dagon The Descendant The Doom that Came to Sarnath The Dream-Quest of Unknown Kadath The Dunwich Horror The Evil Clergyman Ex Oblivione Facts Concerning the Late Arthur Jermyn and His Family The Festival From Beyond The Haunter of the Dark He Herbert West-Reanimator The History of The Necronomicon The Horror at Red Hook The Hound Hypnos Ibid In the Vault the Little Glass Bottle Memory The Moon-Bog The Music of Erich Zann The Nameless City Nyarlathotep Old Bugs The Other Gods The Outsider Pickman's Model The Picture in the House Polaris The Quest of Iranon The Rats in the Walls A Reminiscence of Dr. Samuel Johnson The Secret Cave or John Lees Adventure The Shadow Out Of Time The Shadow Over Innsmouth The Shunned House The Silver Key The Statement of Randolph Carter The Strange High House in the Mist The Street The Temple The Terrible Old Man The Tomb The Transition of Juan Romero The Tree Under the Pyramids The Very Old Folk What the Moon Brings The Whisperer in Darkness The White Ship Supernatural Horror in Literature Algernon Blackwood The Willows Francis Marion Crawford The Doll's Ghost Robert W. Chambers The King in Yellow M.R. James Canon Alberic's Scrap-Book Lost Hearts The Mezzotint The Ash-Tree Number 13 Count Magnus The Treasure Of Abbot Thomas A School Story The Rose Garden The Stalls Of Barchester Cathedral The Diary Of Mr. Poynter An Episode Of Cathedral History The Story Of A Disappearance And An Appearance An Evening's Entertainment A Warning To The Curious A Neighbour's Landmark The Uncommon Prayer-Book The Haunted Dolls' House Wailing Well There Was A Man Dwelt By A Churchyard Rats After Dark In The Playing Fields The Experiment The Malice Of Inanimate Objects A Vignette

While best known for literature's greatest, most popular, and most famous vampire novel, Dracula, Bram Stoker also wrote superlative short stories. Indeed, he was a genius at creating horror within the confines of a short tale. Now readers can sample Stoker's mastery in this treasury of fourteen spine-tingling stories. Not all the selections deal with the ghostly and supernatural, but they are always bizarre, and some—like "The Squaw" and "The Burial of the Rats"—are equal to Poe at his best. In addition to these two masterly tales, the collection includes "The Crystal Cup," "The Chain of Destiny," "The Castle of the King," "The Dualists" (probably Stoker's most horrifying story), "The Judge's House," "The Secret of the Growing Gold," "A Dream of Red Hands," "Crooken Sands," "Dracula's Guest," and three more. Lovers of occult and supernatural fiction will delight in this inexpensive collection of ghost and horror stories, called by Stephen King "absolutely champion short stories."

Now available in a value-priced paperback edition, Creepy Archives Volume 8 features the best in gruesomely gore-geous tales of horror, fantasy, and science fiction from a capable cadre of celebrated storytellers including Tom Sutton, Steve Skeates, Wally Wood, T. Casey Brennan, Ernie Colón, and many more. Also featured is a foreword by longtime Creepy scribe Nicola Cuti and a story starring none other than Uncle Creepy himself! Take a break from the mausoleum, hang up your mourning coat, and bury yourself in Creepy Archives! Collects Creepy issues 37–41.

King Kong (Collection) (1968-2008) consist of : King Kong (001-006)(1991-1992) Kong – King of Skull Island (000-005)(2007-2008) Enterprise Special 03 (19xx) (UK) (King Kong Spectacular) Fangoria 249 (2006 King Kong) King Kong (1968) (Gold Key) (Griffin) MAD 464 (2006) April – King Kong Satire Monsters Series – King Kong (text) Philip Jose Farmer – After King Kong Fell (text) King Kong – The 8th Wonder of the World TPB (2005-Dark Horse) King Kong 01 (2006)

Science fiction, fantasy and horror movies have spawned more sequels and remakes than any other film genre. Following Volume I, which covered 400 films made 1931-1995, Volume II analyzes 334 releases from 1996 through 2016. The traditional cinematic monsters are represented--Dracula, Frankenstein, the Wolf Man, a new Mummy. A new wave of popular series inspired by comics and video games, as well as The Lord of the Rings trilogy, could never have been credibly produced without the advances in special effects technology. Audiences follow the exploits of superheroes like Captain America, Iron Man, Spider-Man and Thor, and such heroines as the vampire Selene, zombie killer Alice, dystopian rebels Katniss Everdeen and Imperator Furiosa, and Soviet spy turned American agent Black Widow. The continuing depredations of Jason Voorhees, Freddy Krueger and Michael Myers are described. Pre-1996 movies that have since been remade are included. Entries features cast and credits, detailed synopsis, critics' reviews, and original analysis.