Each year's poem describes the physical growth, emotions, feelings and action of human and its impact on our society. The poetry focus on family and cultural values that leads human to true welfare, supreme good, and lasting happiness. Another aspect of the poetry evolve around behavior of mutual love, honoring each other's individual freedom in such a way that our social atmosphere may become an ideal ground for nurturing the new generations. In the end of each year's poem, there is a spiritual message and I hope that this book may bring more people towards the God.

Vanity Fair 100 Years showcases a century of personality and power, art and commerce, crisis and culture—both highbrow and low—in this collection of images that graced the pages of magazine, and some published for the very first time. From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day. Edited by Vanity Fair editor Graydon Carter, this sumptuous book takes a decade-by-decade look at the world as seen by the magazine, stopping to describe the incomparable editor Frank Crowninshield and the birth of the Jazz Age Vanity Fair, the magazine’s controversial rebirth in 1983, and the history of the glamorous Vanity Fair Oscar Party. “The book is a stunning artifact that begets staring, less for the words and publishing industry than as an exercise in visual storytelling reflected through the prism of society and celebrity. The best photographers, the best designers, the best illustrators all came together over Vanity Fair’s contents, and the book unfolds in page after page of stunningly rendered images, some iconic and some that never even ran.” —New York Times Book Review

Celebrate Zorro's centennial with a massive collector's tome of riches including rare art from Zorro pulp publications, film, television, comics, animation, and pop culture! The Mark of Zorro 100 Years of the Masked Avenger is a beautifully crafted love letter to the storied history of one of the most enduring heroes ever to grace popular culture. Zorro rides again with a wonderful collected edition celebrating the rich history and current exploits of Johnston McCulley iconic hero. From his inception in 1919 to the thriving fan following in 2019, this volume treats readers to a reverent romp through a century of masked heroics. This edition collects the best artwork, film images, and more from the past 100 years of Zorro fandom in one wonderful volume that is perfect for the holiday gift giving season. This is a must-have for hardcore and casual fans of Zorro!

Catalogue of an exhibition held at the Delaware Art Museum in Wilmington, Delaware, Feb. 9-June 1, 2013.

The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.

Collects forty short stories published between 1915 and 2015, from writers that include Ernest Hemingway, John Updike, and Alice Munro that exemplify their era and stand the test of time --

For generations, Canadian artists have made their mark on the world, with countless individuals rising to fame on stage and screen, and as frontrunners in the various arts, inspiring and influencing all who come after them. One of these legends has been largely forgotten, though his contribution to the arts have inspired the likes of Monty Python and Kids in the Hall, and brought hope and laughter to troops serving their countries at home and overseas, all the while pushing boundaries as a prolific artist, illustrator, author, and actor. This book tells the story of forgotten legend John Wilson (Jack) McLaren from his birth in Scotland to his early years in Canada, becoming a soldier in WWI, entertaining his comrades in arms on the stages of Europe, his business career after the war, his deep involvement with the Group of Seven, his membership in Toronto’s famed Arts & Letters Club, and his eventual retirement to the community of Benmiller, near Goderich, Ontario, where he passed away in 1988. His is a story that deserves to be told ... and remembered.

This thirteenth volume in the interdisciplinary Study of Time series explores the way in which limits and constraints impact upon our understanding of time.

This publication is aimed to support two MoMoWo traveling exhibitions which will be presented in six European countries in two years (2016-2017): indoor exhibition catalogue “100 Works in 100 Years. European Women in Architecture and Design. 1918-2018”, and outdoor exhibition “Women’s Tale. A Reportage on Women Designers”. Exhibition catalogue 100 Works in 100 Years. European Women in Architecture and Design. 1918-2018 brings together a selection of some of the most significant and representative examples of European architecture and design created by 100 women from the end of the First World War up until today. The number of works is symbolic, as ‘one hundred’ could also mean ‘countless’ as in the Latin word centium. While, the number of authors –each work has a different author– derives from MoMoWo’s choice to represent many different creators, consequently popularising lesser known figures, too. It includes biographies of women architects, civil engineers, furniture and industrial designers, urban planners, interior and landscape designers. It represents the main trends and major ‘schools’ of architecture and design all over Europe. The biographical data covers education and training, professional histories, networks women have operated in, including informal societies, memberships in trade bodies and associations, their profile as international, national, local and regional designers, as well as looking at how women have promoted their work i.e. in exhibitions, publications, competition entries, etc. The catalogue entries are followed by thirteen thematic essays on women architects and designers and by the outdoor exhibition catalogue “Women’s Tale. A Reportage on Women Designers”, where photographs by ten finalists of the MoMoWo Photo competition are presented. By seeking to identify women who worked in Europe as well as European women who worked outside Europe over last 100 years, the main aim of this catalogue is to increase the awareness of historians and the general public about their enormous contribution to architecture and design, and indirectly providing accessibility to their works. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Razstavni katalog 100 Works in 100 Years. European Women in Architecture and Design. 1918-2018 prinaša izbor nekaterih najbolj reprezentativnih primerov evropske arhitekture in oblikovanja, ki jih je sto žensk ustvarilo v obdobju od konca prve svetovne vojne do danes. Izbrano število del je simbolično, saj 'sto' v latinščini lahko pomeni tudi 'nešteto' (lat. centium), medtem ko število ustvarjalk – vsako delo ima drugo avtorico – izhaja iz namena MoMoWo projekta predstaviti čim več različnih avtoric in s tem posledično osvetliti tudi manj znane osebnosti. Katalog vsebuje biografije arhitektk, gradbenih inženirk, oblikovalk na področju notranjega in industrijskega oblikovanja, urbanistk in krajinskih arhitektk iz 26-tih držav. Zastopane so glavne smeri in pomembne 'šole' na področju arhitekture in oblikovanja iz vse Evrope. Biografski podatki obsegajo izobrazbo in šolanje, poklicno pot ustvarjalk, mreže v katerih so ženske delovale, vključno z neformalnimi skupinami, članstvom v institucijah in združenjih, njihov profil na mednarodnem, nacionalnem, lokalnem in regionalnem nivoju, kot tudi kako so predstavljale svoje delo na razstavah, v publikacijah, na javnih natečajih itd. Kataložnim enotam sledi trinajst tematskih esejev o arhitektkah in oblikovalkah ter katalog razstave na prostem “Women’s Tale. A Reportage on Women Designers”, ki predstavlja fotografije desetih finalistov mednarodnega MoMoWo fotografskega natečaja. S predstavitvijo žensk, ki so delovale v Evropi, in Evropejk, ki so delovale izven nje v zadnjih sto letih je glavni namen kataloga razširiti vedenje strokovne in širše javnosti o ogromnem prispevku žensk na področju arhitekture in oblikovanja in jima hkrati približati njihovo delo. Publikacija je izšla v okviru dveh MoMoWo potujočih razstav, ki bosta v dveh letih (2016-2017) predstavljeni v šestih evropskih državah: razstava “100 del v 100 letih. Evropejke na področju arhitekture in oblikovanja. 1918-2018”, in razstava na prostem “Ženska zgodba. Reportaža o oblikovalkah”.